This week’s #FR3QZ are live. As I’ve been deep diving into research on the music NFT space, primarily utility with #ECONOMYOFSOUND - the audio will begin to showcase an evolution of music artists that are now releasing music NFTs. It’s still on the come up for adoption by artists and there are ways to go about it smartly (mainly rights enabled smart contracts, licensing etc.) If you’re curious to learn more about the future of decentralized music streaming tools in web3 be sure to check out those posts.

All of this to say, I will eventually be sharing more NFT audio projects here once I can focus on that part of research and curation. Until then YouTube is the place to be to listen and see as the platform of preference. And apparently YouTube is looking into NFT features (duh)…

https://www.theverge.com/2022/1/25/22899586/youtube-nfts-crypto-susan-wojcicki

Explore these MINDful musings for volume 4 of FR3QZ. Simulations and stimulations from a variety of my favorite sonic visionaries…

AUD10

https://youtube.com/playlist?list=PLKx5n4tLAyEYT77dYRu5qNzyQIjV3OX7E

V1$UÅL$

BABY YORS

https://twitter.com/Babyors/status/1473340601508642820?s=20

ANASTASIA MIHAYLOVA

https://twitter.com/mihaylova_jpg/status/1478695457396297729?s=20&t=YNhph0ukXgG3Srl0vKjQ7g

AYLA EL-MOUSSA

https://twitter.com/aylaelmoussa/status/1485683387054575624?s=20&t=YNhph0ukXgG3Srl0vKjQ7g

Until next time… #FR3QZ

((( 💗 )))

Twitter: @kyma Insta: @kyma

https://twitter.com/jakeudell/status/1485456260325523456?s=20&t=YNhph0ukXgG3Srl0vKjQ7g

Å U D 1 O

Another week of #FR3QZ… Moving through Venus and Mercury Retro revisiting some independent and newer artist releases from 2019 and 2020

Lynda Dawn’s interlude is a powerful opening narrative for a nostalgic chill. I highly recommend checking out her entire “At First Light” album from 2019…

Empress Of enters with hypnotic and heartwarming storytelling…

Nah Eeto + ABRA make it in for round two with their sensual and experimental sonix…

The Ojerime joint has been on repeat since it dropped…

… +++ a few more …

press play on this week’s FR3QZ below…

https://youtube.com/playlist?list=PLKx5n4tLAyEaSjlAYiWQfCLEFiPZ_dYgn

V 1 S U Å L S (Skin Tones)

VIDYA

https://twitter.com/Vabyvel/status/1481670859890716679?s=20

PERAZNA

https://twitter.com/perazna/status/1482056879337615361?s=20

ELECTRA

https://twitter.com/art__electra/status/1482395816971153410?s=20

((( 💗 )))

Twitter: @kyma Insta: @kyma

5 Ways to Curate the Vibe for an Event, Workshop or Meditation

Vibe aka vibration really is everything. Setting the tone for events is a combination of emotional intelligence, intuition, organization, preparation and an understanding of the subconscious mind. Holistically curating a vibe that brings a group of people together and which tells a coherent story takes a unique set of skills, thoughtfulness, communication and coordination on the part of the event organizers, music directors and DJs. I call this “Sonic Curation.”

Having curated music and DJ’d for a bunch of experiences over the past 10 years from fashion shows to nightlife, meditations to wellness retreats, yoga flows to embodiment practices I am sharing my 5 S’s to consider for intentionally curating the sound for your next event, workshop, retreat or meditation.

The 5 S’s of Sonic Curation:

1. Setting: What is the setting of your event? What is the ambiance? Who are the guests? What is the size of the space? Do you see live music, a playlist, a sound experience, a live DJ, performances, panel discussions, spoken word in this space? Where do you see yourself placing the source of the sound in the space? How many rooms? How many vibes? What time of day or night is the event taking place? Is there a sunset or sunrise happening during your event? Is it indoors or outdoors?

2. Sequencing: How is the event sequenced? Are you trying to tell a story or create an arch? Do you want ambient background music, to build up the energy or take listeners on a journey? Lyrics or no lyrics? Tempo?

