China’s ancient painting history, with no exception from all the clerical and hooliganists, is a man, and it is not surprising that almost no one can remember, and that Chinese paintings are transmitted to the cousins of the cousins, a woman who is unquestionable. Even in the light of the assessment of this matter, which is documented in the “Bill”, the motto states: “When this is a panacea, it is a woman”. In other words, in the context of extreme masculinity, they believed that paintings should be exclusive of men, had absolute words and achievements, and that “inventive patents” were in the hands of women and were hardly discouraged.

As a result, the number of female painters compared to male paints in ancient Chinese paintings has been reduced to various kinds of constraints, and even more so, it does not mean that women are not known in the ancient painting history of China. It is true that the men’s rings have become extremely visible, but they are the most tiny aspirants, and they have their own nuances, even if they are obstructed, and if they are given the opportunity, their real weight and value will be highlighted. Women’s self-consciousness and creative desires are truly awakening when the Tangier’s polars are written in the “blooded poems, branded in the head”.

The fact that poetic scripts and scripts were not allowed at the time to give women a name or even a status attached to men, provided that women were re-recognized with their values and possibilities - in addition to the stipulations of the triads and the tantamounts, women were not only able to do so, but could express their feelings and show their will, which was not exclusive to men. The piping, like the renowned feminist piping, although she was able to give her name a direct benefit from the status of the wife of Zhao Mon, her penis was not meaningless in view of the fact that she was separated from that status.

However, the shackles and blockades of the past several years are, after all, too strong, and the names are hard-won, not to mention that they will be able to read. Female painters have the opportunity to learn and can only be a well-known male painter’s experience, while others have limited time and space for activities beyond domestic work, let alone increase their awareness of growth and creative skills. However, the women’s painters seem to have a lot more than their predecessors, especially in the face of capitalism, commercial prosperity and extremely rich rivers, which have brought together the largest number of female painters throughout the country, and who have survived a hypocrisy for buying from time to time, such as the vengeance of feminists, and the branding of girls.

To say who was the best female painter in the country at the time, it was not a feud, but even a chewing might have to be slightly better, and to have a rouse in the g g g g of the State pilgs, it was said: “The U Myung-soo, the young, who have been in the dark for three centuries”. Because the feud of feud is the cousin of the cousin, the husband and the widower are not the panic. The mother-in-law, who is born of a large ethnic group in the State of Sus, is known in the Windhoek Draft, “Caucasing of clouds”, a named woman in Jiangan, whose father is the author of the artist. The paternal paternal paternal paternal paternal paternal paternal paternal paternal paternal paternal paternal.

Zhao’s Homebook Act, as well as thermal pyrotechnicism, the chores of land usually operate with the husband’s minds, regenerate the home and thumbled property. They built a typhoon in the vicinity of the garrison in the outskirts of the town of Su County, which became a brand of a new name because of an extraordinary brand, and later loved the che of the francophone Emperor, in particular the brand of the che, in which the occupier was given a brand in the Royal Park. As a second owner of the typhoon, Zhao inherited from his home. He was a liter of rocks, known as the thorny of the typhoon, who was outside his script, and who was a typhoon of the tyrans, who was both uninformed and talented, and whose husband and wife were in hiding in the typhoon, in harmony, in the name of God. The money has helped to make them like Li Chiang Zhao.

However, it is only for its own sake that the Hon. Zhao, and indeed the Li Zhao, who have suffered for his own good, is recognized and supported, even because the chef “smothers”, and for the family of Zhao, all of whom say: “The gynaecologist of the greeting, and the wife of the widow. A rock of the typhoid can be bleak.” The more widely the sound is also given by the specimens when they are married to the family. While there is a “women’s inaction” statement, it is not a strong idea of this in the next generation, especially in the case of whistle-blowers, whose ideal partner, apart from being trivial, is best able to take advantage of it, and whose strangulation is not merely a matter of courtesy, but a spirit of complacency.

As a result of the skirmishes, he felt that she was going to marry the talented woman: “I was with the gentle, the couple, the cousins and friends, and after the black cosmetics, the felics, the yellow clouds were swepts, and we did not play a new diameter, with a low window”. As a result, he drew attention to the “trigger” of the author of the communication, and also to the “trigger” of the woman: “The husband has three odds, has a monopoly, and the women have three ugs and drums. As a result, the chewing not only appreciates the talent of the wife, but also encourages her to create, after the advent of the adventure, the heart of the heart of the loving: “The remaining wounds, not in colour but also in the guise of the lucrative lucrative tutor, and the Gujam.”. It also compiles suitable works in order to prevent them from being transmitted.

While such a concept does not completely overshadow the masculinity imposed on women by the male perspective, it is in the end that women are recognized and encouraged to pursue their talents, so that women are gradually being recognized in the home of the mask community and, objectively, women have broadened the space for life. If they are unable to meet this aspect from the marital relationship, they are moving to the same demand for cigarette women, who are co-headed, so that they can be nurtured and then become prostitutes. As a result, Zhao is extremely proud of his talents: “The remaining Chinese, whose home has been cherished for the purpose of valuing the ink, developing his own skills, and studying his home”.

