Brandon Donnelly — Daily insights for city builders. Published since 2013 by Toronto-based real estate developer Brandon Donnelly. — Page 588

La Foundation Louis Vuitton (which is housed in a building designed by Frank Gehry ) has an exhibition on right now that displays the art collection of two brothers: Mikhaïl Abramovitch Morozov (1870-1903) et Ivan Abramovitch Morozov (1871-1921). The collection contains mostly early modernist work from the late 19th century and includes pieces by Cézanne, Van Gogh, Renoir, Monet, Matisse, Picasso, as well as others, including some Russian avant-garde work. We went through the exhibition last week when we were in Paris. Partially to see the collection and partially to see the architecture, which is, you know, very Frank Gehry. See above photo.

As I was going through the exhibition I was reminded of how much I like the Impressionist movement. I like the work, but I also really love the story. The Impressionist movement started in Paris in the late 1800s and many consider it to mark the beginning of modern art. It broke free of tradition and violated the rules of what was considered to be proper art work at the time in France.

Because of this, the Impressionists were heavily criticized at the outset. So much so that they were routinely rejected from exhibiting in the traditionally accepted art venues in Paris. The annual Salon de Paris was the big and most prestigious one as I understand it. This forced the group to organize their own exhibitions and circumvent the incumbents in order to get their work out into the world, which is pretty much what any "startup" has to do. Obviously the rest is history and now people to go to museums like La Foundation Louis Vuitton to look at Impressionist art work and talk amongst their friends about how we don't make art like they used to back in the late 19th century.

I mention all of this because of what is happening today in the world of NFTs. Non-fungible tokens and their application to digital art feels to me like history is repeating itself. We are at the dawn of something new and a lot of people seem to think that what's happening today is pretty stupid: Why pay thousands or even millions for a JPEG? I can just download a copy to my computer for free. This is not art. How do you even display it? I don't get it.

I am sure that most of the NFTs that people are buying today will go to $0 in value; just like a lot of the paint that has gone onto canvasses over the years hasn't created much value. Art is a funny thing. But that doesn't mean that cultural value will not be created over time. When people are talking and they think what you're doing is dumb, you may actually be on to something. The Impressionists taught us this important lesson well over a century ago.

Photo: La Foundation Louis Vuitton

https://youtu.be/0jB3aSYthsY

My good friends over at Urban Capital recently released a short film about the making of their River City project here in Toronto. (If you can't see the embedded video above, click here .)

For those of you who aren't familiar, River City is a 4-phase development on the east side of downtown that was really the first project in what was known as the West Don Lands area. Urban Capital secured the right to develop the then government-owned lands in 2008 through a public tender process that was run by Waterfront Toronto.

It's a tricky and unobvious kind of site in that it's surrounded by infrastructure and it came with a whole host of development challenges, including flood risk. But the team figured it out and River City has gone on to win a number of awards including the Ontario Association of Architect's Lieutenant Governor’s Award for Design Excellence.

River City is an important project for Toronto in that it dared to be different. It's like no other project in the city, and I'm not just saying this because they're my friends. I'm saying it because I want our city to be a global leader in architecture, design, and development, and to continue to push the envelope.

River City did exactly that.

https://twitter.com/cdixon/status/1442201621266534402?s=20

This is a great Twitter thread by Chris Dixon talking about why Web 3 -- the next major iteration of the internet -- is kind of a big deal. In it, Dixon refers to Web 1 as the period from about 1990 to 2005. This is the period of time that started out with CompuServe and AOL sending us all free CDs in the mail and most of us using a dial-up modem to access the internet. Web 2 was the period from about 2005 to 2020. It is the iteration of the internet that gave birth to social media as most of us know it today. If you subscribe to this timeline, then we are in year one of what's next. Maybe it'll also run for another 15 years or maybe it won't. But either way, getting in on the ground floor is usually a pretty valuable thing. When Dixon tweets, I listen.