3. Senses: What are the smells? What are the colors? What are the textures? What is the lighting like? What senses are you wanting to inspire or invoke? How do you want guests to feel?

4. Sound System: Do you need a sound system? Does the venue have a sound system? What speakers do you have? What are the acoustics in the space? Where is the sound system located in the space (if provided)? Where would you like the speakers placed? Do you need microphones? What kind of microphones? What is the noise ordinance for the venue?

5. Soul: Make it soulful. Go deep with intention. Create a sonic theme that aligns with your theme for the event, workshop or meditation to create a truly cohesive and immersive experience. Select only music or sounds that resonate with this theme.

   Finding and sharing your unique sonic style for events introduces attendees into new dimensions of sound and vibration which allows us to grow our spectrum of sound and not just loop what’s on the pop charts or radio. Thoughtful and creative sonic selections can also encourage communication between strangers and cross-pollination of cultures.

   How we feel in a space is usually determined by how it sounds. It is the most memorable aspect of any experience, embedded on a cellular level, entraining our blood and our brainwaves, and yet surprisingly sound is usually the afterthought by most event organizers. By taking into consideration the 5 S’s above you can make your events truly intentional and unforgettable.

   If you found this helpful, @ me on Twitter or Insta :)

Do you associate an event’s success with how good the music selection was?

Do you remember the time and place you discovered your favorite songs?

Do you add the music you hear out in the world to your own personal playlists?

Have you attended an event where the music was so amazing it resonated deeply within you?

How often do you bond with others over music?

How excited do you get when you discover new music or rediscover past favorites?

Have you ever had the lyrics or a beat to a song stuck in your head? (especially after going grocery shopping at Trader Joe’s)?

Do you remember how an event makes you feel?

Do you find yourself constantly exploring and experimenting with sound?

If you’re a human with a beating heart and oscillating breath, it’s likely you’ve answered yes to at least one of the above questions…

We are the #SonicCurationGeneration…

“Sonic Curation” is a term I’ve been using since 2012 when I began DJing and curating playlists for various events and experiences. Sonic Curation communicates an intentional vibe to your audience via thoughtfully chosen sound waves for ambiance, timing and sequencing.

Recognizing the power of sound to influence the subconscious mind, sonic curation is a holistic approach to selecting the sonic components of your event or experience. Whether it’s booking the DJ’s, sound artists and live music acts or sequencing a playlist for your yoga class, sonic curation allows us to become more aware of the influence and power sound has on the listener’s psyche. This also places a greater emphasis on the responsibility of the event organizers, music directors and DJ’s to approach their work with a deeper reverence for the power that it holds.

Because music is an immersive tool for communication, education and retention it is of great importance that we normalize this thoughtfulness into how we book for and design our immersions and experiences. With virtual realities on the rise and experiential marketing as the go-to for brands there can definitely be even more depth of thought and consideration into what exactly the subliminal messaging is that we are consuming as attendees and selling/influencing as those being hired to put on the various aspects of these events, activations and immersions.

Because sound embeds into the mind and literally vibrates the cells of all that are participating, sonic curation encourages more thoughtfulness and holistic considerations when throwing parties and planning events, workshops and retreats.

If you’re an experiential marketer or retreat planner, what are your thoughts/feels for sonic curation? How do your event organizers and coordinators curate the sounds for your events?

Did any of this resonate with you? @ me on Twitter or Insta :) and check out my 5 S’s for Sonic Curation HERE.

