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        <title>Kris Haamer 漢默可 🇪🇪🇺🇦🇹🇼</title>
        <link>https://paragraph.com/@krishaamer-2</link>
        <description>Filmmaker and app developer</description>
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            <title><![CDATA[The History of Film3 in Taiwan]]></title>
            <link>https://paragraph.com/@krishaamer-2/the-history-of-film3-in-taiwan</link>
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            <pubDate>Thu, 18 May 2023 09:21:07 GMT</pubDate>
            <description><![CDATA[In the neon-lit expanse of the year 2050, a young Taiwanese artist named Li Mei found herself adrift in the boundless sea of the Metaverse. Bytes and pixels danced to the rhythm of human consciousness as she navigated through this kaleidoscopic cosmos, her avatar&apos;s hand brushed against an object of curiosity - an antiquated, virtual book, its title shimmering in golden pixels: "The Dawn of Film3: A Revolution in Taiwanese Filmmaking." With a sense of whimsical intrigue, Li Mei opened the...]]></description>
            <content:encoded><![CDATA[<p>In the neon-lit expanse of the year 2050, a young Taiwanese artist named Li Mei found herself adrift in the boundless sea of the Metaverse. Bytes and pixels danced to the rhythm of human consciousness as she navigated through this kaleidoscopic cosmos, her avatar&apos;s hand brushed against an object of curiosity - an antiquated, virtual book, its title shimmering in golden pixels: &quot;The Dawn of Film3: A Revolution in Taiwanese Filmmaking.&quot;</p><p>With a sense of whimsical intrigue, Li Mei opened the book, its pages fluttering like a digital butterfly. Her eyes were drawn to a chapter that seemed to pulsate with a story from the past, a tale of innovation and revolution. She began to read:</p><p>&quot;In the bustling city of Taipei, Taiwan, two aspiring filmmakers, Chen Wei and Lin Xiao, were on a mission to revolutionize the Taiwanese film industry. They were inspired by the concept of Web3, a new era of the internet that promised decentralization, user empowerment, and a trustless environment. They saw an opportunity to apply this concept to filmmaking, creating a new paradigm they called &quot;Film3.&quot;</p><p>Chen Wei, a tech enthusiast, had recently read an article on VentureBeat about the impact of Web3 on filmmaking. The article explained how the advent of Web3 could democratize the film industry, shifting the power dynamics from major production houses to the audience and independent filmmakers. It spoke of a future where audiences could vet script ideas, make casting choices, and even crowdfund their favorite film ideas. This was a stark contrast to the traditional model where studios controlled everything from casting to distribution.</p><p>Inspired by this vision, Chen Wei and Lin Xiao decided to bring this concept to life in Taiwan. They started by creating a decentralized platform for filmmakers and audiences. This platform allowed anyone to submit script ideas, vote on their favorite scripts, and contribute funds to bring these scripts to life. It was a radical departure from the traditional filmmaking process, but it was a risk they were willing to take.</p><p>Their first project was a film about the struggles of a young woman in Taipei trying to balance her traditional family expectations with her modern aspirations. The script was submitted by a college student, and it resonated with the audience on their platform. They crowdfunded the project, and with the funds raised, they were able to hire a talented cast and crew, all chosen by the platform&apos;s community.</p><p>The film was a success, not just in Taiwan, but globally. It resonated with audiences who appreciated the authentic storytelling and the fact that they had a part in bringing this story to life. It was a testament to the power of Film3 and the potential it held for the future of filmmaking.</p><p>Chen Wei and Lin Xiao saw blockchains, NFTs, and social tokens as tools to further empower their community. They introduced NFTs representing part ownership of the films and a share in the profits, giving their community a tangible stake in the success of their projects. Their success story inspired other filmmakers in Taiwan and around the world. The Film3 model was replicated in various forms, giving rise to a new era of filmmaking that was more democratic, inclusive, and creative.</p><p>In the wake of their initial success, Chen Wei and Lin Xiao decided to venture into the realm of science fiction for their next project. The concept was a futuristic tale set in the year 2050, where Taiwan had become a leading global power in technology and innovation. The story revolved around a quirky robotic engineer named Huang, who accidentally invents a time-traveling device. The twist? The device could only send inanimate objects back in time, leading to a series of humorous and chaotic events.</p><p>One memorable scene took place in Huang&apos;s cluttered workshop. Huang, in his usual eccentric manner, was testing the device with his pet robot dog, XiaoBai.</p><blockquote><p>&quot;Huang, are you sure about this?&quot; XiaoBai asked, his robotic voice filled with concern.</p></blockquote><p>&quot;Absolutely!&quot; Huang replied, his eyes gleaming with excitement. &quot;Now, stay still. This won&apos;t hurt a bit.&quot;</p><p>&quot;But I&apos;m a robot. I don&apos;t feel pain,&quot; XiaoBai retorted, causing Huang to chuckle.</p><p>With a swift movement, Huang activated the device, and in a flash of light, XiaoBai&apos;s favorite chew toy, a rubber bone, disappeared. Moments later, they received a news alert on the holographic screen: &quot;Mysterious Rubber Bone Appears in National Museum, Historians Baffled.&quot;</p><p>The audience loved the blend of humor, chaos, and futuristic elements in the story. The film was a hit, further solidifying Chen Wei and Lin Xiao&apos;s place in the Film3 landscape. Their innovative approach to filmmaking was not just about creating entertaining films, but also about pushing the boundaries of storytelling and audience engagement.</p><p>…</p><p>Li Mei closed the butterfly-shaped book with a wave, her eyes gleaming with excitement. A piece of her hometown in the borderless expanse of the Metaverse! As she was flying away towards the sky, the wings of the butterfly book were again covered with dust, creating an aura of magic, awaiting for the next person to find this treasure.</p>]]></content:encoded>
            <author>krishaamer-2@newsletter.paragraph.com (Kris Haamer 漢默可 🇪🇪🇺🇦🇹🇼)</author>
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            <title><![CDATA[台灣Film3的歷史]]></title>
