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Independent joint venture, Xingrui and Suteng, who are you standing on this time?
DoNews auto news on April 24: with the improvement of consumption power, many consumers also have their own cars. In such a hot automobile market, compact cars have always been the most popular models. There are two reasons: first, the price is lower, and consumers can even buy their own car within 100000; second, there are more well-known manufacturers, and products are easier to choose, and compact cars that mainly focus on the low-end market have their own unique highlights. However, the p...
Fresh and delicious roast ox tongue! Burnt delicious streaky pork! Golden crispy roast lamb leg! Who…
Zhengzhou recently said goodbye to the cold winter, Warm weather, On such a sunny day, Go shopping with your friends, Another delicious barbecue, Who can resist~ The roasted meat is dipped in sauce and wrapped with lettuce, At the moment of entrance, you will firmly grasp your stomach~ The microenterprises have begun to swallow their saliva, Let’s take an inventory today, What delicious barbecue shops are there in Zhengzhou! No toast without roast meat Address: 7-110 Guiren street, lanbaowan,...
Why does "longevity star" live long? 16 animals provide new clues to anti-cancer and aging
▎ Wuxi apptec content team editor Animal species in nature are rich and diverse, with their own characteristics. Some animals are known for their long life span. Naked mole, for example. The body size is similar to that of our common mice, but the life span of naked mole mice is more than ten times that of mice. There is such a “rule” in the animal kingdom: the larger the species, the longer the life span. But an alien like the naked mole breaks this rule. The adult of naked mole is only one ...
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“China in art” makes classic art works “live”
The documentary “China in art” is currently being broadcast on CCTV-1. It focuses on Chinese modern and contemporary classic art works, including Qi Baishi’s shrimp, Huang Binhong’s Wansong mist, Pan Tianshou’s recording of wild geese and mountain flowers, and Xu Beihong’s galloping horse.
■ new express reporter Liang Yanfen
Using 3D modeling technology to “activate” 2D works
For a long time, there has not been much expression of art works in the field of Chinese TV programs. According to Liu fan, producer and general director of China in art, it is difficult to express art works through TV media. If you use the past TV techniques, it is difficult to present the artistic characteristics of beauty. In the past, for documentary programs about art history, large-length interviews seem to have formed a program routine. However, China in art breaks the routine. In the form of 12 minute short films in each episode, one episode focuses on a Chinese modern classic art work, deeply refines the cultural identity, aesthetic value and significance of the times in the works, and uses 3D modeling technology to “activate” 2D works, so as to make everything in the painter’s pen and ink world “live”.
“When you go to the art museum to enjoy works, you will be limited by the time and place of the exhibition. Many excellent works are rarely seen at ordinary times, and this is mainly the benefit of a few large city visitors. From the perspective of online viewing, whether it is clarity, color, size and cutting, you can’t get the intuitive experience of on-site viewing, and the viewing experience of the audience will be greatly reduced. We hope to make these classic art works through new audio-visual technology The works “live” and get close to the wider audience, so as to make China in art an image and digital art museum. “ Liu Fan said that the documentary “China in art” has made a useful exploration in promoting the popularization of mass aesthetic education and activating traditional culture by reducing the threshold of understanding art with science and technology.
China in art uses 3D modeling to construct the classic painting, so that the audience can truly feel the lifelike of the painting. For example, the animation scene at the beginning of “writing about Yandang Mountain flowers” makes Pan Tianshou’s classic masterpiece “fly” out of the drawing paper and become a three-dimensional visual spectacle. In shrimp, accompanied by the exciting sound of zither playing, Qi Baishi’s group of shrimps swim in the transparent water, and a pair of crabs “fight” with their tongs. The scene is lively, allowing the audience to “dive” into the green world and see the vitality. In the misty mist of ten thousand pines, the peaks, pine forests and clouds described by Huang Binhong are “alive”.
Art classics reflect Chinese history
Excellent art works are the engravers of the times, which have engraved the earth shaking changes in contemporary China; Excellent art works build the spiritual world of the Chinese people and deeply reflect the Chinese spirit, Chinese culture and Chinese aesthetics. In addition to the innovation of audio-visual means, “China in art” also intercepts the cross-section of the painter’s life, society and times when creating this work according to the characteristics of different paintings, enhances the storytelling of the program narrative, enriches the expression level of the work, and enables the interaction between the viewer, the author and the work. For example, in the misty mist of ten thousand pines, in order to clarify Huang Binhong’s ink method, the program also tells Huang Binhong’s experience in the broken mountains and rivers in the 1940s. Finally, a real person “hand” is used to reproduce the peak moment of the painter’s painting, so that the audience can “witness” the birth of a great work.
The program team also went to various places to shoot a number of realistic scenes related to paintings in Xiangtan, Huangshan, Qinghai Tibet Plateau and Qinghai Tibet railway. Combined with the old image materials, it connected the picture image and realistic image, and then connected history and reality, reflecting the changes and development of society and the concentrated color of the times. For example, “writing about wild geese and mountain flowers” revisited Pan Tianshou’s old residence in Hangzhou and the archives of the Chinese Academy of fine arts, and described the reasons why Pan Tianshou thought about the innovation of Chinese painting through historical images. Therefore, the audience will better understand why Pan Tianshou, inspired by the times, takes the mountain flowers and boulders of Yandang Mountain as the theme to describe the vigorous and upward Chinese spring.