Economies of Sound: Reviews for Audius, Sound, Catalog, YouSound, Opus, RugRadio and BPM 2.0

If you’re just joining in on this stream of thoughts and feels, start here…

https://mirror.xyz/kymxa.eth/_oRfWeR2-Ipxg2UAX_wfc0XZy2PbmUGsaip0htEX8ow

…Where we determined “Decentralized Music Streaming Tools” to be DMSTs for short and timestamped the term Economy of Sound “coined” (no pun intended) by PROPHETA in this conversation during our studio sesh for an ambient meditation track a couple years back. (What do you get when two Pisces start swimming in interplanetary conversation together? A glimpse into universal consciousness and the collective future…)

https://twitter.com/kyma/status/1480995811253121024?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1480995811253121024%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fmirror.xyz%2F0xd1348Edc181C989DC5abe4d6Aba9d20ECee176Ad%2FCQ1YxzO2g2lilFwgtYWOABc8OUMGSRSmdaQDBJtKGk4

ECONOMIES OF SOUND

What is an Economy of Sound? I believe we are smack-dab in the middle of defining this. The focus here is not just on the audio/visual art of NFTs but the simple necessity for sharing music and the protocols we are building in #web3 to do so. The nature of sound/audio itself as a fluid and valuable currency (read: energy current) that passes between listeners in an unseen way, this is the Economy of Sound.

“We are the source of value.” ~ Niran Babalola,

DMSTs

Why DMST and not DMSS (Decentralized Music Streaming Service)? Personally I am seeing various technologies as tools in the space right now for collecting, organizing, playing and getting compensated for music. The service being provided is by the artists and musicians. The software or app is a tool to gain access to the services they’re providing. Is this arguable? Yes, but we’re gonna rock with it for simplicity sake. It is also worth noting that not all platforms being reviewed are for streaming, some have features that would be cool to integrate into a streaming tool but as I do more research I realize I am patch working some very specific features together here and not one project has combined it all in the ways I am looking for on web3. And in this process I am discovering that one does not need to. The need is more so the capability to easily curate (aesthetically customizable) environments with plugged-in features for ourselves.

“Even if we do not yet grasp the full applications and implications, the sheer number of ideas and initiatives sparked by the core idea itself is encouraging, and gives us a glimpse at the limitless potential of our minds - we are architecting and co-creating our own future ‘reality’.” ~ KERNEL

THINKING DIFFERENTLY…

“Stop thinking of computers as a screen into which you type things from a keyboard. Start seeing the world itself as an infinitely programmable playground, access to which only requires a few magical words anyone, anywhere can create when they learn the basics of a new order of language.” ~ Intro to KERNEL

The quote above is pulled from a crypto course that allows us to expand our minds to the potentials and infinite possibilities of this new language from a programming perspective. Below, the quote from Vitalik regarding the thinking behind the genesis of Ethereum protocol, lays the foundation for how to best approach these reviews. There is no navigating the terrain of web3 without knowing what’s up with Ethereum first...

"Instead of having a protocol that is designed around one very small set of use cases, you just create a general-purpose operating system and you let people build whatever they want as applications on top of it."

These reviews are a snapshot of my current observations of this landscape at this very moment. The technologies, communities, current platforms, protocols and potentials for reconfigurations to come together in modular and unique ways is exciting and will surely be evolving quickly as more and more artists and developers recognize the capabilities of tracking value for art in alternative manners.

Check out this Fireside chat from KERNEL with Niran Babalola, founder of Panvala, with regards to how communities can come together to diversify the directions in which we utilize the web3 technologies and channel our energies more efficiently while moving away from the narratives that the technology is determining how we direct our communities.

Below I give a brief summary, little bit on tech, pros and cons and my closing thoughts/notes for each that I have come across or have been recommended to check out thus far. These are NOT exhaustive reviews, they are my surface level observations of the UX/UI, features and the little bit I know about each brand. I’ve kept in my thoughts/notes as I went through each platform some of the questions that initially came to mind. Some of these questions were then later answered by another project, 2.0 development or integration. This is my raw process as I start to swim through the sound waves of web3. I’ve also learned a ton through this process and the evolution of thought, vocabulary and possibilities naturally grows and adapts to this throughout these reviews. I was just getting my feet wet in web3 at the beginning of this process. I am now fully immersed.