            <link>https://paragraph.com/@krishaamer-2/film3</link>
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            <pubDate>Thu, 18 May 2023 09:19:07 GMT</pubDate>
            <description><![CDATA[在霓虹燈光的2050年，一位名叫李美的年輕台灣藝術家在元宇宙的無邊海洋中漂流。字節和像素隨著人類意識的節奏跳舞，她在這個萬花筒般的宇宙中導航，她的頭像的手觸摸到一個引起好奇的物體 - 一本古老的虛擬書，其標題在金色的像素中閃爍："電影3的黎明：台灣電影製作的革命。" 帶著異想天開的好奇心，李美打開了書，其頁面像數字蝴蝶一樣飄揚。她的眼睛被一章吸引住，那章似乎在跳動著過去的故事，一個關於創新和革命的故事。她開始閱讀： 在繁華的台北市，兩位有抱負的電影製作人陳偉和林曉正在致力於革新台灣的電影產業。他們受到Web3概念的啟發，這是一個新的互聯網時代，承諾實現去中心化、賦權用戶和無需信任的環境。他們看到了將這個概念應用到電影製作的機會，創造了他們稱之為"Film3"的新範疇。 作為一位科技愛好者的陳偉，最近讀到了一篇在VentureBeat上的文章，談論Web3對電影製作的影響。該文章解釋了Web3的出現如何能夠使電影產業民主化，將權力動態從主要的製片公司轉移到觀眾和獨立電影製作人。它談到了一個未來，觀眾可以審核劇本想法，做出選角決定，甚至是為他們喜歡的電影想法集資。這與傳統模式形成鮮明...]]></description>
            <content:encoded><![CDATA[<p>在霓虹燈光的2050年，一位名叫李美的年輕台灣藝術家在元宇宙的無邊海洋中漂流。字節和像素隨著人類意識的節奏跳舞，她在這個萬花筒般的宇宙中導航，她的頭像的手觸摸到一個引起好奇的物體 - 一本古老的虛擬書，其標題在金色的像素中閃爍：&quot;電影3的黎明：台灣電影製作的革命。&quot;</p><p>帶著異想天開的好奇心，李美打開了書，其頁面像數字蝴蝶一樣飄揚。她的眼睛被一章吸引住，那章似乎在跳動著過去的故事，一個關於創新和革命的故事。她開始閱讀：</p><p>在繁華的台北市，兩位有抱負的電影製作人陳偉和林曉正在致力於革新台灣的電影產業。他們受到Web3概念的啟發，這是一個新的互聯網時代，承諾實現去中心化、賦權用戶和無需信任的環境。他們看到了將這個概念應用到電影製作的機會，創造了他們稱之為&quot;Film3&quot;的新範疇。</p><p>作為一位科技愛好者的陳偉，最近讀到了一篇在VentureBeat上的文章，談論Web3對電影製作的影響。該文章解釋了Web3的出現如何能夠使電影產業民主化，將權力動態從主要的製片公司轉移到觀眾和獨立電影製作人。它談到了一個未來，觀眾可以審核劇本想法，做出選角決定，甚至是為他們喜歡的電影想法集資。這與傳統模式形成鮮明對比，傳統模式中，工作室控制從選角到發行的一切。</p><p>受到這種願景的啟發，陳偉和林曉決定在台灣實現這個概念。他們首先創建了一個去中心化的平台，供電影製作人和觀眾使用。這個平台允許任何人提交劇本想法，對他們最喜歡的劇本進行投票，並貢獻資金將這些劇本變為現實。這與傳統的電影製作過程截然不同，但他們願意冒這個風險。</p><p>他們的第一個項目是關於一個在台北的年輕女子試圖平衡她的傳統家庭期望和現代抱負的電影。劇本由一名大學生提交，它在他們平台上的觀眾中產生了共鳴。他們通過眾籌的方式籌集了項目資金，用籌集的資金，他們能夠僱傭一支由平台社區選出的優秀演員和工作人員。</p><p>這部電影不僅在台灣取得了成功，而且在全球範圍內也取得了成功。它與觀眾產生了共鳴，觀眾欣賞它真實的故事講述，以及他們在讓這個故事成為現實中所起的作用。這是對Film3力量的證明，以及它對電影製作未來潛力的證明。陳偉和林曉的成功故事激勵了台灣和世界其他地方的其他電影製作人。 Film3模型以各種形式被複製，開創了一個更民主、更包容、更有創意的電影製作新時代</p><p>在他們初次成功之後，陳偉和林曉決定在他們的下一個項目中冒險進入科幻領域。這個概念是一個設定在2050年的未來故事，在那時，台灣已經成為全球技術和創新的領導者。故事圍繞一個古怪的機器人工程師黃的故事展開，他無意中發明了一個可以穿越時間的設備。轉折點？這個設備只能把無生命的物體送回過去，這導致了一系列有趣和混亂的事件。</p><p>一個令人難忘的場景發生在黃的雜亂的工作室裡。黃以他通常的古怪方式正在測試設備，他的寵物機器人狗小白問道。</p><blockquote><p>&quot;黃，你確定嗎？&quot;小白的機器人聲音充滿了擔憂。</p></blockquote><p>&quot;絕對的！&quot;黃回答，眼睛閃爍著興奮的光芒。 &quot;現在，別動。這不會痛一點。&quot;</p><p>&quot;但我是機器人。我不感覺疼痛，&quot;小白反駁道，引得黃笑了起來。</p><p>黃迅速地啟動了設備，一道光閃過，小白最喜歡的咀嚼玩具，一個橡膠骨頭，消失了。幾分鐘後，他們在全息屏幕上收到了一條新聞警報：&quot;神秘的橡膠骨頭出現在國家博物館，歷史學家困惑不解。&quot;</p><p>觀眾喜歡故事中的幽默、混亂和未來元素的混合。這部電影大獲成功，進一步鞏固了陳偉和林曉在Film3領域的地位。他們對電影製作的創新方法不僅是為了創作娛樂性的電影，也是為了推動故事講述和觀眾參與的邊界。</p><p>…</p><p>李梅揮手關閉了那本蝴蝶形狀的書，她的眼睛因在無邊的元宇宙中找到了她的家鄉的一部分而閃耀著興奮的光芒。當她飛向天空時，蝴蝶書的翅膀立即被塵土覆蓋，營造出一種魔幻的氛圍，等待下一個人來發現這個寶藏。</p><p>完。</p><p>…</p><p>（在AI的幫助下撰寫的）</p>]]></content:encoded>
            <author>krishaamer-2@newsletter.paragraph.com (Kris Haamer 漢默可 🇪🇪🇺🇦🇹🇼)</author>
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            <title><![CDATA[One Film From Every Country]]></title>
            <link>https://paragraph.com/@krishaamer-2/one-film-from-every-country</link>
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            <pubDate>Thu, 03 Feb 2022 05:35:45 GMT</pubDate>
            <description><![CDATA[When I finished the IMDB Top 250 I thought why not widen my perspective to include a more global selection. This is my personal diary & guidebook. The IMDB list is heavily slanted towards American movies and many of my favorites come from countries like Guinea-Bissau, Japan, Burkina Faso, Argentina, Taiwan, etc. So why not see at least one movie from every country in the world. I think it will be inspiring and perhaps even insightful, especially looking at films from the small countries like ...]]></description>
            <content:encoded><![CDATA[<p>When I finished the <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="http://www.250films.net/users/krishaamer">IMDB Top 250</a> I thought why not widen my perspective to include a more global selection. This is my personal diary &amp; guidebook. The IMDB list is heavily slanted towards American movies and many of my favorites come from countries like Guinea-Bissau, Japan, Burkina Faso, Argentina, Taiwan, etc.</p><p>So why not see at least one movie from every country in the world. I think it will be inspiring and perhaps even insightful, especially looking at films from the small countries like my own Estonia. There’s 193 countries at the UN so this is my geographic definition — but obviously I’m open for movies from other areas and here I’m already including places like the Gibraltar and Greenland that are not countries per se but do have a distinct (film) culture. I&apos;m also including short films and documentaries because features were never made in a bunch of countries. So here goes my list in an alphabetic order.</p><p>Others have attempted to select the best film from each country you can Google. I&apos;m including at least one or more that I like. Where I have not seen a film yet (but you have) why not leave a suggestion on <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://twitter.com/krishaamer">Twitter</a>.</p><hr><h2 id="h-the-list" class="text-3xl font-header !mt-8 !mb-4 first:!mt-0 first:!mb-0">The List</h2><h3 id="h-afghanistan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Afghanistan</h3><p>Emaan (2011; Dir. Haris Yosufi)</p><h3 id="h-albania" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Albania</h3><p>The Forgiveness of Blood (2011; Dir. Joshua Marston)<br>Dear Albania (2012; Dir. Eliza Dushku)</p><h3 id="h-algeria" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Algeria</h3><p>Rachida (2002; Dir. Yamina Bachir)<br>Yema (2012; Dir. Djamila Sahraoui)</p><h3 id="h-andorra" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Andorra</h3><p>Amor Idiota (2004), a Spanish co-production, Dir. by Ventura Pons.</p><h3 id="h-angola" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Angola</h3><p>Love Angola so I’ve tried to see everything that’s coming out of the country. It’s not that much.</p><p>Hollow City (Na Cidade Vazia) (2004; Dir. Maria João Ganga)<br>O Grande Kilapy (2012; Dir. Zézé Gamboa)<br>Cartas de Angola (2011; Dir. Dulce Fernandes)<br>Alambamento (2011; Dir. Mario Bastos)<br>Rostov-Luanda (1998; Dir. Abderrahmane Sissako)<br>O Miradouro da Lua<br>Angola: Saudades de Quem te Ama (2006; Dir. Richard Pakleppa)</p><h3 id="h-antigua-and-deps" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Antigua &amp; Deps</h3><p>Nothing yet. Looking for a copy of The Sweetest Mango (2001; Dir. by Howard Allen)</p><h3 id="h-argentina" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Argentina</h3><p>As a 17 year-old exchange student in Argentina, I spent a lot of my time watching Argentine movies. I love most of them for the heart-warming, human stories.