Sensitizing the press for the weekly collection

The fine and fine expression of the South’s sculptures deserve study.

Weekly collections: What is the impression given to you by the sculptures of Hiroshima?

Mayo: During our students, great attention has been paid to the sculptures of Hiroshima, in particular some well-known sculptures. Many of the sculptures of our predecessors, such as Pang, the Jubilee and the Spirit, have always been the mindset of our learning. We have also devoted our attention to the memory of the memory of the martyrs of the South Chinese rain flower, created by Mr. Yukio Takasu and others. In addition, the work of Mr. Ban Ki-moon, the “Curgent-year-old”, has had a significant impact during our school years. In recent years, the great sculptures of the young descendants of the diaspora have become more entrenched, and the emergence of many sculptures and sculptures that have an impact in the country has been an important domestic sculpture force that has been very active and diligent in their respective creative work.

Weekly collections: What are the characteristics of the sculpture in the east in your view?

The brilliant method of dealing with the works, the inexpensive and thoughtful expression, is a very clear feature of the sculptures of the whole. These characteristics are very different from those of the North, North-West. For example, the five sheep sculpture, which is not only highly conceptual in nature, is conceptualized from all viewpoints, but also, in the course of dealing with hand, in the years when processing tools are so underdeveloped in the year, they are painted with shapes, details and mattresses, the dynamic treatment of each sheep, and the picture of the link between the sheep and the goats is very skilful, showing the high profile of the authors in the use of materials. If the North is more focused on the whole, the South’s sculptures are more nuanced and refined in the picture and in the sense of the details, and deserve our good learning.

Weekly collections: In the area of sculptures, a “South sculpture” statement has been circulated in recent years, and can you sum up to the “South sculptures”?

Mayo: If reference is made to South sculptures, it is my understanding that this should be reflected primarily in the intervention of a large number of traditional crafts in the South, such as carpentry, stone sculpture, ceramics and materials in the process of sculpatory creation. In our view, the concept and methods of sculpture creation are further enriched by the elements of traditional processes and the characteristics that highlight the beauty of materials. A number of excellent works, following the acquisition and application of a variety of craft methods, such as carvings, can exhibit a richer and more diverse picture of the works, while in other regions, traditional crafts, etc., share in the creation of sculptures, should be less visible than the sculpers of the east, which may be some of the characteristics of the “South sculpture”.

The contemporary sculptures of the Gulf of Guinea focus on the deep impact of traditional sculptures by older generations

Weekly collections: in contrast, what is the sculpture characteristics of the besi?

Mayo: The contemporary sculpture art in the west, which, in the struggle and transmission of an older sculpable artist, has developed a model language system that promotes, seeks a holistic, shaped and focuses on traditional sculptures. We are located in Seian, Guernsey, a city of great importance in the history of Chinese culture and art, where almost always no one reminds the creators of the art, all of which have been felt by the history and cultural background of the Chinese civilization for thousands of years, and the effects of these factors on the sculpers of the Gulf of Guinea, especially the old sculptures. In the new era, the sculpers of the Gulf of Guinea will use their own professional skills in an effort to demonstrate the contemporary Chinese culture of excellence and to speak for the story.

Weekly collections: this is reflected specifically in works?

Mayo: For example, the sculpture chamber of the Province of Chissssi, which was built in the last 1980s at the throes of the sculptures, is a classic modern urban sculpture of public relevance, a style of great style, a highly integrated form and content, and the images of persons and warma present in the works continue to be the stereotype of the throne, and artists are well positioned to combine old moulding techniques with contemporary public-minded artistic works. The thickness of these sculptures, which I have cited, and their overall artistic character, are representative in the area of sculptures in the Gulf of Guinea and in the whole country. There are, of course, many representative sculptures with similar characteristics that are no longer listed here.

Mayo

Present member of the sculpture court of the Province of Java, the director, the fine arts at the national level, and the Chinese Association of Fine Arts.