In this post I’ll be reviewing Audius, Sound, YouSound, Catalog, Opus, Rug Radio and BPM 2.0.

https://twitter.com/kyma/status/1480425451164094464?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1480425451164094464%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fmirror.xyz%2F0xd1348Edc181C989DC5abe4d6Aba9d20ECee176Ad%2FCQ1YxzO2g2lilFwgtYWOABc8OUMGSRSmdaQDBJtKGk4

Special shout out @feelosopher777 for sparking the inspiration for this on my original Tweet. I don’t know you, but I appreciate you!

R E V I E W S

Audius:

https://twitter.com/AudiusProject/status/1481363533036236806?s=20

Summary: “Giving everyone the freedom to distribute, monetize, and stream unstoppable audio.”

• The Tech: App; As a platform owned and operated by its users, the future of Audius is entirely driven by $AUDIO governance. Everything about Audius is governable, with voting weight directly correlated to $AUDIO staked for value-added services.

• Pros:

  • Has backing from major DJs and producers

  • Interface is familiar

  • Can post works in progress - to share the process

  • “free forever”

  • Fans can download stems and find remixes.

• Cons:

  • UX seems to be a bit confusing in figuring out what’s going on initially. Has a more familiar layout once inside the player.

  • Their “Artist’s Podcasts” links to YouTube - not sure why they don’t have their podcasts uploaded to their own platform.

  • Having trouble finding where to submit or upload music as an artist

• My Thoughts: This was definitely designed with producers and DJs in mind. Artist-centric for creative ways to engage with audiences and encourages remixing with capability of downloading stems. Audience payback for engaging with artists is tokens. Community governance.

sound.xyz:

https://twitter.com/soundxyz_/status/1480570722711912448?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1480570722711912448%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fmirror.xyz%2F0xd1348Edc181C989DC5abe4d6Aba9d20ECee176Ad%2FCQ1YxzO2g2lilFwgtYWOABc8OUMGSRSmdaQDBJtKGk4

Summary: “SOUND GIVES ARTISTS THE CHANCE TO DEBUT NEW MUSIC AS A SET OF NFTS. EACH EDITION OF THE NFT IS NUMBERED UNIQUELY, SO LISTENERS CAN SHOWCASE THEIR EARLY SUPPORT. SINCE EARLY EDITIONS ARE CONSIDERED MORE VALUABLE THAN LATER EDITIONS, BACKERS ARE INCENTIVIZED TO DISCOVER NEW MUSIC EARLY.”

• The Tech: NFTs, webpage

• Pros:

  • Design aesthetic and branding is cool

  • Gives artist ability to share backstory for each project

  • Ability to comment on wall - social engagement, only if you “own” the NFT, if you sell this capability and any comments disappear

  • Creative rewards for listeners

  • You can see who else is in the “audience,” who else has bought a piece of the music.

• Cons:

  • I’m not seeing capabilities to organize playlists or stream music without adding it to your collection. Maybe I needed to connect my wallet for this (which I didn’t do).

  • At the time of posting, library is pretty small and niche. Currently the database only has about 200 contributing artists onboarded.

  • It is a curated space so there is gatekeeping for which NFTs are getting featured and what artists are being entered into the database.

• My Thoughts: A lot of innovative thinking for this one and creative execution for community involvement. At the end of the day I do just want to be able to stream the music though.

Side note inspired by the above: I wonder if there is a way to create a tool that allows listeners to stream in a playlist without buying and those that have bought the music along with the artist can then be rewarded by # of streams/popularity from those utilizing the platform as a DMST?

YouSound:

https://apps.apple.com/us/app/yousound/id1452078262

Summary: “All for you.”

• The Tech: App; not yet web3

• Pros:

  • Merch market

  • Artist owned and operated

  • Community driven

  • Videos and lives

  • Can comment on tracklists

  • Instagram-esque artist feed for social sharing flyers, videos etc.

• Cons:

  • I don’t know how the payment structure works

  • No playlisting feature

  • After following an artist I don’t know where to find the database of my favorites.

• My Thoughts: Created by the community for the community. This is not a web3 native platform but it is definitely one worth paying attention to. They’re getting the social integration right and the merch market. So much potential here! Only wish I could organize the music and individual tracks that I like for playlist-ing and easily share from YouSound to Instagram stories 1.) to support the artists and 2.) to promote the platform.

