China’s national flights indicated that the increase in business income during the reporting period was mainly due to increased corporate input, while at the same time a substantial increase in business income was driven by both passenger and price levels. The net loss of profits attributed to shareholders in a listed company is mainly due to increased input from the company, while at the same time a substantial reduction is driven by a double-turn in passenger rates and prices.

Photo sources: Chinese national flights

The Chinese latitude noted that, according to the March operation data disclosed by previous national flights, their passenger traffic inputs increased by 4 per cent on the same scale and 12.1 per cent on the ring; the turnaround rate for passengers rose by 275.2 per cent on the same scale and by 6.1 per cent on the ring. In addition, the average passenger seating rate was 69.6 per cent, an increase of 9.4 per cent compared with a decrease of 3.9 per cent in the ring ratio.

On 30 March, China’s annual report on the disclosure of Chinese flights, the company achieved an operating income of $52.89.8 million in 2022, a decrease of 29.03 per cent, and a net profit loss of $3.86.19 billion, a loss of $16.64 million over the same period last year.

With regard to secondary markets, China’s national shipping shares rose by 1.97 per cent over the previous transaction date and were reported at $10.36. At present, the market value of the total market value is $167.8 million. (Recent latitude APP)

01 should Chinese ink painting be westernized?

The traditional ink painting in your impression is opposite to the concept of Western oil painting system: Traditional Chinese painting.

The creation methods of traditional Chinese painting are generally fixed. According to the theme, it is divided into: flowers and birds, landscape and characters; According to the creative techniques, it can be divided into freehand brushwork and meticulous brushwork.

However, around 1985, the trend of western modern art entered China, and ink painting began to gradually move from classical to modern.

His creation also entered the stage of overall Westernization.

Influenced by the creative techniques of western modern art, artists began to imitate the creative methods of western modern art, such as the abstract painting school we all know.

The artists directly transplant these forms of ink painting.

Because western expressionism is close to the creation method of ink painting, it has become the first choice for many artists to use the viewpoint and method of Expressionism to transform the traditional ink painting.

Such paintings are therefore called performance ink.

Specifically, artists keep painting with pen, ink and rice paper. In the process of creation, they use some artistic symbols and composition methods that only they can understand, which makes the picture more impact, which is contrary to the gentleness and elegance of traditional ink and wash.

Moreover, artists express their emotions and explore the complex spiritual world by expressing the creation of ink painting, which is very different from the style of indulging in landscape, flowers and birds in traditional ink painting.

There are also artists who do not agree with the overall westernization and copying western modern art.

They began to look for a way to integrate Chinese and Western painting from Chinese folk art.

Some painters have integrated folk traditional arts such as folk murals, paper-cut, New Year pictures and embroidery into ink painting, which is refreshing.

The “half painting exhibition” held in 1985 focused on the charm of this innovative ink painting. Pu Guochang, a famous painter in this exhibition, clearly believes that his ink painting creation is a rebellion against traditional Chinese painting.

This is first reflected in the artistic expression of Pu Guochang’s paintings. Pu Guochang not only introduced many folk customs, but also broke the forbidden zone of “ink and water first” and reused color ink, especially the three folk extreme colors of magenta, blue and yellow.

Secondly, he changed the lonely and cold artistic style of traditional literati painting and pursued the sense of overlap, interleaving and accumulation.

He often stitches the elements of a variety of things together, making his works give a strong visual impact and look mysterious.

Although these types of “new ink” broke the pattern of old art to a certain extent, this creative method gradually fell silent after 1989.

Overall Westernization does not seem to find a perfect solution for the modernization of ink art.

02 where is the dilemma of ink painting?

The dilemma of Chinese ink painting has existed for a long time.

In the development of more than 2000 years, traditional ink painting has gradually formed the standard of strict creative form that we are now familiar with.

Such a super stable system makes the creative concept of traditional ink painting rigid and obsolete, which has been abandoned by modern art.

Therefore, many artists began to find a modern way out for ink painting.

However, in the previous section, our overall Westernization in the 1980s triggered the first major debate among artists.

Swallowing the achievements of Western art in a short time will not only cause indigestion, but also show the problem of taking the West as the standard too much.

Moreover, many young artists began to realize that it is impossible to make a difference by completely imitating the techniques of Western art.

If we do not create based on our traditional culture and reality, China’s modern art will never be born.

Therefore, the thinking of traditional ink art began to return to the sight of artists.

Many artists began to improve the ink language and stopped painting in the traditional way of writing.

This has triggered the second big debate about modern and contemporary ink painting: can modern ink painting, which no longer uses traditional pen and ink techniques, or even brush or rice paper, be called ink painting?

We know that there are three essential elements for the creation of traditional ink painting: brush, rice paper and ink.

