Indeed, since this year, Lee has not been openly visible, and at the recent launch of the Plan of Action for the Construction of the Inexpensive Cities of China Telecommunications Helping the City of Our Push, a Chinese telephony, the new Director-General of Telecommunications, Ho Chi Minh, was also active in the field.

Lee is well known for his career, as he has been the chief manager of the Chinese telecommunications company, the first largest of China’s telecommunications, for a period of 10 years, born in 1965, at the age of 58 this year, and is now on the second line.

Telecommunications has been a strategic unit for telecommunications in China, and the Managing Director of Deep Telecommunications is treated by the Deputy General Manager of the Provincial Corporation.

He was a great deal of experience in the work of the geo-market sub-components, who had been in the positions of Deputy Chief Telecommunications Manager of the Jiang, General Telecommunications Manager of the Canton of Tide, General Manager of Telecommunications in East Java, General Manager of Telecommunications in the State of Hiroshima, and had accumulated considerable experience in the management of the operations of the sub-corporate.

It is worth noting that, in the recently launched “Stop 33 of China’s telecommunications sub-corporate of 2023”, the development of telecommunications in the State of Hiroshima followed only the second name of the deep telecommunications subgroup, which gave the Ho Chi Trung to the Chief of the Group’s First Metropolitan Sub-corporate to be able to adapt very quickly to his operational capabilities and to have no more suitable candidate than him.

Deep telecommunications have been strongly supported by provincial companies and even groups, both in the form of hospitality and profit, and a company’s turnover has been a cause for concern, with the Ho Chi Minh shaping a good footprint within a short period of two years for the Attorney-General’s General for Telecommunications in the State of Hiroshima, while leading the State to hand over a perfect response to telecommunications, which will now be a new “opening”.

For the second consecutive quarter, SK occupants suffered a loss of about 60 per cent. The depth of the storage chip industry is currently declining, but the company suggests that the worst period has passed.

Kim Woohyun, Chief Finance Officer, stated in a statement that “the storage of chip markets are still in serious condition, but appear to be in the bottom”. SK occupants indicated that sales are expected to resume during the current quarter and that the situation in the storage chicken market will begin to improve in the second half of this year.

Helicopters indicated that a series of post-natal reductions were carried out in the industry, and that the level of stock of the clients’ stores decreased throughout the first quarter. In addition, the company indicated a decline in the stock level of its clients’ store cores, indicating that the cut-off measures initiated last year had begun to become smooth.

To cope with the continued price fatigue resulting from a sharp decline in global chip demand, three-star electronics rarely announced production reductions in early April. Earlier, manufacturers of storage chips such as SK jets, glasses, western data and arsenic had started production cuts.

In the face of the current price competition in the SSD storage market, three stars, SK occupants, etc., are quite difficult because they are not entirely advantageous compared to national deposits, and the impact of reduced yields has not been affected, after which some national storers, TB SSD, are able to achieve about $469.

“Sarina played her mother’s tenderness and simplicity to the point”; “Seeing Mr. SA is like watching your mother”… In the just concluded hit drama “the world”, Li Suhua, the mother of the Zhou family, was played cordially and moving by SA Rina. Whether it is the concern for the three children or the hand in hand with his wife in a stormy life, the audience often shed tears. In an exclusive interview with reporters, Sarina admitted that shooting “the world” was a particularly pleasant creative process. She devoted herself to it and didn’t neglect a lens. “That’s what I felt when I made” Chuang Guandong “more than ten years ago. After that, I always wondered whether I could reach that beautiful and selfless state again until” the world of men. “

● from the age of 26, the more you play your mother, the less space you have

Sarina: I knew director Li Lu before. He invited me to shoot the name of the people, but I didn’t have time at that time, so I missed it. Until “the world”, he said hello to me when he was working on the script, hoping I could read the original. I soon finished reading the novel. I was very, very shocked. I was really honored to play one of the characters in such a work. I got the script in January and February last year and started writing for five months.

Sarina: in fact, there are more mothers in the original work than in the current play. She used to be a street activist. Although she didn’t have much culture, she was very reasonable and did things in a lively manner. If these things are hidden in the script, I’ll play the warmth of my mother. In fact, I don’t have a lot of scenes. There are about 220 scenes. Some are lying in bed and some are confused. In fact, I don’t participate in the ups and downs of the whole plot, but she is indispensable to this family.