Catalog:

https://twitter.com/catalogworks/status/1475530655329103880?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1475530655329103880%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fmirror.xyz%2F0xd1348Edc181C989DC5abe4d6Aba9d20ECee176Ad%2FCQ1YxzO2g2lilFwgtYWOABc8OUMGSRSmdaQDBJtKGk4

Summary: “One of one digital records. Owned by you. Free from platforms. A blank canvas for a new world of music ownership. Catalog exists to prove the inherent value of music and music discovery. We believe artists should be able to make a living from their music on their own terms. We’re a music platform for artists to press and sell one-of-one digital records, and for listeners to discover, listen to, and collect music from incredible independent artists.”

• The Tech: NFTs, webpage. Not for “streaming.” Artists collect 100% of their initial sales, and earn a creator share every time their records are resold. These records live beyond the reaches of our platform, enabling artists to capture the value of their music for eternity (even if Catalog disappears). Catalog is currently invite only, and will remain so for some time. They welcome your submissions via the artist form, but can't guarantee that you'll hear back. We're a small team, and there’s a lot of work to do before we can support everyone.

• Pros:

  • Design aesthetic is minimalist and sleek

  • Encouraging music to be understood and valued as 1/1 works of art

• Cons:

  • NOT a streaming tool (but possible for the database to be streamed via: BPM Bot)

  • Slow load time (they are in beta)

  • Small team so they can’t get back to all submissions (might be worth looking into setting up a DAO for curation and submission management if submissions is the long term model).

• My Thoughts: NFT marketplaces are seeming to become the template. I am curious how this is going to translate into streaming, organizing and most importantly, sharing music. Music is art, absolutely yes, however it is collected, consumed and shared in a different manner than visual art. Waiting to see how this space innovates. The digital and visual art world has taken NFTs and ran with it but we are not limited to functioning in the NFT world in this way. This solution is more about the UX design and load-times. How can music NFTs start existing in a familiar yet innovative layout that we’re used to for: playlisting, streaming and collecting music, while simultaneously allowing it and the merchandise to exist as art?

opus.audio

https://twitter.com/opusfoundation/status/1337536210378641408?s=20

Summary: “Help artists generate the revenue they deserve.”

• The Tech: App - “By basing the OPUS Player on the Ethereum blockchain and storing all the tracks on IPFS, there is no central server so the storage costs are drastically reduced. This allows for more of the revenue to go directly to the artist, in a more secure, transparent way than ever before. At OPUS, over 90% of the revenue you generate will end up in your account. Your transactions will be managed in a secure, efficient, and transparent manner. Never again will you be confused about any part of your revenue. Blockchain-based revenue system.”

• Pros:

  • UX is clean

  • Familiar design in player

  • Playlisting

  • Recommendations

• Cons:

  • Small database of music at the time of writing this

  • No social

  • Not really a con but this is mostly designed for artists to get paid better royalty % meaning the listener isn’t necessarily incentivized to anything more than listen.

• My Thoughts: Definitely heading in the right direction with regards to server efficiency, supporting artists and offering a familiar layout for users. The database is small as it is with all of these platforms as brand awareness builds and quality assurance is taken into consideration. I’ll be keeping an eye on opus to see where it goes from here.

Rug.fm:

https://twitter.com/RugRadio/status/1460302014563295237?s=20

Summary: “Rug Radioᴳᴹ is the first fully decentralized media platform. What does this mean? It means that our community, our hosts, and you own the platform you participate in. Why is it important? Because we need to own the memes, the conversations and the narrative. Ownership means we each get to decide what we consume, how it's delivered, and we all benefit from the abundance we create through it.”

• The Tech: Not really a streaming platform but interested to watch what they could accomplish in this space in the future. Their drops and their community organization is one to observe and get involved with. In the simplest of explanations they are a media platform offering NFT drops, DAO, Social tokens, PoAPs etc.

• Pros:

  • Simplicity in design and articulation.

