Summary: During the design week of Milan, the Director-General of the WEI Building and Indoor Design (WEI) Weisser, together with the brand of the high-end dress system, was able to jointly publish a new product of the Bandrog2.0 series, developed by the two sides, and conducted a critical dialogue with the new waves.

“there are so many Chinese designs that are on the international scene, many of the outstanding Chinese designers are expressing their own Chinese designs in different ways; it is to be hoped that more Chinese designers in the future will be able to give their voice to China and to see the world see China design.”

WEI, Director-General of Building and Indoor Design, Weisser

What can be the power of design? It is a wonderful idea of moving from the brain to the unparalleled universe every night, a physical creation of the illusion when the paper depicts a light-capacitation curve, and a moment when every chronological material will be painted into a temperatureable work.

Design, which is the process through which people will act to put the good life of mind, can be said to be the strength of mind and the strength of design. This force, which had been centred on the western world, had an impact on the global definition of high-end life.

Of course, China’s long-standing culture is also the breeding ground for well-designed and good products. In fact, in recent years, China has been designed to build on the momentum — according to the relevant surveys, the proportion of consumers in Chinese indoor design has now exceeded 50 per cent, and the market size has reached $360,000 by 2020 and will continue to grow in the coming years. In view of global economic development, the emergence of China’s design force is not only a corollary of China’s artistic and cultural empowerment under rapid economic development trends, but also an important sign of China’s growing global recognition and recognition of its creativity.

During the recent design week in Milan, the director of the WEI Building and Indoor Design (WEI) Weisser, together with the brand of the high-end dress system, was able to issue a new Banrog2.0 series, developed jointly by the two sides, for the purpose of integrating East wisdom and western beauty, China. On the launch site, the new waves engaged in an in-depth dialogue with Weisser to explore the source-driven driving behind China’s design forces.

Messages in favour of Trades and Crafts

“For this cooperation, the place where Banrog has attracted me most is their pursuit of a very broad spectrum.” Weissbrodt can start with the opportunity for cooperation between the two sides.

Even though the artistic philosophy, styles and materials used for product design are based on Italian culture, Banrog’s focus on the collection system is based on the philosophy behind China’s traditional way of life — in a nucleus of self-threatening and anti-provinciality, it explores the mode of return to me and to the truth through a process of duplicating this precipitation.

Weisser can say that Banroge can be described as a “grantor of the receiving system” in the industry, and that, in addition to the seemingly sophisticated nature of the product, Rim has more than a few details to reflect its monopoly, which has an traumatic impact on the soul of each designer of the thought-making works.

The three new series of “Venice”, “Rome”, “Milan”, which is now being issued primarily for the Chinese client community, and in order for domestic users to be clearly positioned at the first time on the styles of these three types of series, weissers are able to select three of the most reciprocated nations to be able to compete with Banrogado, and to have urban names in line with product design and materials.

New York

Venice — referring to the origin of the high-end leather, the first reaction of the population is necessarily the Italian region of Wyeto (Veneto), which is also the source of raw materials in Bangalore, with almost 80 per cent of the Italian leather coming from the region. The “Venice series” named in Venice as a raw material, allows Chinese users a second time to find themselves in a soft-skinetic picture of the glorification and atmospheric simulation, and a deep-seated Italian aesthetic attitude.

New York

The Romano-Roman is the name of Italy’s history and legacies, in which thousands of thumbs have been cast in concrete form as a building in ancient Rome, and the hemispheric pulmonary have been a temple of honour for the world. The “Roman” product is modelled on the top of the top by modern handicap, which has been transformed into a moulding, touching upon history.

New York

Milan, a time-honoured, pioneering and artistic environment, was the impression of the nation that the great city of Milan was, not only a gathering of the semi-current luxury brands of the globe, the production of the daphonic peak or the shrines of the architect. Complex features are integrated into one product through cutting-edge processes, probably after the entire picture of steel glass is hit at random, a simplely bright Banroglogo, with the temperature “Yes, I am ready” to show the tolerance and enthusiasm of Milan.

A trickle-down of the product is the great artistic pursuit of the works that weisser as the designer, as well as the sedimentation in the quinquennial of work in Banrog, as well as the in-depth study of the dressing system; the values of the two sides combine to wear and tear the Chinese-designed strength of this recipe.

Intellectual life, unlocking the unlimited potential of China’s consumer market

Since ancient times, cultural influence has been based on strong economic capacity-building, and the Chinese design force has been powerfully radiationed globally. It is also based on China’s fast-paced economy, with digitized and information-based industrial technologies, such as high iron, network, manufacturing, etc., sounding the name of “China’s speed”, followed by the powerful influence of “China’s manufacturing”.

Over the past two years, the State has been promoting high-quality development of home-based industries and providing a platform for high-quality countries, with a new phase of reform of digitization on a solid basis of information, beginning with the transition from “China manufacturing” to “China” with the “Powers” approaching “Power”. The customization industry responded positively, with high-quality development winds prevailing in the customization industry, and how products could be brought closer to consumers.