</p><p>Bombón: El Perro<br>El mismo amor, la misma lluvia<br>El secreto de sus ojos<br>Tan de repente<br>Caballos Salvajes<br>Una noche con Sabrina Love<br>Diarios de motocicleta<br>Martín (Hache)<br>Nuts for Love (Nueces para el amor)<br>Avellaneda’s Moon (Luna de Avellaneda)<br>Intimate Stories (Historias mínimas)<br>Passionate People (Apasionados)<br>It’s Not You, It’s Me (No sos vos, soy yo)<br>Kamchatka<br>Valentín<br>A Less Bad World (Un mundo menos peor)<br>El método<br>Clouds (La nube)<br>Garage Olimpo (Garage Olimpo)</p><h3 id="h-armenia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Armenia</h3><p>Sunrise over Lake Van</p><h3 id="h-aruba" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Aruba</h3><p>Abo So (2013; Comedy; Directed by Juan Francisco Pardo; Language: Papiamento). Available for rent <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://vimeo.com/ondemand/aboso/120513074">on Vimeo</a>.</p><h3 id="h-australia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Australia</h3><p>I know Australia more for the TV-series Farscape than for movies but here’s a couple I’ve seen.</p><p>Rabbit-Proof Fence<br>Dark City<br>Samson and Delilah (2009; Dir. Warwick Thornton)</p><h3 id="h-austria" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Austria</h3><p>Darwin’s Nightmare (2004; Dir. Hubert Sauper)</p><h3 id="h-azerbaijan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Azerbaijan</h3><p>Sahe (2010; Dir. Ilgar Safat)</p><h3 id="h-bahamas" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Bahamas</h3><p>I know <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://twitter.com/kareemmortimer">Kareem Mortimer</a> is making movies in the Bahamas but I haven&apos;t seen any.</p><p>Eric &amp; Coletta by <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://twitter.com/conradpimplove">Conrad Knowles</a> is available on YouTube.</p><h3 id="h-bahrain" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Bahrain</h3><p>Nothing.</p><h3 id="h-bangladesh" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Bangladesh</h3><p>Mor Thengary (My Bicycle) directed by Aung Rakhine</p><h3 id="h-barbados" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Barbados</h3><p>Hit for Six (2007) dir. by Alison Saunders-Franklyn and Payday (2014) dir. by Selwyne Browne are the only local productions I know of but haven&apos;t seen. Hollywood studios have used Barbados as a location for various films, including Island in the Sun (1957) and The Tamarind Seed (1974).</p><h3 id="h-belarus" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Belarus</h3><p>No.</p><h3 id="h-belgium" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Belgium</h3><p>Hummm.</p><h3 id="h-belize" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Belize</h3><p>Nope.</p><h3 id="h-benin" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Benin</h3><p>Nothing.</p><h3 id="h-bhutan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Bhutan</h3><p>The country lends itself well for magical stories.</p><p>Travellers &amp; Magicians (2003; Dir. Khyentse Norbu)<br>Phörpa (1999; Dir. Khyentse Norbu)</p><h3 id="h-bolivia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Bolivia</h3><p>I&apos;ve been to Bolivia but only in the Altiplano part so this only film I saw was a surprise for showing an urban story set in another part of the country.</p><p>Dependencia Sexual (2003; Dir. Rodrigo Bellott)</p><h3 id="h-bosnia-herzegovina" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Bosnia Herzegovina</h3><p>No Man’s Land (2001; Dir. Danis Tanovic)</p><h3 id="h-botswana" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Botswana</h3><p>I&apos;ve only seen these...</p><p>The Gods Must Be Crazy<br>The Gods Must Be Crazy II<br>Crazy Safari</p><h3 id="h-brazil" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Brazil</h3><p>I speak Portuguese and Brazilian movies have always been a must to follow.</p><p>City of God (Cidade de Deus)<br>Central do Brasil (Central Station)<br>Bruna Surfistinha<br>Besouro<br>Do Começo ao Fim<br>Simonal — Ninguém Sabe o Duro que Dei<br>Noel: The Samba Poet (Noel — Poeta da Vila)<br>Nome Próprio<br>Tropa de Elite<br>Waste Land<br>A Suprema Felicidade<br>Pixote, the Law of the Weakest (Pixote: A Lei do Mais Fraco)<br>Carandiru</p><h3 id="h-brunei" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Brunei</h3><p>Nothing yet.</p><h3 id="h-bulgaria" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Bulgaria</h3><p>Nothing.</p><h3 id="h-burkina-faso" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Burkina Faso</h3><p>Love Burkinabe films.</p><p>Yaaba (1989; Dir.Idrissa Ouedraogo)<br>Samba Traoré (1992; Dir. Idrissa Ouedraogo)<br>Tilai (1990; Dir. Idrissa Ouedraogo)<br>Wend Kuuni (1983; Dir. Gaston Kaboré)<br>Buud Yam (1997; Dir. Gaston Kaboré)<br>Yeelen (1987; Dir. Souleymane Cissé)<br>Moolaadé (2004; Dir. Ousmane Sembene)<br>Sankofa (1993; Dir. Haile Gerima)</p><h3 id="h-burundi" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Burundi</h3><p>Nothing.</p><h3 id="h-cambodia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Cambodia</h3><p>Nothing.</p><h3 id="h-cameroon" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Cameroon</h3><p>Nope.</p><h3 id="h-canada" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Canada</h3><p>Probably a bunch more I can&apos;t remember and many US movies are shot in Canada.</p><p>Lie with Me (2005; Dir. Clement Virgo)</p><h3 id="h-cabo-verde" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Cabo Verde</h3><p>Cabralista (2011; Dir. Valerio Lopes)<br>Nha Fala (2002; Dir. Flora Gomes)</p><h3 id="h-central-african-rep" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Central African Rep</h3><p>Nothing.</p><h3 id="h-chad" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Chad</h3><p>Un Homme Qui Crie (2010; Dir. Mahamat-Saleh Haroun)</p><h3 id="h-chile" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Chile</h3><p>Machuca (2004; Dir. Andrés Wood)<br>No (2012; Dir. Pablo Larraín)</p><h3 id="h-china" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">China</h3><p>人再囧途之泰囧 (Lost in Thailand) House of Flying Daggers (Shi mian mai fu)<br>Hero (Ying Xiong)<br>Crouching Tiger, Hidden Dragon (Wo Hu Cang Long)</p><h3 id="h-colombia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Colombia</h3><p>Los Colores De La Montaña<br>Maria Full of Grace<br>El Páramo</p><h3 id="h-comoros" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Comoros</h3><p>No.</p><h3 id="h-congo" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Congo</h3><p>Nothing.</p><h3 id="h-congo-dr" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Congo, D.R.