  • Collective mission

  • Creativity and cohesive storytelling

• Cons:

  • We’ll see how easy it is to get a membership pass

  • Not yet a DMST

• My Thoughts: Not a DMST per-se, more of a media DAO but I would keep them on your radar to see how they might innovate in this space. They have the right idea and a mission that I resonate with very much. I do hope they also create a DMST.

BPM

Summary: I am — first and foremost — a bot. The BPM Bot. Your favourite Music NFT discord bot. That’s correct. I stream Music NFTs into Discord calls. And I’ve been doing so ever since the month of September 2021, when my makers first made me. You can read all about my birth here and here. BPM 2.0 now supports Music NFTs from Catalog, Zora and Sound…”

https://twitter.com/club_______bpm/status/1476665650512904199?s=20

• The Tech: Discord Streaming specific NFT databases

• Pros:

  • Pulling curated databases of music into a community driven environment

  • Community engagement

  • The bot can be installed into any discord serve. This is the sort of modularity I am stoked about.

  • Community curation

  • If we have a variety of these “bots” that allow us access to a variety of databases to then centralize (for ourselves) on our own customizable server (right now Discord).

• Cons:

  • Just limits of databases but I’d imagine as more music specific NFT databases are being curated and created the community will decide which others to expand to.

• My Thoughts: This definitely feels like the future of navigating various web3 music streaming communities. Love that it is community curated. The nature of open-source allows ability to access various databases into your own interface, being involved in a community with similar vibes is always special. In this case the interface is currently Discord. Is there a way to simplify UX/UI designs, drag and drop capabilities for the non-technical - non-gamer humans to begin curating the aesthetics of our own listening environments?

ONBOARDING ARTISTS TO WEB3

Worth mentioning here is HiFi Labs which is going to be a go-to for the artists and artist development in getting onboarded to the various web3 spaces that are on the rise and on the horizon in an attempt to close the tech barrier to entry…

https://www.hifilabs.co/

The above tools, brands and services offer unique insight into the areas in which we are evolving as music lovers and makers. In this research I have clarified the dynamic features I am particularly looking for in a dashboard or localized app tool that offers:

• Simple plug and play

• Access to a huge library of audio (music, podcasts and even DJ mixes) with easy searching in database for artists I know and love

• Easy organization and sharing that music as collections or playlists

• As a listener I want to decide which artists I want to back with $ to have part-stake in their future success and I also want my casual streaming to first and foremost benefit the artists who’ve created this music as well as the communities and curators that are supporting that artist in building awareness for that music.

To “own” or back a portion of the audio as a fan, in streaming, is where this space is exciting. To back an artist early and continue to drive their success, while also getting supported in doing so to reinvest in future projects or reinvest in other artists feels like a really incredible possibility here.

I am unsure how the math or smart contracts will look for this or if there needs to be a cap for how many supporters/sponsors the audio should/could have but this returns the agency back to the artists to determine this for themselves upon upload.

KYMXÅ WISHLIST 2.0

CONCLUSION:

Copyright, ASCAP, BMI, all of this publishing is up for reinterpretation. As creators and music makers we must keep these new possibilities in mind. Innovations are ripe and it is not a race. We are not competing in this space. The environments that are being cultivated across the board in web3 are collaborative and complementary. Let’s keep it that way by contributing our unique ideas to the greater good of all involved and build off the things that currently work.

Access to a robust database of music, remixes, mixes and podcasts is personally the most important to me. In this web3 world I want to trust that the files I am streaming are being tracked and paying back all involved as set up in their smart contract. A, dare I say, centralized space or hub that all NFT collections are indexed or searchable to add to a playlist interface for listening.

There are systems and protocols that do work in the current designs. I don’t see the future of streaming as a central “platform” anymore. Languaging is slowly shifting to represent what this next evolution will be. I am most curious to see modularity and customizable capabilities to integrate into a sort of blank canvas space. Each team of devs contributing new plug-ins, protocols and features that can be adopted into your own personal environment via drop and drop while being able to access the music or audio NFT databases of your choice. Something The Graph is a helpful resource for. For design and organization, an interface created with a sort of customized builder along the conceptual lines of the Universe Web Builder App for creating our own app/landing pages for listening.

