# create

By [raindrop](https://paragraph.com/@raindrop-2) · 2022-10-21

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![](https://storage.googleapis.com/papyrus_images/9c11586da6491d79ac01c92ddae1136a1cd0f3a1ad7f6e1d6dec18d6f0b95450.png)

Jane Austen's works are like Mozart's concertos, with beautiful melodies in succession. By contrast, this text is like sailing on the sea, floating or sinking. This feeling of being short and out of breath may mean that she is afraid of something, or that she is afraid of being called "sad", or that she deliberately adds more thorns when she remembers that women's works were once called colorful. However, if I had not carefully read one of the fragments, I would not be sure whether it was her or someone else. Anyway, after careful reading, I think she has not lost her vitality. But too many facts are piled up. I'm afraid I can't even use half of a book of this length. This book is only about half the length of Jane Eyre However, she still had a way to get us all - Roger, Chloe, Olivia, Tony and Mr. Bigham - into a canoe going upstream. Wait a minute, I leaned back in my chair and said, I must read the whole book carefully before I make further comments. I told myself that I was almost certain that Mary Kamikel was playing tricks on us. My feeling is like walking on a zigzag railway. When you think the carriage is about to dive down, it rises rapidly. Mary is upsetting the order of expectations. First she broke the sentence, then she broke the order. Well, as long as she does not destroy for the sake of destruction, but for the sake of creation, she naturally has the right to do so.

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*Originally published on [raindrop](https://paragraph.com/@raindrop-2/create)*