</h3><p>Viva Riva! (2010; Dir. Djo Munga)<br>Benda Bilili! (2010)<br>Congo in Four Acts (2010)<br>Juju Factory (2007; Dir. Balufu Bakupa-Kanyinda)<br>Kinshasa Symphony</p><h3 id="h-costa-rica" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Costa Rica</h3><p>Del amor y otros demonios</p><h3 id="h-croatia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Croatia</h3><p>Nada.</p><h3 id="h-cuba" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Cuba</h3><p>Would love to see more.</p><p>7 Days In Cuba<br>Guantanamera<br>Soy Cuba (1964; Dir. Mikhail Kalatozov)</p><h3 id="h-cyprus" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Cyprus</h3><p>Probably somehthing..</p><h3 id="h-czech-republic" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Czech Republic</h3><p>Closely Watched Trains (Ostre sledované vlaky) — (1966)</p><h3 id="h-denmark" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Denmark</h3><p>Manderlay<br>Melancholia (Dir. Lars Trier)<br>Dancer in the Dark (Dir. Lars Trier)<br>Dogville (Dir. Lars Trier)</p><h3 id="h-djibouti" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Djibouti</h3><p>Nothing.</p><h3 id="h-dominica" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Dominica</h3><p>No.</p><h3 id="h-dominican-republic" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Dominican Republic</h3><p>As DR was influential in my youth, I’ve made a point of watching every movie that comes out of the country.</p><h3 id="h-east-timor" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">East Timor</h3><p>A Guerra da Beatriz</p><h3 id="h-ecuador" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Ecuador</h3><p>Probably..</p><h3 id="h-egypt" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Egypt</h3><p>Yes, but what?</p><h3 id="h-el-salvador" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">El Salvador</h3><p>Nada.</p><h3 id="h-equatorial-guinea" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Equatorial Guinea</h3><p>I don&apos;t think so.</p><h3 id="h-eritrea" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Eritrea</h3><p>I guess not.</p><h3 id="h-estonia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Estonia</h3><p>My home country, here&apos;s a selection of a few.</p><p>Mandariinid (Tangerines)<br>Püha Tõnu Kiusamine<br>Disco and Atomic War (Disko ja tuumasõda)<br>Klass (The Class; Dir. Ilmar Raag)<br>1944 (2015)<br>The Fencer (2015)</p><h3 id="h-ethiopia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Ethiopia</h3><p>Town of Runners (2012; Dir. Jerry Rothwell)<br>Adwa (1999; Dir. Haile Gerima)</p><h3 id="h-fiji" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Fiji</h3><p>That First Glide (2011; Dir. Mike Waltze, Duwayne Dunham)<br>Pear ta ma ‘on maf (2004; Dir. Vilsoni Hereniko)</p><h3 id="h-finland" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Finland</h3><p>Even though I’m from Estonia, and have lived for years 80km from the Finnish capital Helsinki, go there various time per year, the Finnish cinema tradition has bot been my cup of tea.</p><p>One-Way Ticket to Mombasa (Menolippu Mombasaan)<br>Iron Sky (2012; Dir. Timo Vuorensola)</p><h3 id="h-france" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">France</h3><p>France I’ve seen far too many to mention. Here’s just a small selection of the most remarkable ones.</p><p>The Dreamers<br>Irreversible (Irréversible)<br>Paris, je t’aime<br>The City of Lost Children (La cité des enfants perdus)<br>Amélie (Le Fabuleux Destin d’Amélie Poulain)<br>Léon: The Professional (Léon)<br>The Fifth Element<br>Colombiana<br>L’auberge espagnole<br>I Stand Alone (Seul contre tous)<br>The Intouchables<br>Breathless (1960)<br>Au hasard Balthazar<br>The 400 Blows (1959)<br>The Girl on the Bridge (La fille sur le pont)</p><h3 id="h-gabon" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Gabon</h3><p>No.</p><h3 id="h-gambia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Gambia</h3><p>No.</p><h3 id="h-georgia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Georgia</h3><p>Grdzeli nateli dgeebi (2013; Dir. Nana Ekvtimishvili, Simon Groß)</p><h3 id="h-germany" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Germany</h3><p>Downfall (2004) “Der Untergang”<br>The Lives Of Others<br>The Experiment</p><h3 id="h-ghana" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Ghana</h3><p>Love Brewed in the African Pot (1981; Dir. Kwaw Ansah)<br>Kwaku Ananse (2013; Dir. Akosua Adoma Owusu)<br>The Nine Muses (2010; Dir. John Akomfrah)</p><h3 id="h-gibraltar" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Gibraltar</h3><p>La Roca (2011; Dir. Raúl Santos)</p><h3 id="h-greece" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Greece</h3><p>Something but what?</p><h3 id="h-greenland" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Greenland</h3><p>Nuummioq (2009; Dir. Torben Bech, Otto Rosing)</p><h3 id="h-grenada" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Grenada</h3><p>No.</p><h3 id="h-guatemala" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Guatemala</h3><p>Granito (2011; Dir. Pamela Yates)</p><h3 id="h-guinea" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Guinea</h3><p>No.</p><h3 id="h-guinea-bissau" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Guinea-Bissau</h3><p>Flora Gomes is one of my favorite directors.</p><p>Udju Azul di Yonta (1992; Dir. Flora Gomes)<br>Mortu Nega (1990; Dir. Flora Gomes)<br>Po di Sangui (1996; Dir. Flora Gomes)<br>The Children’s Republic (2012; Dir. Flora Gomes)<br>A Batalha de Tabatô (2013; Dir. João Viana)</p><h3 id="h-guyana" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Guyana</h3><p>No.</p><h3 id="h-haiti" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Haiti</h3><p>Lumumba (2002; Dir. Raoul Peck)<br>Cristo Rey (2013; Dir. Leticia Tonos)<br>Assistance mortelle (2013; Dir. Raoul Peck)</p><h3 id="h-honduras" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Honduras</h3><p>Amor y frijoles (2009; Dir. Mathew Kodath, Hernan Pereira)</p><h3 id="h-hong-kong" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Hong Kong</h3><p>Isabella (Yi sa bui lai)<br>Yi dai zong shi (Dir. Kar Wai Wong)<br>Yip Man<br>Fa yeung nin wa (In The Mood For Love) — (Dir. Kar Wai Wong)</p><h3 id="h-hungary" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Hungary</h3><p>Werckmeister Harmonies (Werckmeister Harmóniák)<br>Délibáb (2014; Dir. by Szabolcs Hajdu)</p><h3 id="h-iceland" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Iceland</h3><p>Yes, I guess, but what?