There is a sentence on the cover of the original book, “in the fireworks on earth, show morality and responsibility; in the joys and sorrows, express feelings and aspirations”, of which the only four words that have the greatest relationship with mother are “fireworks on earth”. If you compare home to a tree, your mother should be the root. You can’t see her at all. Your father is the trunk and your children are the branches and leaves. Only the deeper the root is, can the trunk be tall and straight and the branches and leaves be luxuriant.

Sarina: very difficult. In fact, I began to play my mother at the age of 26. After playing so many, the more I play, the less space it gives me, because the commonness of my mother has accounted for a large part, including her love, warmth and kindness. In fact, the part left is only her personality and the different ways she expresses her love. Li Suhua’s mother is also different from others. At that time, she just wanted to make her more realistic, more like the mother of a neighbor that all viewers can see, or who’s grandmother, so that she can go deep into everyone’s memory.

When I was chasing the play, I saw the scene of our Chinese New Year. There was a bullet screen saying “how do I feel like a documentary”. At that moment, I really felt that my efforts to express this character made the audience feel very happy. There are also many audiences who say that “I suddenly think of my childhood. I want to go back to see my mother”. This is the happiest time to be an actor.

Sarina: Yes, indeed. When we first entered the interior scene for filming, we were shocked when we entered the house. The stove for making fire, the small pot for cigarette oil on the stove barrel, and the small table on the Kang… These details were perfect, which made me go back to my childhood at once. Lei Jiayin [microblog] said that he wanted to pay tribute to his father in this play. I think what he paid tribute to is not only that generation, but the suffering and dedication experienced by generations after the founding of new China. They are very warm and kind, and they have so many shining things on them.

● the red sweater woven for her daughter symbolizes blood connection

Sarina: we are all very mature actors. We don’t need to have all kinds of running in together. We can find the state and relationship of the characters in an instant. The same is true in life. The big guys are in a lounge and chatting about the play every day. They call Mom and dad every day. The snack goods of the crew often order takeout. Everyone is as close as a family.

Sarina: Although mother loves every child, she still has a slight preference. She was kind to her boss Bingyi, but she actually respected him in the back, because he was far away from his mother and his position was too high. In one scene, she really forgot Bingyi. In the end, her mother remembered Zheng Juan and her little son Bingkun, and her father.

Her feelings for her daughter are rarely shown in this play. When I was reading the script, I also felt that there was some lack of emotion between Zhou Rong and her mother, so I suggested adding the plot of red sweater. There is a line that my mother has forgotten that her daughter went to college in Beijing, but she still remembers to knit a red sweater for her daughter every year. After saying it, Song Jia [microblog] also said, “Oh, it’s so heartbreaking.” Why use a red sweater? I hope it has a symbolic meaning. No matter where the daughter goes, she is connected with her mother by blood. Later, at my mother’s funeral, my daughter put on a red sweater, which I discussed with the director and Song Jia.

Sarina: it was taken all day and the children cried all day. Yin Tao [microblog] came up and hugged, “Mom, don’t you want us?” my tears almost came down, but I couldn’t move. We’ll watch the scene when the play is cut out. Whoever looks at it will cry. My heart hurts. Later, the director also took away some heart piercing details for fear that the audience could not stand it.

Sarina: the love between Zhou Zhigang and Li Suhua reflects the commitment and persistence of love in that era. Zhou Zhigang is a third tier construction worker. He is away from home all year round. The couple get together less and leave more. Therefore, their love is really cherished every minute and every second. So when I deal with it, Li Suhua is sometimes a little shy like a girl. Although missing is very bitter, it is also very sweet.

● it is a responsibility to play “national Mother” well

Sarina: I really don’t mind, because being an actor is like this. You can play whatever character you can play. My first old lady was not in a TV play, but in a graduation play. At that time, I was only 20 years old and the youngest in our class. At that time, I was a little worried. The teacher said I needed to exercise. Later, I also thought that no matter what I was asked to play, no matter the size of the role and the number of parts, I would play her seriously