However, modern ink painters often use some new techniques in the creative process: row brush, collage, spraying, rubbing and so on.

In terms of tool selection, it is no longer limited to the brush, and non-aqueous materials such as paint and pencil began to compete with the brush.

The display of ink painting has also been transformed from paper to photography, devices and so on.

Via: @ Baru sauce

In fact, this change is inevitable. There is no need to rush to oppose it with traditional ink painting.

These changes stem from the artist’s response to the changes in the display mode and aesthetic needs of modern art.

Via: @ lumantuo

For example, traditional ink paintings are generally viewed and played close in our hands. Now we appreciate art works and keep a certain distance from the paintings after entering the exhibition hall.

This requires the work to have a certain impact on the overall vision, rather than local refinement.

And the traditional techniques can not meet the expression of spirit and inner feelings emphasized by modern ink painting.

It can be seen that embracing new tools for creation is an inevitable choice for ink artists.

The change of creative tools often leads to the change of cultural style, which is the inevitable change brought by development, rather than the transfer of manpower.

When contemporary artists accept new tools and materials, they find a new way to express their opinions and feelings.

03 where is the way out of ink painting?

Since the 1980s, the creation of Chinese ink painting has experienced a process from the overall acceptance and integration of western modern art, to rethinking and affirming the value of traditional ink painting, and then to changing the creative skills of traditional ink painting to form a “new ink painting” with both ancient charm and modernity.

Via: @ Third Master Z is not online

China’s contemporary “new ink” began to have a creative system that is connected with traditional ink and different from traditional ink.

The content of creation has gradually changed from the expression of the artist’s own spiritual world to the discussion of social practical problems.

Contemporary Abstract ink painting is a good example.

Abstract ink painters emphasize the impact of pure artistic expression and picture sense, so as to vent the passion of life and spirit.

For example, the painter Shi Guo used rubbing to create ink and wash

Wen / Chen Gen

With the transformation of social age structure and the change of social background, the “35 year old threshold” is facing more and more practical challenges. Breaking the “35 year old threshold” is becoming a trend.

“35 year old threshold” has aroused concern again.

Recently, Jiang Shengnan, deputy to the National People’s Congress, suggested that the “35 year old threshold” for the employment of civil servants should be gradually liberalized. Jiang Shengnan said that the abolition of the 35 year old threshold limit in the civil service examination will play an exemplary role in the whole society and become a reference criterion for social organizations and individual behavior. It is conducive to solving the age discrimination in the employment market and has a great impact on the birth, marriage and pension of the whole people and the social mentality. Soon, the topic of “proposing to cancel the 35 year old limit in the civil service examination” ranked first on the microblog hot search list on that day.

As we all know, the 35 year old threshold is an old problem of employment discrimination. The dilemma behind the age of 35 exists objectively. Therefore, in the past, setting a threshold for the age of 35 did have considerable practical considerations. However, with the transformation of social age structure and the change of social background, the “35 year old threshold” is facing more and more practical challenges. Breaking the “35 year old threshold” is becoming a trend.

Where does the 35 year old threshold come from?

35 is the watershed age for one’s career development.

Looking at the recruitment information, especially the recruitment of new grass-roots employees, most of them take the age of 35 as the upper limit. In the face of such requirements, job seekers over the age of 35 can only sigh. As early as 2007, scholar Zhou Wei conducted a survey of 300000 job advertisements in Shanghai and Chengdu and found that more than 80% of the job requirements in Shanghai are under the age of 35, while this proportion is close to 70% in Chengdu.

In fact, a person usually enters the workplace around the age of 20. In less than 40 years of working life, the age of 35 is an eye-catching watershed. Some people are promoted and paid to become the backbone or core employees of the unit, while others can’t get up or down. These people still haven’t achieved good results at the age of 35 and are still in low-end positions. They are not only aging knowledge, declining physiological function, doubling family pressure, physical strength There are some problems in energy and efficiency.

The maximum age limit for civil servants across the country is generally 35. Therefore, for employees who are basically hopeless for promotion and job hopping, the age of 35 is an insurmountable crisis. It can be said that 35 has become an insurmountable age barrier when people choose a job.

Of course, whether the civil servant examination is good or all kinds of occupations other than civil servants, in the past social background, the formation of the “35 year old threshold” does have considerable practical considerations. For example, it corresponds to the youth of the social age structure, the sufficient supply of labor force, and it also gives consideration to the selection efficiency and fairness.

After all, as far as the general law is concerned, everyone’s creativity is not innate. With the rapid growth of knowledge and insight and the healthy growth of the body, creativity began to explode around the age of 20; By the age of 30, although it began to decline, due to the increase of experience and the enhancement of understanding of the law, the creative ability increased instead of decreased; Peaked around the age of 37.

