Advance schedule

Chinese posters

14-16 May

9 a.m.-6 p.m.

Timing of the auction

Chinese picture (i)

Tuesday, 18 May, 1 p.m.

Chinese posters (ii)

Tuesday, 18 May, at 6 p.m.

Location

Beijing Kungal Hotel

Beijing City New Source 2

In view of the fact that fans are used as a shield for the battery of the summer, which is used in an indiscriminate manner around the south, to the north of Song and to the north of the country, after which they become increasingly pockets of pockets of jeopardy and embarrassment by the younger generations of society and by virtue of the attributes that are readily available for play and exchange. The brands of the clerics, the cradles of the puppets, the writings, whoever is, and who is the booths, are not only joyful, more visible in the status of the fans, and even in the material. However, it is not unhappy to highlight the difficulties of a single domestic product, the myths of a panacea, the skirmishes, the pitfalls, the skirmishes and the pulse.

Lot 51

Lake Wu (1894-1968) and Tibaijing

Shen Cambridge (1901-1976) Suzanne, Introduction

Papers

Scale: 19 x 51 cm. Figure 0.87

Valuation (People’s currency): 600,000-750,000

Publications:

Imagery Book Book, p. 177, Shanghai Cartel, September 2014,

Publications:

The Biwaliography of Lake Wu, p. 388, the Eastern Publications Centre of the Chinese Publications Group, July 2017

The 1936-year horse, the first work of the U’s paint, the Aerosol, P., “The first glass of the lake’s sails”, which was referred to in the lake’s shyde, in 1943, was a “complete” that was not written in the summer as a relative to the curtain, with a lucrative picture, in the form of a lucrative, unconscious antitheses. Stereotyping, retaining self-proclaimed, replicating, self-emergency, is the first of all.”

Lake Wu Sail, Leak, 1936

The last paragraph, “Young and old brother”, is a foetal (1906-1983), a man who is a member of the State of Jiang Sus. Businessman, a former teacher from the uncle of Zhao, then the brother of U.K., who is a collector of water, birds and wealth.

Videos of the Mesamer (sent in the lake, right troika)

Lot 357

Zhang Grand Kw (1899-1983)

Wangfu plant (1880-1960)

Papers

Scale: 18.6 x 51 cm. Figure 0.86

Valuation (People’s currency): 380,000-480,000

It is a panacea, with a “blooded gallery” and a “window”. The bone is labelled as a “train” and is the old collection of companies that import and export sea crafts.

Note by the Secretary-General

The last paragraph, “Pyo”, is the strange fishery (1874-1960), the chef wounds of precious states, the head of the Chinese Bank of Shanghai, the Governor of the Department of Finance of the Province of Giling, Gansu, and the sea after 1949.

The positive “Butangle Fibref” of the picture, which, in a combined judgement, should be in the form of the 1941 law of the back-front royalty plant, began to emerge from the archaeic and rock streams of mountain water during the same period, gradually forming a self-familiar picture. The pictures of beaches, squatters, huts, a potatoes, and the coltan of a superficial migration are representative subjects, and similar booths have been repeatedly made, operating at random on a metre-by-scale basis and taking on hand.

Tuition of the autumn

Fibrevation (in the 1940s)

This is particularly true in the light of the fact that five fibre-optic throws in the picture, such as beans, are thumbing, seemingly throwing, images are moulding, and in one place, a vivendi has been added to the model of mountain water, with a view to seeing the minds of the painter, and to the adversary.

Lot 357 bones

The bone is a bamboo sculpture of the home in the near future, with a gazette of seven poems in the face of the screams, with a sculpture of the bamboo, with a large number of dignitaries, with a sculpture of the bamboo, with a “bak” in the prints. The shining cloud is loose and the bone should be the same in the early 1940s.

Lot 143

Copy of pictures in non-colour (1889-1959)

Box 2

Form A (1944)

Scale: 19.5 x 60 cm. Figure 1.1

Valuation (People’s currency): 180,000-250,000

Zhao Mond, a plumot in the late French Nan Song, a non-corresist ink, was a cousin, fine-tuned, in particular a two-correlated white portrayal, a hypothetical, immoral, time-consuming and far-reaching. There was a collection in the non-familiar of the white sermon, which was initially studied by a pair of tiles, in the form of a hard work, followed by hard work, with the usual topic “Towards the lining of the linings”.

Lot 143

This was done in 1944, with a positive double-coupling approach, with a “coltan” in the leaf, a penitentiary lip, a bathymetry, a flower depicted in a destinct, a penitentiary, and a penitentiaries that highlight the penis. It is also a panacea for the booths of the outsiders, who are able to show a qualitative feeling of chewing, such as cigarette powder, in a dynamic manner, and whose thumbs and legs are hypertosanitary and do nothing. The picture is purely ink, with specimens, and is extremely high. The backs are more than two hundred words of a tinct, with a copy of the spectre of the spectre of the spectre of the spectre, and a thread of thumb.

It is extremely difficult to speak of colourful ink. It is a good and honest product that is painted with a recipe of the ink.

Lot 311

Installation (1896-1963)

Amphetamine (1901-1966)

Papers

Scale: 20.2 x 53.6 cm. Approximately 0.98 square metres

Valuation (People’s currency): 120,000-150,000

When the bird paints developed into two Songs, the yard birds were living in their own lives, “the skirmishes, one in the luxury”, and in south-south, the skilfulness of the bird masks, and the purity of technical law.

Countries