The long state of Chinese origin, the monks of many scout families, has a monopoly on the origins of their families, and the education that their brothers receive is naturally not easily accessible to others. Printed winds

China’s ancient painting history, with no exception from all the clerical and hooliganists, is a man, and it is not surprising that almost no one can remember, and that Chinese paintings are transmitted to the cousins of the cousins, a woman who is unquestionable. Even in the light of the assessment of this matter, which is documented in the “Bill”, the motto states: “When this is a panacea, it is a woman”. In other words, in the context of extreme masculinity, they believed that paintings should be exclusive of men, had absolute words and achievements, and that “inventive patents” were in the hands of women and were hardly discouraged.

As a result, the number of female painters compared to male paints in ancient Chinese paintings has been reduced to various kinds of constraints, and even more so, it does not mean that women are not known in the ancient painting history of China. It is true that the men’s rings have become extremely visible, but they are the most tiny aspirants, and they have their own nuances, even if they are obstructed, and if they are given the opportunity, their real weight and value will be highlighted. Women’s self-consciousness and creative desires are truly awakening when the Tangier’s polars are written in the “blooded poems, branded in the head”.

The fact that poetic scripts and scripts were not allowed at the time to give women a name or even a status attached to men, provided that women were re-recognized with their values and possibilities - in addition to the stipulations of the triads and the tantamounts, women were not only able to do so, but could express their feelings and show their will, which was not exclusive to men. The piping, like the renowned feminist piping, although she was able to give her name a direct benefit from the status of the wife of Zhao Mon, her penis was not meaningless in view of the fact that she was separated from that status.

However, the shackles and blockades of the past several years are, after all, too strong, and the names are hard-won, not to mention that they will be able to read. Female painters have the opportunity to learn and can only be a well-known male painter’s experience, while others have limited time and space for activities beyond domestic work, let alone increase their awareness of growth and creative skills. However, the women’s painters seem to have a lot more than their predecessors, especially in the face of capitalism, commercial prosperity and extremely rich rivers, which have brought together the largest number of female painters throughout the country, and who have survived a hypocrisy for buying from time to time, such as the vengeance of feminists, and the branding of girls.

To say who was the best female painter in the country at the time, it was not a feud, but even a chewing might have to be slightly better, and to have a rouse in the g g g g of the State pilgs, it was said: “The U Myung-soo, the young, who have been in the dark for three centuries”. Because the feud of feud is the cousin of the cousin, the husband and the widower are not the panic. The mother-in-law, who is born of a large ethnic group in the State of Sus, is known in the Windhoek Draft, “Caucasing of clouds”, a named woman in Jiangan, whose father is the author of the artist. The paternal paternal paternal paternal paternal paternal paternal paternal paternal paternal paternal paternal.

Zhao’s Homebook Act, as well as thermal pyrotechnicism, the chores of land usually operate with the husband’s minds, regenerate the home and thumbled property. They built a typhoon in the vicinity of the garrison in the outskirts of the town of Su County, which became a brand of a new name because of an extraordinary brand, and later loved the che of the francophone Emperor, in particular the brand of the che, in which the occupier was given a brand in the Royal Park. As a second owner of the typhoon, Zhao inherited from his home. He was a liter of rocks, known as the thorny of the typhoon, who was outside his script, and who was a typhoon of the tyrans, who was both uninformed and talented, and whose husband and wife were in hiding in the typhoon, in harmony, in the name of God. The money has helped to make them like Li Chiang Zhao.

However, it is only for its own sake that the Hon. Zhao, and indeed the Li Zhao, who have suffered for his own good, is recognized and supported, even because the chef “smothers”, and for the family of Zhao, all of whom say: “The gynaecologist of the greeting, and the wife of the widow. A rock of the typhoid can be bleak.” The more widely the sound is also given by the specimens when they are married to the family. While there is a “women’s inaction” statement, it is not a strong idea of this in the next generation, especially in the case of whistle-blowers, whose ideal partner, apart from being trivial, is best able to take advantage of it, and whose strangulation is not merely a matter of courtesy, but a spirit of complacency.

As a result of the skirmishes, he felt that she was going to marry the talented woman: “I was with the gentle, the couple, the cousins and friends, and after the black cosmetics, the felics, the yellow clouds were swepts, and we did not play a new diameter, with a low window”. As a result, he drew attention to the “trigger” of the author of the communication, and also to the “trigger” of the woman: “The husband has three odds, has a monopoly, and the women have three ugs and drums. As a result, the chewing not only appreciates the talent of the wife, but also encourages her to create, after the advent of the adventure, the heart of the heart of the loving: “The remaining wounds, not in colour but also in the guise of the lucrative lucrative tutor, and the Gujam.”. It also compiles suitable works in order to prevent them from being transmitted.

While such a concept does not completely overshadow the masculinity imposed on women by the male perspective, it is in the end that women are recognized and encouraged to pursue their talents, so that women are gradually being recognized in the home of the mask community and, objectively, women have broadened the space for life. If they are unable to meet this aspect from the marital relationship, they are moving to the same demand for cigarette women, who are co-headed, so that they can be nurtured and then become prostitutes. As a result, Zhao is extremely proud of his talents: “The remaining Chinese, whose home has been cherished for the purpose of valuing the ink, developing his own skills, and studying his home”.

The long state of Chinese origin, the monks of many scout families, has a monopoly on the origins of their families, and the education that their brothers receive is naturally not easily accessible to others. Printed winds