<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/">
    <channel>
        <title>Justin Roberts</title>
        <link>https://paragraph.com/@justin-roberts</link>
        <description>undefined</description>
        <lastBuildDate>Wed, 15 Jul 2026 10:41:10 GMT</lastBuildDate>
        <docs>https://validator.w3.org/feed/docs/rss2.html</docs>
        <generator>https://github.com/jpmonette/feed</generator>
        <language>en</language>
        <image>
            <title>Justin Roberts</title>
            <url>https://storage.googleapis.com/papyrus_images/7c463d3ddfe1aebf2746ef6f0e15a4f10d412a6df37fc7b8fc5c7b23dfe55a28.png</url>
            <link>https://paragraph.com/@justin-roberts</link>
        </image>
        <copyright>All rights reserved</copyright>
        <item>
            <title><![CDATA[Introducing Dream Sequences by Justin Roberts]]></title>
            <link>https://paragraph.com/@justin-roberts/introducing-dream-sequences-by-justin-roberts</link>
            <guid>nI2ldySR5Mo1dhAHWnNC</guid>
            <pubDate>Sat, 20 Nov 2021 19:42:34 GMT</pubDate>
            <description><![CDATA[Dear friends, I’m excited to announce my venture into the world of NFTs and web3. My physical paintings on Stop Signs can only go so far. Through digital manipulation, the traditional cityscape can appear almost futuristic and dreamlike, further reflecting the increasingly digital and fabricated world we live in. Launching this project, “Dream Sequences”, I want to share what the future vision of my art can be. Progressed from original paintings in mixed media on street signs the city becomes...]]></description>
            <content:encoded><![CDATA[<p><strong><em>Dear friends,</em></strong></p><p><strong>I’m excited to announce my venture into the world of NFTs and web3</strong>. My <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://www.instagram.com/j.r0b">physical paintings on Stop Signs</a> can only go so far. Through digital manipulation, the traditional cityscape can appear almost <strong>futuristic</strong> and <strong>dreamlike</strong>, further reflecting the increasingly digital and fabricated world we live in. </p><p><strong>Launching this project, “Dream Sequences”,</strong> I want to share what the future vision of my art can be. Progressed from original paintings in mixed media on street signs the city becomes a living entity, constantly in flux. <strong>Here, the physically painted city is seen crossing into the digital world.</strong></p><p>What excites me about NFTs is that they enable me to <strong>build a community around the people who love my art.</strong> NFTs will allow me to provide exclusive benefits &amp; give back to my supporters because it breaks the barrier between the artist &amp; their fans. By owning a Justin Roberts NFT, you’re showing me how much you care about my art, and I promise that <strong>I will take care of the people who show me their support</strong>.</p><p>I have so many ideas for what’s to come. For example, iterating on pieces and improving them over time (i.e. if you own my NFT, you’ll get future remixes, improvements, etc). Supporters will have access to member-only galleries, and other <strong>unique perks that I’m excited to bring across the physical and digital realm.</strong>  </p><p><strong>The first releases from Dream Sequences by Justin Roberts are now available on </strong><a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://opensea.io/collection/dreamsequences"><strong>OpenSea</strong></a><strong> via the Ethereum blockchain</strong>. They include the <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://opensea.io/assets/0x495f947276749ce646f68ac8c248420045cb7b5e/89252061333759363490897286863860717635464455080838124950096710601607514947585">1-of-1 FiDi IN PURPLE</a>, <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://opensea.io/assets/0x495f947276749ce646f68ac8c248420045cb7b5e/89252061333759363490897286863860717635464455080838124950096710599408491692033">2-of-2 SUNSET IN TEL AVIV</a>, <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://opensea.io/assets/0x495f947276749ce646f68ac8c248420045cb7b5e/89252061333759363490897286863860717635464455080838124950096710596109956808705">3-of-3 DOWNPOUR IN MANHATTAN</a>, <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://opensea.io/assets/0x495f947276749ce646f68ac8c248420045cb7b5e/89252061333759363490897286863860717635464455080838124950096710592811421925377">4-of-4 CALI x NYC</a>, and <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://opensea.io/assets/0x495f947276749ce646f68ac8c248420045cb7b5e/89252061333759363490897286863860717635464455080838124950096710584015328903169">5-of-5 TIMES SQUARE 2089</a>.</p><p>Thank you.</p><figure float="none" data-type="figure" class="img-center" style="max-width: null;"><img src="https://storage.googleapis.com/papyrus_images/ba92331e80892fb7d2c61871a171e513d22d06449df4865087e3ff4f8245ce95.png" alt="TIMES SQUARE 2089" blurdataurl="data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=" nextheight="600" nextwidth="800" class="image-node embed"><figcaption HTMLAttributes="[object Object]" class="">TIMES SQUARE 2089</figcaption></figure>]]></content:encoded>
            <author>justin-roberts@newsletter.paragraph.com (Justin Roberts)</author>
            <enclosure url="https://storage.googleapis.com/papyrus_images/1cab37bbb05e4eee0c5a3d0c300b6251209757f4788ccda48bba1a1ae3bf696f.png" length="0" type="image/png"/>
        </item>
    </channel>
</rss>