</p><h3 id="h-india" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">India</h3><p>Gandhi<br>Chennai Express</p><h3 id="h-indonesia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Indonesia</h3><p>Merantau</p><p>I think nothing else so far… :(</p><h3 id="h-iran" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Iran</h3><p>Turtles Can Fly (lakposhtha ham parvaz mikonand)<br>Jodaeiye Nader az Simin<br>Ta’m e guilass<br>The Stoning Of Soraya M</p><h3 id="h-iraq" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Iraq</h3><p>Syn Babilonu (2009; Dir. Mohamed Al Daradji)</p><h3 id="h-ireland-republic" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Ireland {Republic}</h3><p>In the Name of the Father (1993)</p><h3 id="h-israel" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Israel</h3><p>Broken Wings (Knafayim Shvurot)<br>Vals Im Bashir</p><h3 id="h-italy" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Italy</h3><p>In general I love Italian movies.</p><p>Malèna<br>L’Avventura<br>Mediterraneo<br>Nuovo Cinema Paradiso<br>The Legend of 1900 (La leggenda del pianista sull’oceano)</p><h3 id="h-ivory-coast" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Ivory Coast</h3><p>This one comes highly recommended and you can rent it online (don&apos;t pay attention to the low IMDB score).</p><p>Burn it up Djassa (Original title: Le djassa a pris feu; 2012; Dir. by Lonesome Solo)</p><h3 id="h-jamaica" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Jamaica</h3><p>The Harder They Come (1972; Dir. Perry Henzell)<br>Dancehall Queen (1997; Dir. Rick Elgood, Don Letts)<br>One Love (2003; Dir. Rick Elgood, Don Letts)<br>Countryman (1982; Dir. Dickie Jobson)<br>Shottas (2002; Dir. Cess Silvera)</p><h3 id="h-japan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Japan</h3><p>Too many to mention but mostly Kurosawa and Hayao Miyazaki.</p><p>Sukiyaki Western Django (2007; Dir. Takashi Miike)<br>All About Lily Chou-Chou (リリシュシュのすべて; 2001. Dir. Shunji Iwai)<br>Hana and Alice (Hana to Arisu; 2004; Dir. Shunji Iwai)<br>Battle Royale (Batoru rowaiaru; 2000; Dir. Kinji Fukasaku)<br>Howl’s Moving Castle (2004; Hayao Miyazaki)</p><h3 id="h-jordan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Jordan</h3><p>Lamma Shoftak (2013; Dir. Annemarie Jacir)</p><h3 id="h-kazakhstan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Kazakhstan</h3><p>Tulpan (2008; Dir. Sergei Dvortsevoy)</p><h3 id="h-kenya" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Kenya</h3><p>Soul Boy (2010; Dir. Hawa Essuman)<br>Nairobi Half Life (2012; Dir. David ‘Tosh’ Gitonga)<br>Something Necessary (2013; Dir. Judy Kibinge)<br>Pumzi (2009; Dir. Wanuri Kahiu)<br>From a Whisper (2009; Dir. Wanuri Kahiu)<br>Ikiru (1952; Dir. Akira Kurosawa)</p><h3 id="h-kiribati" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Kiribati</h3><p>There&apos;s very little local film production (if at all), however a few short films an documentaries have been produced by international teams. I&apos;ve seen the films available online:</p><p>Levita (2013; Dir. Victoria Burns)<br>Paradise Found: The Phoenix Islands (2008; Dir. Kate Raisz)<br>Global Conservation Fund: 3 Stories</p><p>Looking forward to see:<br>Hangs Upon Nothing (2014; Dir. Jeremy Rumas)<br>La Horde (2014; Dir. by Colin Jerome)</p><h3 id="h-korea-north" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Korea North</h3><p>No.</p><h3 id="h-korea-south" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Korea South</h3><p>3-Iron (Bin-Jip)<br>Spring, Summer, Fall, Winter… and Spring (Bom Yeoreum Gaeul Gyeoul Geurigo Bom)<br>The Way Home (Jibeuro)<br>Oldeuboi (2003; Dir. Chan-wook Park)<br>Bakjwi (2009; Dir. Chan-wook Park)</p><h3 id="h-kosovo" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Kosovo</h3><p>No.</p><h3 id="h-kuwait" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Kuwait</h3><p>No.</p><h3 id="h-kyrgyzstan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Kyrgyzstan</h3><p>No.</p><h3 id="h-laos" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Laos</h3><p>No.</p><h3 id="h-latvia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Latvia</h3><p>Yes...</p><h3 id="h-lebanon" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Lebanon</h3><p>Sukkar Banat (2007; Dir. Nadine Labaki)<br>The Prophet (2011; Dir. Gary Tarn)</p><h3 id="h-lesotho" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Lesotho</h3><p>No.</p><h3 id="h-liberia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Liberia</h3><p>Johnny Mad Dog (2008; Dir. Jean-Stéphane Sauvaire)<br>Small Small Thing (2013; Dir. Jessica Vale)</p><h3 id="h-libya" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Libya</h3><p>No.</p><h3 id="h-liechtenstein" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Liechtenstein</h3><p>No.</p><h3 id="h-lithuania" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Lithuania</h3><p>I guess maybe I&apos;ve seen something.</p><p>&quot;Aurora&quot; also knowns as &quot;Vanishing Waves&quot; (2012)</p><h3 id="h-luxembourg" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Luxembourg</h3><p>No.</p><h3 id="h-macau" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Macau</h3><p>A Última Vez Que Vi Macau (2012; Dir. João Pedro Rodrigues, João Rui Guerra da Mata)</p><h3 id="h-macedonia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Macedonia</h3><p>Jas sum od Titov Veles (2007; Dir. Teona Strugar Mitevska)<br>Before the Rain (1994; Dir. Milcho Manchevski)<br>Senki (2007; Dir. Milcho Manchevski)<br>The Piano Room (2013; Dir. Igor Ivanov Izi)<br>Bal-Can-Can (2005; Dir. Darko Mitrevski)<br>Treto poluvreme (2013; Dir. Darko Mitrevski)<br>Majki (2010; Dir. Milcho Manchevski)</p><h3 id="h-madagascar" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Madagascar</h3><p>Malagasy Mankany (2012; Dir. Haminiaina Ratovoarivony)</p><h3 id="h-malawi" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Malawi</h3><p>William and the Windmill (2013; Dir. Ben Nabors)</p><h3 id="h-malaysia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Malaysia</h3><p>Would love to see something.</p><h3 id="h-maldives" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Maldives</h3><p>Sazaa (2011; Dir. Hussain Munawwaru)<br>Ingili (2013; Dir. Ravee Farooq)</p><h3 id="h-mali" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Mali</h3><p>Bamako (2006; Dir. Abderrahmane Sissako)<br>La Vie Sur Terre (1998; Dir. Abderrahmane Sissako)<br>Finye (1982; Dir. Souleymane Cissé)<br>Waati (1995; Dir. Souleymane Cissé)<br>Yeelen (1987; Dir. Souleymane Cissé)<br>Baara (1978; Dir. Souleymane Cissé)<br>Den muso (1975; Dir. Souleymane Cissé)</p><h3 id="h-malta" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Malta</h3><p>Adormidera (2013; Dir. Raymond Mizzi)</p><h3 id="h-marshall-islands" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Marshall Islands</h3><p>Ainikien Jidjid ilo Boñ (2012; Dir. Suzanne Chutaro, Jack Niedenthal)<br>The Undiscovered Country: A Tale of Color and Development (2012; Dir. Peter Sutoris, Nuith Morales)</p><h3 id="h-martinique" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Martinique</h3><p>Passage du milieu (2000; Dir. Guy Deslauriers)<br>Biguine (2004; Dir. Guy Deslauriers)<br>La ultima rumba de papa Montero (1992; Dir. Octavio Cortázar)</p><h3 id="h-mauritania" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Mauritania</h3><p>Soleil O (1967; Dir. Med Hondo)<br>Sarraounia (1986; Dir. Med Hondo)<br>West Indies (1979; Dir. Med Hondo)</p><h3 id="h-mauritius" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Mauritius</h3><p>Les Enfants De Troumaron (2012; Dir. Harrikrisna Anenden, Sharvan Anenden)<br>La cathédrale (2006; Dir. Harrikrisna Anenden)</p><p>This year looking forward to see <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://vimeo.com/84302660">Lonbraz Kann</a> by David Constantin.