Summary: Homes should be characterized by tranquillity and harmony, more with nature, excessive dressing and less floating. The spirit of love, the soul of the people, the freedom of the space of God, the good, the United States!
Each of the designers’ minds has a city in which the world gathers the virtues and minds of the world. One day the doors of the city are opened and you see how the good design is to be refined. The booking is a series of Chinese indoor designers’ media in-depth interviews, showing the real inner minds of Chinese indoor designers: the design behind is their profound understanding of life.
元, founder of the International Creative Design Agency. In 20 years of operation, special attention has been given to the design of private homes, the renovation of spaces, the design of commercial projects and the design of property projects. Different design styles are well known. To give space nascent spaces a sense of great sensitivity and depth.
The family should be characterized by tranquillity and harmony, more with nature, excessive dressing and less floating. The spirit of love, the soul of the people, the freedom of the space of God, the good, the United States!
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New waves
Designing out of life
Each designer has a different understanding of the design, but it says that it must not lead to life until the design starts.
The 20-year yuan renminbi was designed, with the initial design, without conceptual understanding of the “design”, but only in terms of the discovery of the beauty in life, with a preference for the painting of oils and national paintings, while the design was clearly recognized for a transition period of time:
From 1997 to 2001, the yuan renminbi was enrolled in the relevant professions at the university level, and four years of study were followed by the design of the theoretical foundation; after the completion of the university, the formal design work began, and then the transition from understanding the common good to understanding the design of the United States was followed: From 2001 to 2005, it was understood that “design”; from 2005 to 2012, it was understood that “homes” were the initial minds of the client designers; and from 2012 to 2015, it was the spiritual expression of space design. Since then, in the design of the yuan renminbi, she has emphasized that 60 per cent of the use function is based and then the “true” concept of space design is transmitted to clients.
This is the panacea of the design profession, which not only discovers the beauty of life, but can be put on paper, even out of shape and indefinitely extended. The penultimate is designed to internalize the design theory and then to outplay the understanding of life.
“Design style without template”
More designers initially chose the industry to survive, as was the case with the dollar. However, after the start, she began to rely on her own love and professional smelting, and was looking for industrial change and the movement of consumer groups.
“The styles were initially thought of, for example, medium style, modern style, edifice, etc. However, in the design process, the designers took the design (needs) almost in the first style, but were designed according to client needs.” S$ indicates that the design of the home for clients takes into account the functional nature of the household, rather than overly paedophilia.
Experience with China’s traditional culture is purely inertia, with moderate jewellery being felt in isolation from women in the new era
“The designers meet the client’s functional needs for the room, depending on the client’s own style.” The style-setting process is the process of interaction between the designer and the client, as in paragraph yuan, “design is not a man’s completion, cannot be proactive, not passive, and interacts with the client”. On a client-like basis, high-quality home review functions are promoted, which is the “interactive” work to be undertaken by the designers. Each “interactive” hit new fires, so that the yuan renminbi will not be fixed in design.
Today, 80 and 90 years later, this group is characterized by greater individualization, pluralism, greater individualization of design styles, space patterns and scientific and technologicalization. This is in line with what she has advocated as a “no more ambitious” concept. It was also stated that science and technology would be a major trend in future indoor design, and that a new style would then emerge.
Design to break the gender border
Return to industry, women designers are less represented in the design industry.
Men’s designers are usually seen as more suitable for structured designs with bones, and women designers are more suitable for indoor flexible curve design. In the yuan renminbi, there is little difference between female designers and male designers, but only some difference in the design of soft, colour type. Male designers may prefer cold, harsh American designs; female designers are more flexible in the use of colours because of their more sensitive nature. However, in the construction design, there is no distinction between female designers and male designers.
Parameter recall, in 2005, many will say: “I do not have a female designer”. They felt that female designers were not able to run the site, wearing high shoes, shoes, lucratives, and were not suitable for building design with steel concrete. “This difference was then made, but now the Internet age was so advanced that many excellent building works were designed by female designers and knives.”
“Please choose me for gender, preferably because of my design.” The paraphras, looking at designers, begins by breaking the gender border.
Cross-border “point-line-face”
Designers need to break down gender boundaries and, equally for designers, to develop cross-border thinking. It is considered that the design of aesthetics is a cross-border, vertical, guided by the logic of logic, which is based on a line of thinking, from point to place.
The designers, for example, have to maintain the same frequency as their clients, taking into account the separation of the line of movement between the couple, the elderly, the children, and the PEN, in order to identify differences and homogeneity. The design is based on integration of the same nature, then on targeted treatment of points of difference, integrating in a point-by-side format, and most importantly on client functional needs. The parameter does not promote cross-border disruptions and lack of keys.
Securing a tranquillity in the city of Penitentiary, a modern typhoon and a lucrative of the eastern line
Design like love
As a well-known cross-border designer in the industry, the parade considers faith to be important and her original design for “people with people, good faith with clients”