Münevver is a digital product and brand designer specializing in UI/UX and design systems for Web3 and decentralized platforms. With a background that combines intense focus—shaped by experiences like competitive rowing in her youth—with a deep appreciation for creative exploration, she brings a unique energy to every project. Münevver is dedicated to making complex technologies like blockchain feel intuitive and human-centered, crafting experiences that are not only functional and visually engaging but also built on trust.
Absolutely. That project was a special one for me. I've been following the Argot Collective with great admiration since they started, so when I saw the Octant bounty for their 'Act' category, it felt like an opportunity I couldn't pass up. My main goal was to distill the idea of 'verified truth' into something incredibly minimal but strong. I kept coming back to the idea of a final, definitive point. That led me to the final design: a clean typographic word mark with a small square dot at the end. It’s meant to be that final point of truth. It was incredibly validating to hear that the team connected with that story and chose my design.
Zoe from Act:
We liked the logo because of the minimal but nice design, and because of the connection to verified code (the dot and the square resemble mathematical precision and certainty). We also like the description of the meaning of the logo that the designer provided.
The greatest challenge I encountered with the Act project was the extremely limited project requirements. The brief simply stated: "Simple, word mark. Part of the Argot Collective, which might give some ideas." That was all.
This constraint was particularly challenging within a competition context, as all participants were working within the same narrow parameters, making creative boundaries more pronounced. With limited visual output options available, I needed to truly understand the project before establishing its identity.
Therefore, I dedicated significant time to understanding what Act produces, what it represents, and how it operates. I then translated this technical infrastructure into visually simple yet meaningful components. My starting point was the project's strong mathematical and verification-based foundation.
Subsequently, I identified the core elements to develop: typography, color palette, and potentially a meaningful auxiliary visual element. This auxiliary element became the small square dot I added to the end of the wordmark—this was my "aha" moment. This small mark was directly related to the project, symbolizing truth, certainty, and trust. It simultaneously established a simple yet powerful balance.
Each element required individual consideration: The design needed to be simple, making a sans-serif font the appropriate choice. However, it also needed to appear strong, which would be reinforced through color usage. Yet this wasn't about creating a colorful, distracting piece of text—it was a corporate identity. Therefore, everything needed to be clean, functional, and meaningful.
Ultimately, by bringing these elements together, I was able to create a brand language that aligned with the project's essence. Naturally, this required extensive experimentation and fine-tuning.
My earliest memory of noticing design was probably in one of the old role-playing video games I played as a kid. It wasn't just about the story; I was fascinated by the design of the world itself—the layout of the towns, the intricate maps, and even the menus. I remember thinking about how a simple interface could hold such a complex world and guide you through it seamlessly. I didn't have the vocabulary for it then, but looking back, I think that was my first encounter with user experience—the quiet realization that someone had thoughtfully planned every path and every button to make an experience feel intuitive and magical.
I believe my work is a direct reflection of my personality, which is a blend of focused discipline and open curiosity. The rower in me loves building structured, robust design systems that perform under pressure, while the gardener and hiker in me craves creating experiences that feel organic, human-centered, and uncluttered. My personality is also very collaborative—I love connecting with people—and that’s mirrored in my design process. I thrive on user interviews and team workshops, ensuring the final product isn’t just my vision, but a shared solution that truly resonates with the people using it. Ultimately, whether it's a minimal logo or a complex interface, I aim for my work to feel both thoughtful and deeply human.
My creative superpower is empathy, both in design and in collaboration. It allows me to bridge complex technical concepts with user-friendly interfaces and also to build strong, collaborative relationships with teams and stakeholders very quickly. Colleagues often notice this ability to connect, whether it's through leading insightful user interviews or simply fostering a team environment where great ideas can thrive. It helps me create designs that are not just visually polished, but also deeply resonant with user needs.
One project that stands out is designing the UI and design system for Truth Post, a decentralized social platform. What made it special was the human-centered challenge: we were building a new way for communities to interact online, grounded in trust and security. I led user interviews with a diverse group of people, from crypto natives to complete newcomers, and translated their needs into a design that felt both empowering and accessible. Seeing that collaborative effort result in a platform that users genuinely connected with was incredibly fulfilling.
I find my best ideas when I step away from the screen and connect with the natural world. Tending to my garden of roses and geraniums, going for a long hike, or simply listening to the birds chirping helps clear my mind and allows new perspectives to emerge. This time spent in nature provides a vital counterbalance to my work in the digital realm. It grounds my thinking and allows me to return to Web3 design challenges with renewed energy and a fresh, human-centered focus.
As someone who appreciates the power of storytelling in games, especially RPGs, I’d love to reimagine the initial onboarding experience for Web3. Right now, it can feel like a significant barrier, preventing curious newcomers from exploring the exciting potential of decentralized platforms. I envision an onboarding flow that uses interactive storytelling—much like a good game—to create a welcoming, secure, and even playful introduction. By using thoughtful design to demystify concepts like wallets and security, we can empower more people to confidently take their first steps into the decentralized web.
People are often surprised to learn that I was a competitive rower in my teen years and still enjoy rowing as a hobby today. The discipline, focus, and teamwork from that part of my life have profoundly shaped my approach to design. It taught me the importance of rhythm, persistence, and pulling together towards a common goal—lessons that are just as valuable in a design sprint as they are on the water.
I would tell her to embrace the full spectrum of her interests. The discipline from rowing, the patience from gardening, the curiosity from creative experiments—it all feeds into the designer you will become. Don’t silo your passions away from your professional life. Instead, allow those diverse experiences to inform your perspective, enrich your creativity, and make your work more authentic and impactful.
My biggest challenge is actually a byproduct of my greatest strength. My mind is constantly buzzing with creative ideas and new possibilities, which is fantastic for the initial stages of a project. However, my focus can sometimes get pulled in too many directions by that same curiosity. There are moments when a project doesn't need another new idea; it needs pure, determined focus to bring it across the finish line. So, the one thing I’m actively working on is sharpening that focus—making it as strong a muscle as my creativity already is, so I can ensure the best ideas get the dedicated execution they deserve.
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I'm a digital product designer with a strong background in UI design and branding. I hold a bachelor's in industrial design and started my career as an intern on the UI team at TÜBİTAK, Turkey's leading science and technology agency. Since then, I've worked on website and Web3 projects, with a growing interest in front-end development and AI.
Designing the decentralized web | Web3 UI/UX + Brand Identity 🌐 Let's make crypto human-friendly ✨
https://www.linkedin.com/in/munevveraslan/
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Charles is a product designer based in Brooklyn. By day, he works at a blockchain company, and by night and on weekends, he dives into side projects. Lately, he's been vibecoding and exploring every new AI tool he can get his hands on.1. What's your creative superpower?I'm pretty fast at visualizing ideas.
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