Spokesman, Ban Ki-moon

New summer sunlight, in the galleries of the throes of the throes of the throes of the throes of the throes of the throes of the throes of the throes, dressing in the garrison, shattered in the yard and burying a watershed in the mountains.

Many of the Travellers outside the country, some of them were surprised, some were left behind and others were wearing shoes.

Chen’s home is unique and it is the largest building in the hills, under the name of the “births”, where the situation is relaxed, as is the case.

Inclusive and caring.

“We see the thread of the “three-way” in two or nine-room halls, as well as the pottery and grooms on the roofs of those fined, which do not feel that they are “the”, but the hearts and minds of the builders, and what they give to their families. For self-employed purposes, everything is most useful and hopeful that they will survive forever.”

She was impressed by the presence of her family, at the front of the Siad Gate, and by the presence of a cloud at the Museum of the Wide-East Community Process.

Chen’s family was established for fourteen years (1888) and was established for nineteen years (1893), with a “collective” co-sponsored by Chen’s clans in the then-eastern counties, where Chen’s brother came to the canton of the city of Hiroshima, waiting for office and other events. “What are you asked about the particulars of my fellow tourists? Indeed, this year, museum tourists sprayed wells. I am also impressed by the fact that the visitor’s name is a powerful one.”

In 1959, a museum of popular crafts was set up at the site of Chennai, and over the years tens of thousands of valuable artefacts and modern artefacts were collected. The permanent exhibition “Handnan Homes” “Youth Tribes” and additional exhibits, such as the “old home in the State of Hiroshima”, provide insights from different perspectives about the ancient nature of the Hiroshima civil process.

In fact, the museum itself, the home itself, is a great and well-known collection —

It is a visible “middle building pear” of meat, carvings, rocks, grey, pottery, copper moulding and colouring, and it is also an intangible blessing and thumb of the blessings that are engulfed by the sculf of the sculpture and the casing of the thrones of the coltan.

Behind the home is a great deal of collection itself.

Moreover, after that step, in addition to being surrounded by their skills and sensitivities, if left behind, you can feel their breathing, long and unpainted —

“Every brick on this wall will be “respiring” and wet and discharges depending on environmental changes.” “For example, its three roadsides, as well as the young clouds, will be felt in the summers; it will be embarrassed through the building of rocks, black waves, in the middle of the hills, with high roofs. As for the direct slope ridges, various ridges, etc., the damage to the building from the typhoon can be easily reduced.” Previously, the Director of the Institute of Midangnan Construction of the University of Hiroshima, who had been interviewed by the press, Tomhua, and the non-generated grey, had been in the village, as was the case.

“Everything done by the former is addressing the erosion of human beings by nature, the greatest value we want to see ancient buildings. Rather than merely seeing how it bleak.”

In the Church of the Islamic Republic of Iran.

There is a bookkeeping feature in Chennai, which is extremely brief and fuelling the process. Material forms can be rebuilt, eroded and rebuilt, while expectations in the field are not extinguished. Age-old information and contemporary efforts have been floated in the air and have been reconnected with all wisdom and emotions in this huge building in the west of the city of Hiroshima.

One hundred and thirty years have passed, and there is still a full life cycle.

Li Jinsheng, Secretary of the Party committee and chairman of China Foreign Culture Group Co., Ltd., Yang Xiaobo, deputy director of China cultural relics exchange center, Chen Nan, Vice Consul of culture of the French Consulate General in Shanghai, and nearly 100 guests from the cultural and Expo circles, cultural tourism industry and cultural and art circles in Shanghai attended the opening ceremony.

Meet Museum • Shanghai Jing’an museum is located in Jing’an xinyefang Park, 210 Wenshui Road, Jing’an District, Shanghai, with an exhibition space of nearly 7000 square meters. In 2020, with 378000 visitors, the museum ranked third in the number of visitors received by Shanghai Art Museum and first in the list of Shanghai private art museums. The reconstructed “Chinese and foreign art reception hall” meets the museum • Shanghai Jing’an Museum, relying on the unique positioning of China foreign culture group as the national team and main force of China’s foreign cultural exchange and trade, will hold 8-10 authentic art exhibitions and “meet” series of original light and shadow art exhibitions every year, as well as “Art Salon” and “diplomat’s night” and other activities from time to time, Contribute to the construction of Shanghai into an outstanding global city and a socialist modern international metropolis. One belt, one road, one China, one another, will be developed and spread.

Create a “Chinese and foreign art reception hall” to gather the world’s top cultural and Expo IP

Li Jinsheng, party secretary and chairman of China Foreign Culture Group Co., Ltd., said that the cultural movement is linked with the national movement, and the cultural context is connected with the national context. “Chinese and foreign art reception hall” meets the museum • Shanghai Jing’an Museum, which is committed to carrying out innovative services to better integrate cultural relics into life and serve the people, actively expand cultural relics foreign exchange platforms, and enhance the international communication capacity of Chinese culture through multiple channels. By creating a high-quality platform for the gathering of top IP of Chinese and foreign culture and art, we will hold more art exchange activities that win people’s reputation, so as to further promote cultural exchanges and mutual learning, promote people’s solidarity, and actively tell Chinese stories and spread Chinese voice to the world.