A mixing and meshing, a fluidity of digital music loving communities.

Music is the uniting force. Let’s see what we can create with open-source.

What ideas or wishlist features do you have for a DMST?

@ me on Twitter, let’s jam on it and circle back for round 2 of reviews coming soOn…

((( 💗 )))

Twitter: @kyma Insta: @kymxa

Å U D i 0

This week is definitely for my FR3QZ. We’re just getting warmed up for 2022 and still in retro-mode (especially now with Mercury quite literally going retrograde). This week we reflect back to some of the late 2021 fun.

Shada Shada comes in as #1 repeat for the week, with some alternative jungle/DnB feels from Fracture feat. Nah Eeto <<< Nairobi native bridging Kenyan and UK hip hop.

ALL of Alewya’s, Panther Mode album from November 2o21 is a spiritual experience. (pronounced {ah -le- wee- ya} Ethiopia + Egypt // LDN. //Creætor // ) Close your eyes and just vibe to Play, Zuggy, Channel High, Spirit X. For this week’s list Play made the selection for it’s contagious bounce and video, which takes us to a sensual and spiritually lit beach bonfire (yes please!)

Hold Up hopped in rotation for its vocal textures.

ABRA’s video is giving Missy. And many more to explore. Take your picks and just rock with it.

Have fun this week, FR3QZ!

https://images.askmen.com/news/entertainment/fisheye-lens_1397756144.jpg

V I $ U Å L - Bl@ck & Whites

SOLARIUM NFT

“Procedurally generated floral art project that uses distortion and noise to create beautiful 3D art.”

https://twitter.com/homegirlcaro/status/1478934098865360897?s=20

CELINE ANDREA

https://twitter.com/andreaphotogra6/status/1330838603111534595?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1330838603111534595%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fmirror.xyz%2Fdashboard%2Fedit%2F314Pmw7_AsdBMDXRuLIDEJrsSjJzyENwvsRb-kIy_gs

XDOMINA

https://twitter.com/xdominaxx/status/1480694738802065410?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1480694738802065410%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fmirror.xyz%2Fdashboard%2Fedit%2F314Pmw7_AsdBMDXRuLIDEJrsSjJzyENwvsRb-kIy_gs

((( 💗 )))

Twitter: @kyma Insta: @kyma

With NFTs, much is changing across the board in the visual arts and music industries, in a BIG, BIG way and fast! Propheta and I have been exploring the idea of an Economy of Sound for some time. Many puzzled looks later, here we are, about to quite literally morph the music industry into a decentralized Economy (and Ecosystem) of Sound, collectively in web3, all of us, together. (Highly recommend listening to the below convo from 2018/2019).

https://www.aquariantransmissions.com/practices/2020/1/27/economy-of-sound-convo-with-propheta-kym

This topic is major for me as DJ and sonic curator. Sharing music is like the air I breathe. To finally have the ability to track and value the sharing of music is important. VERY IMPORTANT. We are the #SonicCuration Generation after all. Being able to do this in a holistic way that supports and values the artists and the listeners is exciting AF! The future of #web3music is going to take some research to see where we are in this space right now and the various directions we could be heading.

It is common knowledge that the backend of the music industry is antiquated and has some catching up to do (to say the least). The small percentage of royalties paid out to artists by centralized streaming services and the fact that it has been normalized that most large record labels are known to exploit their artists’ success without taking into consideration the mental, physical or financial health of their teams is crazy and I do not use that term lightly. It is an “industry” after all - an environment designed to manufacture. But we all know music is more than something that can be produced or manufactured.

Music is harmony. Music is melody. Music is soul. It is not a product to be “manufactured” through an industry. What we are doing now is removing the influence of the industry on the creation of music. And again that is exciting AF! There is a reverence with which we can begin approaching and valuing ourselves, our music and our support in #web3. For artists, these next moves will be determined by their autonomy and contractual obligations with their labels. We are in the grey area and why it is so important to remain independent and own your masters at this time, to keep your SONIC SOVEREIGNTY and do as you wish with your sound. To understand this, a mindset shift might be in order.