Because of this, employers usually prefer young people when recruiting grass-roots employees. Although the best age zone has not been reached in their 20s, if we can pay close attention to the training and development of employees before the arrival of the best age, on the one hand, we can enable new employees to accept and integrate into the organizational culture of the unit as soon as possible, on the other hand, we can enable new employees to enter the best age zone as soon as possible, form a higher peak and make more contributions to the unit.

From the perspective of psychology, 35 years old is considered to be the age of superposition of physiological inflection point and social role inflection point. The research of the scientific team of Stanford University School of medicine shows that there are three obvious turning points of aging in people’s life cycle: 34, 60 and 70, of which 34 is the first and most relevant and meaningful turning point in the workplace. In the early stage of adulthood, people’s mental development will be stable, and their mental development will be stable in about 10 years.

In addition, people’s physiological function is also aging from around the age of 30, coupled with the continuous transformation of family and workplace roles and the gradual increase of work pressure. For this, if we can not overcome it well, it will produce the phenomenon of “job burnout”.

Therefore, in the past, when the social age structure was relatively young and the supply of labor force was relatively sufficient, both civil servants and enterprises preferred to set the “35 year old” as the upper age limit in order to create the greatest value.

The negative impact of the 35 year old threshold is prominent

Of course, society is always changing. Although the “35 year old threshold” has certain positive significance, it is undeniable that at present, its negative impact is more obvious, especially the “35 year old crisis”. Its causes are diverse and complex, and it has become a social problem that can not be ignored.

On the one hand, the “35 year old threshold” is aggravating the structural employment contradiction in the period of transformation and adjustment. In 2020, China’s working age population aged 16 to 59 will be 880 million, a decrease of more than 40 million compared with 2010. The proportion of working age population in the total population continues to decline, corresponding to the deepening degree of aging. At the same time, the total number of people over the working age of 35 is on the rise. In 2020, the average age of China’s population is 38.8 years old, that is to say, the limit standard of 35 years old has been lower than the average age of society.

In addition, in 2011, the average length of education of China’s social working age population was 7.5 years. By 2020, it has been raised to 10.8 years old and will continue to rise to 11.3 years old during the 14th Five Year Plan period. Moreover, in recent years, many domestic enterprises, especially high-tech and Internet enterprises, tend to the recruitment principle of “short-term” and “younger”, which also greatly limits the career development space of people over the age of 35.

also

Yangcheng Evening News reporter learned that from now on, “China Consumer Association 3C home appliance online consumption education base” has settled in Jingdong app. Consumers can log in to Jingdong app and search for keywords such as “China Consumer Association” and “education base”, or log in to the home page of Jingdong app → click the icon of “Jingdong electric appliance” → click “classification” → “education base of China Consumer Association” to find the education base.

It is reported that through the base, consumers can understand the latest comparative test of 3C household appliances organized by the Consumer Association, obtain consumption guidance for purchasing and using 3C household appliances, and know the ways to protect their rights after encountering consumption disputes [entering black cat complaints]. The consumer association will also regularly invite experts to consult and answer questions, provide consumers with professional household appliance consumption knowledge, help consumers improve their awareness of rights protection and self-protection ability, and develop a scientific, rational, healthy and safe consumption mode.

“Where consumers are, consumer education should reach them.” Zhu Cambridge, vice president and Secretary General of China Consumer Association, said that with the rapid development of China’s network economy, online retail plays an increasingly important role in promoting consumption, stabilizing foreign trade, expanding employment and ensuring people’s livelihood.

At the same time, many young and emerging consumers gathered on Internet platforms such as online trading platform, information search platform and experience sharing platform are the main force of consumption in China at present and in the future, and also the key object of consumer education organized by the consumer association in the future. Therefore, based on the traditional consumer education of “entering the community”, “entering the countryside”, “entering the school”, “entering the unit” and “entering the commercial building”, the China Consumer Association complies with the new trend and requirements of the change of the consumer environment and puts forward the new goal of promoting the “entering the platform” of consumer education. The purpose is to give full play to the advantages of the platform, such as large number of online people, wide coverage and unlimited time and space, further broaden the channels of consumer education, enrich the forms of consumer education, improve the effectiveness, convenience and accessibility of consumer education organized by the Consumer Association, and make consumer education play a greater role in optimizing the consumer environment, releasing consumption potential and cultivating scientific and rational consumers.

In the future, the China Consumer Association and the consumer associations of relevant provinces and cities will continue to explore and expand the mode of online consumption education, constantly standardize the construction of consumption education base, improve the category and scale, and better fulfill the legal responsibility of “providing consumption information and consulting services to consumers”.