</p><h3 id="h-mexico" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Mexico</h3><p>Very respectable film industry, a bunch of great films.</p><p>Y tu mamá también<br>Amores perros<br>Alamar<br>Frida<br>Biutiful<br>Voces Inocentes (Innocent Voices)<br>El laberinto del fauno</p><h3 id="h-micronesia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Micronesia</h3><p>Nope.</p><h3 id="h-moldova" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Moldova</h3><p>Tabor ukhodit v nebo (1976; Dir. Emil Loteanu)<br>La limita de jos a cerului (2013; Dir. Igor Cobileanski)</p><h3 id="h-monaco" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Monaco</h3><p>No.</p><h3 id="h-mongolia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Mongolia</h3><p>Mongolian Ping Pong (Lü Cao Di)<br>Price of Gold (2012; Dir. Sven Zellner, Tschingunshaw Borchu)<br>Big Fish (2012; Dir. Banzragch Batbold)<br>A Pearl in the Forest (2008; Dir. Agvaantseren Enkhtaivan)<br>Mongolian Bling (2012; Dir. Benj Binks)<br>State of Dogs (1998; Dir. State of Dogs)<br>The Men with Blue Dots (2012; Dir. Dorjsuren Shadav)</p><h3 id="h-montserrat" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Montserrat</h3><p>No.</p><h3 id="h-montenegro" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Montenegro</h3><p>Doktor Rej i djavoli (2012; Dir. Dinko Tucakovic)</p><h3 id="h-morocco" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Morocco</h3><p>Le Sac de Farine (2012; Dir. Kadija Leclere)</p><p>And there&apos;s one recent international production I haven&apos;t seen.<br>Atlantic. (2014; Dir. Jan-Willem van Ewijk)</p><h3 id="h-mozambique" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Mozambique</h3><p>Kuxa Kanema: O Nascimento do Cinema (2003; Dir. Margarida Cardoso)<br>Terra Sonâmbula (Sleepwalkers Land) — (Dir. Teresa Prata)<br>Virgem Margarida (2012; Dir. Licinio Azevedo)<br>O Último Voo do Flamingo<br>O Gotejar da Luz (2002; Dir. Fernando Vendrell)</p><h3 id="h-myanmar-burma" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Myanmar / Burma</h3><p>Kayan Beauties (2012; Dir. Aung Ko Latt)<br>Qiong ren, liu lian, ma yao, tou du ke (2012; Dir. Midi Z.)<br>Gui lái dí rén (2011; Dir. Midi Z.)</p><h3 id="h-namibia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Namibia</h3><p>Taste of Rain (2012; Dir. Richard Pakleppa)</p><h3 id="h-nauru" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Nauru</h3><p>No.</p><h3 id="h-nepal" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Nepal</h3><p>Soongava (2012; Dir. Subarna Thapa)</p><h3 id="h-netherlands" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Netherlands</h3><p>Episode 3: ‘Enjoy Poverty’<br>Only Decent People<br>Tula: The Revolt (2013; Dir. Jeroen Leinders)</p><h3 id="h-new-caleodonia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">New Caleodonia</h3><p>Les deux pirogues de Salomon (1992; Dir. Marc-Arnaud Boussat)</p><h3 id="h-new-zealand" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">New Zealand</h3><p>I haven’t seen indie productions from NZ, just the blockbuster American co-productions.</p><p>The Hobbit</p><h3 id="h-nicaragua" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Nicaragua</h3><p>La Yuma (2009; Dir. Florence Jaugey)</p><h3 id="h-niger" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Niger</h3><p>Agadez, the Music and the Rebellion (2010; Dir. Ron Wyman)</p><h3 id="h-nigeria" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Nigeria</h3><p>The latest productions coming out from Nigeria and directed towards International markets are very good. Love it.</p><p>Last Flight To Abuja (2012; Dir. Obi Emelonye)<br>Phone Swap (2012; Dir. Kunle Afolayan)<br>Black November (2012; Dir. Jeta Amata)<br>Half of a Yellow Sun (2013; Dir. Biyi Bandele)<br>The Lost Number (2012; Dir. Kester Nsirim)<br>Half of a Yellow Sun (2013; Dir. Biyi Bandele)</p><h2 id="h-niue" class="text-3xl font-header !mt-8 !mb-4 first:!mt-0 first:!mb-0">Niue</h2><p>Niue: This Is Your Land (2005; Documentary; Dir. Mella Lahina). Check it out for free <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://vimeo.com/21106462">on Vimeo</a>.</p><h3 id="h-norway" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Norway</h3><p>Kon Tiki<br>Limbo</p><h3 id="h-oman" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Oman</h3><p>Al-boom (2006; Dir. Khaled Abdul Raheem Al-Zadjali)</p><h3 id="h-pakistan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Pakistan</h3><p>Hum... I guess I&apos;ve probably seen something I&apos;ve forgotten.</p><h3 id="h-palau" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Palau</h3><p>Again, very little local film production. Foreign productions: You can see the Palau seas in the 40min 1995 IMAX documentary The Living Sea Dir. by Greg MacGillivray. There&apos;s also 1968 WW2 drama Hell in the Pacific Dir. by John Boorman.