Bobby Hundreds Q&A and response to “What is the TLDR of this shit? Idk what any of it means!!!” is a gem to preface where we’re about to go with this all…

https://twitter.com/TheTrueAbstract/status/1481183109299200000?s=20

So what does this mean for music?

Because finding new music, producing it, organizing it and sharing is my specialty and I spend so much of my time and energy in this space, I’m reviewing the platforms I come across for alternative options I’ve found in the world of Decentralized Music Streaming Tools (which I will now refer to as DMST, not to be confused with DMT). I’ll be documenting this journey as I search for the next options and imaginings in rotation. The protocols, platforms and plug-ins. Some things I’ll be looking for from these tools are…

• Ease of social sharing

• Direct access to uploading music to platform as artist

• Direct and timely payouts

• Easily customizable smart contract templates

• Merch marketplaces

• Playlisting

• Social capabilities, messaging, see what others are listening to etc.

• Innovative curation capabilities

• No-code, low-code - Modular UX/UI designs

• DJ mix and podcast streaming capabiliites

• AI auto-suggestions/algorithmic reccommendations

• Interoperability for royalty tracking and payouts

• EQ capabilities for sound quality

• Free to use, options to invest in protocol with token

NOW LISTENING TO:

https://open.spotify.com/episode/1HXeyEEXm2CIvDkvUMxDBH?si=cb70be4bab284094&nd=1

That’s a wrap... for now…

Because we’ve been used to having access to enormous libraries of music immediately, there does need to be some context and patience in these beta spaces I realize (note to self). It also appears we are moving away from standardization which may or may not lead to inconsistent sound quality (ie: Soundcloud - which did also end up generating a new wave with the “LowFi” genre). Quality control will likely be determined by the curators for each database of music collections, whether it’s a free for all upload or thoughtfully refined and curated library of music - ie: the new record label. We’ll see what the options are…

It’s important to keep in mind that we are building this new world together from the ground up. What do we want it to look like and sound like? What terms are we taking into consideration in our smart contracts? If we are setting our own standards, how do we not sell ourselves short while coming together as a community to support each others creativity and generosity?

@ me on Twitter and let me know what features you’d like to see in your DMST. Share your wishlist features and let’s press play on these ideas!

Find your vibe…

Currently testing a variety of platforms and protocols. In the meantime I’ll be posting my FR3QZ of the WEEK to the KYMXÅ **YouTube ** until I decide what the next .wav in this transition to web3 is going to be. It’s a whole new wide world web now and any DMST I subscribe to is going to be home for so much of what I do. I want to be thoughtful in my selections and have capabilities that allow easy sharing and onboarding for new users or members to the community while truly supporting all contributors in the ecosystem.

https://twitter.com/kyma/status/1481715759227170816?s=20

((( 💗 )))

Twitter: @_kyma_ Insta: @_kymxa_

A weekly curation of audio and visual storytellers finessing the .wav + web3 space with their sensuality and creativity. Curated by KYMÅ

Å U D i 0

Spring cleaning has come a little early for me this year. Making my way through years worth of music as I organize my various collections across multiple platforms. These have been some personal favorites I’ve been bumping the first week of 2022. New and old, these 8 tracks are gold.

https://youtube.com/playlist?list=PLKx5n4tLAyEb6t81gtHy70P42EDLtpE5O

V I $ U Å L S: Shapes + Mixed M3dia

NFTs through the lense of these incredible womxn. If you’re in the market check out their sensual collections and collectibles.

LIRONA

https://twitter.com/iamlirona/status/1480930625905381386?s=20

AYLA EL-MOUSSA

https://twitter.com/aylaelmoussa/status/1480794232780591109?s=20

NFT NAT

https://twitter.com/NFTnats/status/1479991770205372423?s=20

((( 💗 )))

Twitter: @_kyma_ Insta: @kymxa