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Sixteen Waves I Had to Mint: In Conversation with Brâncuși

Maxximillian Launches SWELL a New Interactive Ocean Art Format Inspired by Brâncuși’s Abstraction of Form

Sometimes a body of work arrives quietly. Sometimes it arrives with urgency.

SWELL was not scheduled. It was not mapped on a roadmap. It emerged from study, from reduction, from a return to essence.

Last week, I was inspired to deeply visited the work of Romanian sculptor Constantin Brâncuși — not only to expand my horizons, but to see if I, too, might—thanks to this new exploration—deliver some new element of my personal story through the Brâncuși lens.

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The motion of a wave as a different kind of never-ending moment constant upon the horizon, but less dangerous than ever at eye level, as a solid moment in time. Within the ABSTRACTIA series,
Learn more at swell.maxximillian.art

SWELL is my Brâncuși-inpired format applied to my frequent re-expressions of water up-close and personal — not as seascape, but as persona.

As I stand tippy-toe upon the shoulders of this artistic giant and lean in to look upon his world with inspired eyes that I, too, may chime in on a tribute to him along with my peers, what delights me most of what I can imprint of Constantin Brâncuși is his discipline of refinement into abstraction. The distillation of noise and into the supple amplification of essence—like any memory of a person we hold, whole and complete in its abstraction, and yet not the whole story.

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Each wave embodies the motion of oceanic energy in sculptural abstraction. What remains are intrinsic to what a wave is: tension, lift, curvature, and presence—inevitability in an intimate moment.

This is an interactive work of art, and a blind mint of singular works of ABSTRACTIA in a series within the larger work.

You do not select the wave.
You receive the wave.

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Singular editions of 16 unique works of interactive art roll in this first series.

Blockchain: Base
Smart Contract Address:
0x8cf876c07647315b3f840ffb00624e4730078167

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