</p><h3 id="h-palestine" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Palestine</h3><p>Paradise Now (2005; Dir. Hany Abu-Assad)<br>Shilton Ha Chok (2011; Dir. Ra’anan Alexandrowicz)</p><h3 id="h-panama" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Panama</h3><p>Chance (2009; Dir. Abner Benaim)</p><h3 id="h-papua-new-guinea" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Papua New Guinea</h3><p>Mr. Pip (2012; Dir. Andrew Adamson)<br>Sun Come Up (2011; Dir. Jennifer Redfearn)<br>Marabe (1978; Dir. Alan Harkness)</p><h3 id="h-paraguay" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Paraguay</h3><p>7 Cajas (2012; Dir. Juan Carlos Maneglia, Tana Schembori)<br>18 cigarrillos y medio (2010; Dir. Marcelo Tolces)</p><h3 id="h-peru" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Peru</h3><p>Mariposa negra<br>Pantaleón y las visitadoras<br>No se lo digas a nadie<br>Dioses<br>Contracorriente<br>La Teta Asustada<br>Días de Santiago</p><h3 id="h-philippines" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Philippines</h3><p>Captivve (2012; Dir. Brillante Mendoza)<br>Metro Manila (2013; Dir. Sean Ellis)<br>The Road (2011; Dir. Yam Laranas)</p><h3 id="h-poland" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Poland</h3><p>Trois couleurs: Bleu (1993; Dir. Krzysztof Kieślowski)<br>Trois couleurs: Rouge (1994; Dir. Krzysztof Kieślowski)<br>Trois couleurs: Blanc (1994; Dir. Krzysztof Kieślowski)</p><h3 id="h-portugal" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Portugal</h3><p>O Fatalista (2005; Dir. João Botelho)<br>Viuva Rica Solteira Nao Fica (2006; Dir. José Fonseca e Costa)<br>Mistérios de Lisboa (2010; Dir. Raúl Ruiz)</p><h3 id="h-puerto-rico" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Puerto Rico</h3><p>200 Cartas (2013; Dir. Bruno Irizarry)</p><h3 id="h-qatar" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Qatar</h3><p>Cruel Summer (Dir. Kanye West)</p><h3 id="h-romania" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Romania</h3><p>4 Months, 3 Weeks and 2 Days (2007; Original Title: 4 luni, 3 saptamâni si 2 zile; Dir. Cristian Mungiu )<br>Beyond the Hills (2012; Original Title: Dupa dealuri; Dir. Cristian Mungiu)</p><h3 id="h-russia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Russia</h3><p>Many Russian movies have a certain grittiness to them. It’s an aquired taste but cool.<br>Man With a Movie Camera (Chelovek s kino-apparatom)<br>Bumer (Бумер)</p><h3 id="h-rwanda" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Rwanda</h3><p>Grey Matter (Matière Grise) — (Dir. Kivu Ruhorahoza)<br>Munyurangabo (2007; Dir. Lee Isaac Chung)<br>Rising from Ashes (2012; Dir. T.C. Johnstone)</p><h3 id="h-reunion" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Réunion</h3><p>The Monkeys Island (2011; Dir. Emmanuel Dinh)<br>Bienvenue au Paradis (2011; Dir. Emmanuel Dinh) <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="https://www.facebook.com/bienvenueauparadis">FB</a> <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="http://www.youtube.com/watch?v=3GM7cgcvSVo">Trailer</a></p><h3 id="h-st-helena" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">St Helena</h3><p>Sathima’s Windsong (2010; Dir. Daniel Yon)</p><h3 id="h-st-kitts-and-nevis" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">St Kitts &amp; Nevis</h3><p>No.</p><h3 id="h-st-lucia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">St Lucia</h3><p>Nothing.</p><h3 id="h-saint-vincent-and-the-grenadines" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Saint Vincent &amp; the Grenadines</h3><p>Not yet.</p><h3 id="h-samoa" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Samoa</h3><p>O Le Tulafale (2011; Dir. Tusi Tamasese)</p><h3 id="h-san-marino" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">San Marino</h3><p>Scuderia Filibusta (2012; Dir. Francesco Ceccoli, Jeffrey Zani)</p><h3 id="h-sao-tome-and-principe" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">São Tomé and Príncipe</h3><p>Little Fruit (1998; Dir. Herbert Brödl)<br>Sea &amp; the Jungle (2009; Dir. Angelo Torres)<br>Contract (2010; Dir. Guenny Pires)</p><h3 id="h-saudi-arabia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Saudi Arabia</h3><p>Wadjda (2012; Dir. Haifaa Al-Mansour)<br>Faisal, Legacy of a King (2011; Dir. Shems Friedlander)</p><h3 id="h-senegal" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Senegal</h3><p>Moolaadé (2004; Dir. Ousmane Sembene)<br>Ceddo (1977; Dir. Ousmane Sembene)<br>Xala (1975; Dir. Ousmane Sembene)<br>Borom Sarret (1969; Dir. Ousmane Sembene)<br>Hyènes (1992; Dir. Djibril Diop Mambéty)<br>The Pirogue (2012; Dir. Moussa Touré)<br>Touki Bouki (1973; Dir. Djibril Diop Mambéty)<br>Aujourd’hui (2012; Alain Gomis)<br>Grand Comme Le Baobab (2012; Dir. Jeremy Teicher)</p><h3 id="h-serbia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Serbia</h3><p>Black Cat, White Cat — (1998; Original Title: Crna macka, beli macor; Dir. Emir Kusturica)<br>Parada (2011; Dir. Srdjan Dragojevic)<br>Karaula (2006; Dir. Rajko Grlic)<br>Profesionalac (2003; Dir. Dusan Kovacevic)<br>Krugovi (2013; Dir. Srdan Golubovic)<br>Klip (2012; Dir. Maja Milos)<br>Srpski Film (2010; Dir. Srdjan Spasojevic)</p><h3 id="h-seychelles" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Seychelles</h3><p>The island served as a location for a few international productions. Can&apos;t wait to see something locally-produced though.</p><p>Amore libero - Free Love (1974; Dir. by Pier Ludovico Pavoni)</p><h3 id="h-sierra-leone" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Sierra Leone</h3><p>Cry Freetown (Dir. Sorious Samura)<br>Ezra (Dir: Newton I. Aduaka)<br>The Language You Cry In (1998; Dir. Ángel Serrano, Alvaro Toepke)</p><h3 id="h-singapore" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Singapore</h3><p>Singapore Dreaming (美满人生)</p><p>As I’m moving to Taiwan, I’ll be sure to watch some movies from Singapore as well.</p><h3 id="h-slovakia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Slovakia</h3><p>Probably something I&apos;ve forgotten.</p><h3 id="h-slovenia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Slovenia</h3><p>Slovenka (2009; Dir. Damjan Kozole)</p><h3 id="h-solomon-islands" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Solomon Islands</h3><p>As with most of the small island countries, there&apos;s next to no local film production. However, as it&apos;s an attractive location, we have a couple of films by foreigners.</p><p>A Passage to Anuta (2014; Dir: Jacob Ells) -- Made by a dude from California this is short film of a passage from Majuro in the Marshall Islands, to Anuta, the eastern most island of the Solomon Islands.</p><p>Broken Wind Chime (2014; Dir. Regina Lepping)</p><p>Le Test, chronique d&apos;une initiation (2015; Dir. Adilah Dolaiano)</p><h3 id="h-somalia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Somalia</h3><p>Dan Iyo Xarago (1973; Dir. Idriss Hassan Dirie)<br>Godka Cirka</p><h3 id="h-south-africa" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">South Africa</h3><p>Tsotsi<br>Alive in Joburg<br>District 9</p><h3 id="h-south-sudan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">South Sudan</h3><p>Ten Minutes Is Two Hours (2010; Dir. Patrick Kennelly)<br>The World’s Youngest Nation: South Sudan (2010; Dir. Viktor Pesenti)</p><h3 id="h-spain" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Spain</h3><p>There’s a bunch of Spanish movies that I love.</p><p>Volver<br>Map of the Sounds of Tokyo<br>Bad Education (La Mala Educación)<br>The Sea Inside (Mar Adentro)<br>Abre Los Ojos<br>Butterfly (La Lengua de las Mariposas)</p><h3 id="h-sri-lanka" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Sri Lanka</h3><p>Vazhakku Enn 18/9 (2012; Dir. Balaji Shaktivel)</p><h3 id="h-sudan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Sudan</h3><p>There&apos;s 2 recent documentaries made by international teams. I haven&apos;t seen them yet.