Yang Xiaobo, deputy director of China cultural relics exchange center, said in his speech that the “14th five year plan” for cultural relics protection and scientific and technological innovation proposed that the number of national record museums would reach 6500 by 2025, the number of annual exhibitions is expected to reach 30000, and the number of annual visitors is expected to reach 1.4 billion. Meeting Museum • Shanghai Jing’an museum is an important embodiment of the implementation of the plan by social forces. She appreciated Shanghai’s efforts to promote the construction of facilities, content and brand of cultural and art venues in recent years, so that Shanghai has formed a leading national and global museum development advantage.

According to the insiders of Shanghai culture and Art Expo, Shanghai currently has nearly 250 record museums and art galleries, with an average of less than 100000 people. There are more than 2.3 million pieces / set of cultural relics and art collections, about 2000 exhibitions are held every year, and 20 million visitors are received The Art Museum has become an important entrance for Shanghai to promote the development of culture and tourism industry and attract tourists at home and abroad.

Qiu Tong, chairman of Beijing Zhongchuang cultural tourism and cultural industry group, said that the meeting Museum • Shanghai Jing’an museum was transformed from the original Minsheng Modern Art Museum, which was jointly invested and operated by China Culture International Travel Service Co., Ltd., a subsidiary of China foreign culture group, and Beijing Zhongchuang cultural tourism and cultural industry group. The two sides are highly consistent in the concept of cooperation and development, and will work together to build Shanghai into an international cultural metropolis.

Wang Lu, general manager of China Culture International Travel Service Co., Ltd., said that at present, due to the continuous impact of the epidemic, entry-exit cultural exchange activities are limited. It is necessary to change ideas and innovate ways to promote multi-level dialogue among civilizations. Shanghai Jing’an museum will provide visitors with colorful Chinese and foreign art classics and create a leisure place and social space for immersive cultural and artistic experience. I believe that Jing’an museum will become another new punch in place for Shanghai citizens in the future and will be warmly welcomed by overseas people working, studying and living in Shanghai, It will also attract the active participation of many well-known cultural and Expo institutions at home and abroad.

Meeting impressionism will take you to appreciate the evolution of European art

“Meet Impressionism • dawn of Normandy: the evolution of European painting in the 19th century” and “meet ancient Egypt • golden mummy” opened at the same time. From ancient Egyptian civilization to European painting in the 19th century, they realized the space-time intersection and dialogue of history and art in Shanghai Jing’an Museum, bringing the audience multi-cultural spiritual enjoyment.

“Meeting Impressionism • the dawn of Normandy: the evolution of European painting in the 19th century” is hosted by China Culture International Travel Service Co., Ltd. and Beijing Zhongchuang culture, tourism and cultural industry group. The French Consulate General in Shanghai, the Normandy Painting Association of France, the Franciscans Museum of Deauville, France and Paris bosxin Art Management Co., Ltd. are the exhibition support units, The Institute of higher culture and art management in Paris, France, provides academic support.

This exhibition focuses on Normandy. From the artists associated with Normandy, we can clearly see the traces of various artistic changes in 19th century art from Romanticism, realism and Barbizon to Impressionism, Neo Impressionism and symbolism, which provides a special perspective for us to understand western art.

The exhibition is divided into five parts, namely “the scenery is unique here”, “Barbizon and Normandy”, “Monet: I come from Normandy”, “the cradle of impressionism” and “forever Normandy”. The exhibits are all 61 authentic masterpieces collected by the Normandy Painting Association of France. The participating artists include French painting masters such as Delacroix, Courbet, Corot, Manet, Monet and morizo.

Meet the echo of ancient Egyptian civilization

“Meeting the ancient Egyptian golden mummy” landed in Shanghai just after the special exhibition in Beijing. This exhibition is organized by China

According to the big data of the same journey, Yinghua avenue of Wuhan University, Yuyuantan Park in Beijing and Yuantouzhu in Wuxi are the three cherry viewing attractions that users pay most attention to. This year, there is more precipitation and lower temperature in the south of the Yangtze River, and the flowering time is 5-6 days later than in previous years. The climate returned to warm in March, and the Yangtze River Basin entered the flowering period. The flowering line continued in Beishang in late March. The flowering time of cherry blossoms in North China is basically the same as last year, and the cherry blossoms around Bohai Bay will begin to arrive as scheduled in April.

In addition, Beijing Pinggu peach blossom sea is adjacent to Beijing, attracting residents around Beijing, Tianjin and Hebei, becoming the most popular peach blossom scenic spot in China. The peach blossom sea of Tibet Nyingchi hidden in the embrace of snow mountain grassland is praised as a “human surprise” by the same trip users, and its attention ranks second in the country. The flowering period of peach blossoms in most parts of the country this year is the same as that in previous years. Due to more precipitation and lower temperature in South China, the flowering period is 4-6 days later than last year.