At the same time, “China in art” is still interspersed with expert interpretation, adding academic significance to the documentary with “lightweight” professional appreciation. For example, shrimp invited Wu Hongliang, President of Beijing Painting Academy, to appreciate Qi Baishi’s painting skill of “one beard is enough to make future generations sigh”; Wansong mists invites Professor Yu Yang of the Central Academy of fine arts and Guo Shifu of the Research Institute of the Chinese National Academy of painting to analyze Huang Binhong’s iconic ink method, and mobilize visual language to make the interpretation of experts more perceptible.
“China in art” makes classic art works “live”
The documentary “China in art” is currently being broadcast on CCTV-1. It focuses on Chinese modern and contemporary classic art works, including Qi Baishi’s shrimp, Huang Binhong’s Wansong mist, Pan Tianshou’s recording of wild geese and mountain flowers, and Xu Beihong’s galloping horse.
■ new express reporter Liang Yanfen
Using 3D modeling technology to “activate” 2D works
For a long time, there has not been much expression of art works in the field of Chinese TV programs. According to Liu fan, producer and general director of China in art, it is difficult to express art works through TV media. If you use the past TV techniques, it is difficult to present the artistic characteristics of beauty. In the past, for documentary programs about art history, large-length interviews seem to have formed a program routine. However, China in art breaks the routine. In the form of 12 minute short films in each episode, one episode focuses on a Chinese modern classic art work, deeply refines the cultural identity, aesthetic value and significance of the times in the works, and uses 3D modeling technology to “activate” 2D works, so as to make everything in the painter’s pen and ink world “live”.
“When you go to the art museum to enjoy works, you will be limited by the time and place of the exhibition. Many excellent works are rarely seen at ordinary times, and this is mainly the benefit of a few large city visitors. From the perspective of online viewing, whether it is clarity, color, size and cutting, you can’t get the intuitive experience of on-site viewing, and the viewing experience of the audience will be greatly reduced. We hope to make these classic art works through new audio-visual technology The works “live” and get close to the wider audience, so as to make China in art an image and digital art museum. “ Liu Fan said that the documentary “China in art” has made a useful exploration in promoting the popularization of mass aesthetic education and activating traditional culture by reducing the threshold of understanding art with science and technology.
China in art uses 3D modeling to construct the classic painting, so that the audience can truly feel the lifelike of the painting. For example, the animation scene at the beginning of “writing about Yandang Mountain flowers” makes Pan Tianshou’s classic masterpiece “fly” out of the drawing paper and become a three-dimensional visual spectacle. In shrimp, accompanied by the exciting sound of zither playing, Qi Baishi’s group of shrimps swim in the transparent water, and a pair of crabs “fight” with their tongs. The scene is lively, allowing the audience to “dive” into the green world and see the vitality. In the misty mist of ten thousand pines, the peaks, pine forests and clouds described by Huang Binhong are “alive”.
Art classics reflect Chinese history
Excellent art works are the engravers of the times, which have engraved the earth shaking changes in contemporary China; Excellent art works build the spiritual world of the Chinese people and deeply reflect the Chinese spirit, Chinese culture and Chinese aesthetics. In addition to the innovation of audio-visual means, “China in art” also intercepts the cross-section of the painter’s life, society and times when creating this work according to the characteristics of different paintings, enhances the storytelling of the program narrative, enriches the expression level of the work, and enables the interaction between the viewer, the author and the work. For example, in the misty mist of ten thousand pines, in order to clarify Huang Binhong’s ink method, the program also tells Huang Binhong’s experience in the broken mountains and rivers in the 1940s. Finally, a real person “hand” is used to reproduce the peak moment of the painter’s painting, so that the audience can “witness” the birth of a great work.
The program team also went to various places to shoot a number of realistic scenes related to paintings in Xiangtan, Huangshan, Qinghai Tibet Plateau and Qinghai Tibet railway. Combined with the old image materials, it connected the picture image and realistic image, and then connected history and reality, reflecting the changes and development of society and the concentrated color of the times. For example, “writing about wild geese and mountain flowers” revisited Pan Tianshou’s old residence in Hangzhou and the archives of the Chinese Academy of fine arts, and described the reasons why Pan Tianshou thought about the innovation of Chinese painting through historical images. Therefore, the audience will better understand why Pan Tianshou, inspired by the times, takes the mountain flowers and boulders of Yandang Mountain as the theme to describe the vigorous and upward Chinese spring.
At the same time, “China in art” is still interspersed with expert interpretation, adding academic significance to the documentary with “lightweight” professional appreciation. For example, shrimp invited Wu Hongliang, President of Beijing Painting Academy, to appreciate Qi Baishi’s painting skill of “one beard is enough to make future generations sigh”; Wansong mists invites Professor Yu Yang of the Central Academy of fine arts and Guo Shifu of the Research Institute of the Chinese National Academy of painting to analyze Huang Binhong’s iconic ink method, and mobilize visual language to make the interpretation of experts more perceptible.
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