Permissionless Game Shows
One way to build a fully monetizable crypto business today
Permissionless Game Shows
One way to build a fully monetizable crypto business today

eco oasis
“The trees act not as individuals, but somehow as a collective. Exactly how they do this, we don’t yet know. But what we see is the power of unity. What happens to one happens to us all.” - Robin KimmererNote: Gold Passes have SOLD OUT, but two-day passes are still available here. Collect an NFT for entry to any two days of your choice, including chefs tasting, musical performances, immersive art, and our closing dance party on Friday night. All proceeds to The Rainforest Foundation Eco Oasis...

eco oasis
“The trees act not as individuals, but somehow as a collective. Exactly how they do this, we don’t yet know. But what we see is the power of unity. What happens to one happens to us all.” - Robin KimmererNote: Gold Passes have SOLD OUT, but two-day passes are still available here. Collect an NFT for entry to any two days of your choice, including chefs tasting, musical performances, immersive art, and our closing dance party on Friday night. All proceeds to The Rainforest Foundation Eco Oasis...
BRUX ORIGINS
Two of Swords, “Bitches Want Pictures” Feb 09 release 0.5 eth, 15 editions edition://0xEA8891E76bAA7ecA791daC1C6feB738565b8c061?editionId=0&editionOpenSaleId=6 The Two of Swords shows a blindfolded woman, 2 crossed swords representing protection from painful feelings, surrounded by turbulent emotions. "Tension & anxiety" is what connects this to the song Bitches Want Pictures—written about society's obsession with self-image, unhealthy addiction to social media and extreme vanity. Two of...
BRUX ORIGINS
Two of Swords, “Bitches Want Pictures” Feb 09 release 0.5 eth, 15 editions edition://0xEA8891E76bAA7ecA791daC1C6feB738565b8c061?editionId=0&editionOpenSaleId=6 The Two of Swords shows a blindfolded woman, 2 crossed swords representing protection from painful feelings, surrounded by turbulent emotions. "Tension & anxiety" is what connects this to the song Bitches Want Pictures—written about society's obsession with self-image, unhealthy addiction to social media and extreme vanity. Two of...
announcing BRUX ORIGINS
https://twitter.com/ecodao_/status/1489743391747420161 There’s a few things we care a lot about at ecodao: 1) ecological causes, 2) supporting and promoting the work of great artists, 3) pushing the bounds of what’s possible with NFTs. We’re a bit nervous, our fingers darting in the air over the keyboard, but with our next drop, we’re excited to be doing all three. What would it mean to collect a work by an artist that let you see their show and not only get future work but a unique recording...
announcing BRUX ORIGINS
https://twitter.com/ecodao_/status/1489743391747420161 There’s a few things we care a lot about at ecodao: 1) ecological causes, 2) supporting and promoting the work of great artists, 3) pushing the bounds of what’s possible with NFTs. We’re a bit nervous, our fingers darting in the air over the keyboard, but with our next drop, we’re excited to be doing all three. What would it mean to collect a work by an artist that let you see their show and not only get future work but a unique recording...

PRIMORDIAL VISION: 02021
ecodao is very proud to present five works by the artist Wendi Yan, “Primordial Vision: 02021,” alongside an original essay Yan has written on the work. A speculative artist whose work often floats freely in liminal spaces between the organic and synthetic, science and science fiction, the utopian and dystopian—and occasionally the slimy and the sublime—Yan maps geographies of futuristic worlds in which the human has devolved into nature. Even that distinction may be a bit dubious, however, g...

PRIMORDIAL VISION: 02021
ecodao is very proud to present five works by the artist Wendi Yan, “Primordial Vision: 02021,” alongside an original essay Yan has written on the work. A speculative artist whose work often floats freely in liminal spaces between the organic and synthetic, science and science fiction, the utopian and dystopian—and occasionally the slimy and the sublime—Yan maps geographies of futuristic worlds in which the human has devolved into nature. Even that distinction may be a bit dubious, however, g...
introducing ecodao
“You cannot soundly monetize land, but only its produce. Siena had grazing lands, down toward Grosseto, and the grazing rights worth 10,000 ducats a year. On the basis of taking it for his main security, Cosimo underwrote a capital of 200,000 ducats, to pay 5 percent to the shareholders, and to be lent at 5 percent; overhead kept down to a minimum, salaries at a minimum and all excess of profit over that to go to hospitals and works for the benefit of the people of Siena. And the lesson is th...
introducing ecodao
“You cannot soundly monetize land, but only its produce. Siena had grazing lands, down toward Grosseto, and the grazing rights worth 10,000 ducats a year. On the basis of taking it for his main security, Cosimo underwrote a capital of 200,000 ducats, to pay 5 percent to the shareholders, and to be lent at 5 percent; overhead kept down to a minimum, salaries at a minimum and all excess of profit over that to go to hospitals and works for the benefit of the people of Siena. And the lesson is th...