</p><p>Beats of the Antonov (2014; Dir. by Hajooj Kuka)<br>Madina&apos;s Dream (2015; Dir. by Andrew Berends)</p><h3 id="h-suriname" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Suriname</h3><p>Paramaribo Papers (2002; Dir. Ger Poppelaars)<br>Wan Pipel (1976; Dir. Pim de la Parra)<br>Lost in Hustle (2012; Dir. Didier Chabi)<br>Between Two Worlds (2012; Dir. Ruud Lenssen)</p><h3 id="h-swaziland" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Swaziland</h3><p>Never a Neverland (2010; Dir. Ricky Norris)</p><h3 id="h-sweden" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Sweden</h3><p>Jagten (2012; Dir. Thomas Vinterberg)<br>Lilja 4-ever (2002; Dir. Lukas Moodysson)<br>Mammoth (2009; Dir. Lukas Moodysson)<br>Persona (1966; Ingmar Bergman)<br>Show Me Love (1998; Original title: Fucking Åmål; Dir. Lukas Moodysson)</p><h3 id="h-switzerland" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Switzerland</h3><p>Coco Chanel &amp; Igor Stravinsky<br>Night Train to Lisbon<br>War Photographer (Dir. Christian Frei)</p><h3 id="h-syria" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Syria</h3><p>Dimashq ma’a hobee (Damascus with Love)<br>Ladder to Damascus (2013; Dir. Mohamed Malas)</p><h3 id="h-taiwan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Taiwan</h3><p>You Are The Apple Of My Eye (那些年, 我們一起追的女孩)<br>Cape No. 7 (海角七號)</p><p>Many-many more. Have to update this one :)</p><h3 id="h-tajikistan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Tajikistan</h3><p>Sokout (1998) Written &amp; Dir. by the Iranian director Mohsen Makhmalbaf but shot in Tajikistan.</p><h3 id="h-tanzania" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Tanzania</h3><p>A Lot Like You (Dir. Eliaichi Kimaro)</p><h3 id="h-thailand" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Thailand</h3><p>Ong-bak</p><h3 id="h-togo" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Togo</h3><p>Ashakara (1991; Dir. Gérard Louvin)</p><h3 id="h-tonga" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Tonga</h3><p>Tongan Ark (2012; Dir. Paul Janman)</p><h3 id="h-trinidad-and-tobago" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Trinidad &amp; Tobago</h3><p>Between Friends (Dir. M. Omari Jackson)<br>Girl from India (1982; Dir. Harbance Kumar)</p><h3 id="h-tunisia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Tunisia</h3><p>Asfour Stah (1990; Dir. Férid Boughedir)<br>Le chant des mariées (2008; Dir. Karin Albou)<br>Le Fil (2009; Dir. Mehdi Ben Attia)</p><h3 id="h-turkey" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Turkey</h3><p>Gegen die Wand (2004; Dir. Fatih Akin)<br>Eskiya (1966; Dir. Yavuz Turgul)</p><h3 id="h-turkmenistan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Turkmenistan</h3><p>Karakum (1994; Dir. Arend Agthe, Uzmaan Saparov)</p><h3 id="h-tuvalu" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Tuvalu</h3><p>ThuleTuvalu (2014; Dir. Matthias von Gunten)</p><h3 id="h-uganda" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Uganda</h3><p>Call Me Kuchu (2012; Dir. Katherine Fairfax Wright, Malika Zouhali-Worrall)</p><h3 id="h-ukraine" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Ukraine</h3><p>La terre outragée (2011; Dir. Michale Boganim)<br>Feathered Dreams (2012; Dir. Andrew Rozhen)</p><h3 id="h-united-arab-emirates" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">United Arab Emirates</h3><p>City of Life (2009; Dir. Ali F. Mostafa)<br>Sea Shadow (2011; Dir. Nawaf Al-Janahi)<br>Djinn (2013; Dir. Tobe Hooper)</p><h3 id="h-united-kingdom" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">United Kingdom</h3><p>Obviously a huge film country. Here just a selection of my personal favorites.</p><p>My Summer of Love</p><h3 id="h-united-states" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">United States</h3><p>Obviously there ‘s hundreds or eventhousands of American movies we’ve all seen. So I’m just going to list a couple that I really like and deserve more attention.</p><p>The Bling Ring (2013; Dir. Sofia Coppola)<br>An Oversimplification of Her Beauty (2012; Dir. Terence Nance)</p><h3 id="h-uruguay" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Uruguay</h3><p>Whisky<br>La casa muda (2010; Dir. Gustavo Hernández)</p><h3 id="h-uzbekistan" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Uzbekistan</h3><p>The Desert of Forbidden Art (2010; Dir. Tchavdar Georgiev, Amanda Pope)</p><h3 id="h-vanuatu" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Vanuatu</h3><p>There&apos;s very little film production in Vanuatu and the movies that have been produced are foreign productions like Randal Kleiser&apos;s 1980 drama The Blue Lagoon, french 2007 pseudo-anthropological documentary God Is American (Dir. Richard Martin Jordan) and Australian 1990 drama Till There Was You (Dir. John Seale). I&apos;m waiting for movies from local writers, directors and producers.</p><h3 id="h-vatican-city" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Vatican City</h3><p>Nope.</p><h3 id="h-venezuela" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Venezuela</h3><p>Secuestro Express (2005; Dir. Jonathan Jakubowicz)</p><h3 id="h-vietnam" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Vietnam</h3><p>The Scent of Green Papaya (Mùi du du xanh — L’odeur de la papaye verte)<br>Mua he chieu thang dung (2000; Dir. Tran Anh Hung)</p><h3 id="h-western-sahara" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Western Sahara</h3><p>Wilaya (2012; Dir. Pedro Pérez Rosado)</p><h3 id="h-yemen" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Yemen</h3><p>A New Day in Old Sana’a (2005; Dir. Bader Ben Hirsi)<br>Janapar (2012; James Newton)</p><h3 id="h-zambia" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Zambia</h3><p>The Cola Road (2013; Dir. Claire Ward)<br>Mwansa the Great (2011; Dir. Rungano Nyoni)</p><h3 id="h-zimbabwe" class="text-2xl font-header !mt-6 !mb-4 first:!mt-0 first:!mb-0">Zimbabwe</h3><p>Jit (1992; Dir. Michael Raeburn)</p><hr><p>That&apos;s it! If you remember any film I should watch, don&apos;t forget to email me or <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="http://twitter.com/krishaamer">send a tweet</a>.</p><p>∎ <a target="_blank" rel="noopener noreferrer nofollow ugc" class="dont-break-out" href="http://krishaamer.com/">Back to Index</a></p>]]></content:encoded>
            <author>krishaamer-2@newsletter.paragraph.com (Kris Haamer 漢默可 🇪🇪🇺🇦🇹🇼)</author>
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