Introduction
Habitat Design Life Festival, co-hosted by the International Stone Fair in Google and the Habitat Space Designers Club. The Habitat space design exhibit, which is the core of the Habitat design life section, also lays the groundwork for the design and review of life festivals. As a social practice, space exhibits are a comprehensive reflection of the values of the beauty and creators of the times, and serve as an inspirational story for viewers. In 2023, the Habitat Space Design exhibit was featured as “rocks and inters”.
What are the ideas and perspectives that the designers will take into account in policy space? How will designers clash with different brands? How long do this take place from being given the subject matter to the programme? What are the difficulties that will be encountered in this process? In response, we invited policy makers and branders to engage in a dialogue on space for exhibits, and we would like to share the stories behind the exhibit in their perspective, thus bringing different inspiration and reflection to the audience.
Topics of policy exhibits, Sources
The source, the voice of the source, is the same as the word “corres” and the source starts with the idea that the cycle will be repeated.
What is expressed is the cosmic mode of operation, which is the cycle of the entire life community. More than 30,000 years ago, human beings also lived in the rocks, and three million years later, we were able to return to space the most natural blew of stones, a miracle that transcends the long history of human development. Life-to-life mobility continues to spread new colours in long rivers.
The interconnections between rocks and rocks have been constantly shaped in the imagination and expression of natural ghosts and human wisdom, with the commonality of the group and the uniqueness of the individual, with which the rock has produced a chemical response.
Through its contemporary art handicap, the Office re-engineered the cassites of stone furniture. The Office maintains a consistent chilling and restraint in artistic spaces that integrates the natural, artistic and human emotions perfectly, superimposings, mirrors.
Source impact maps
Policymakers and brands Q&A
Understanding and participation
Q1: Over the years, with the changing generation of the stone business, there have been many innovative attempts to learn about what the Liu teacher had before about the stone, and why would it choose to participate in this exhibit?
A1: Liu Daqun: stone is a natural shield and has a unique advantage in the fields of construction, arts and culture. In the domestic market, rocks are used mainly in the areas of internal and external construction panels, building stones and rocks, stone artefacts. According to statistics, China is now accounting for about 15 per cent of the country’s gross domestic product (GDP); in the future, domestic consumption is not less than 260 million square metres per year. Stones are bound to become potential units in domestic consumer markets and to grow at an alarming rate.
The Google International Stone exhibit, which has been an important feature of the global quarry industry in the new era, has allowed us to design links to the quarries, not only providing a more groundbreaking and pioneering voice window for the quarries, but also hoping to bring new weather to China’s design market.
Q2: Is the stone of Mansen more heavily dressed or dressed in the stone field? Are there their own strategic plans for the vast improvement of the market?
A2: Ruling: the dressing is at the heart of our polarization, and making large projects has been our strength, and we have a very well-developed system of project services. These years have changed with the adjustment of national policies and the escalation of consumption, changes in the quality requirements of the home market for apparel materials, and the business concept that our companies have consistently promoted “life-friendly, high-quality development” and, through the high-end market experience accumulated over these years, we have better control over the quality of our products, which makes us very responsive to the high ranking of service markets, private homes, etc. At the same time, we will continue to be upgraded in terms of product quality and post-sales services through private dressing. I believe that the combination of dressing and dressing is also more relevant for the “good product, good service” of the original stone of Mansen.
Reflection and presentation
Q1: The theme of this exhibit, The Stones, seeks to explore the diversity of Habitat life through the design of expressions, the possibility of excavating stones. What are the ways in which the policy theme of the Liu teacher, Source, calls for this exhibit?
A1: Liu Daqun: The theme of this policy exhibit is “source”, the source, the source, the voice of the source and the “round”, starting from the source, in the sense that the cycle of relapse will remain intact. What is expressed is the cosmic mode of operation, which is the cycle of the entire life community.
The interconnections between rocks and rocks have been constantly shaped in the imagination and expression of natural ghosts and human wisdom, with the commonality of the group and the uniqueness of the individual, with which the rock has produced a chemical response.
Through its contemporary art handicap, the Office re-engineered the cassites of stone furniture. The Office maintains a consistent chilling and restraint in artistic spaces that integrates the natural, artistic and human emotions perfectly, superimposings, mirrors.
Source impact maps
Q2: Mansen’s stone was the second to participate in the Habitat exhibit, and last year space was in the main form of large-scale paving, and more in the form of furniture this year. So I wonder how much of this year’s programme has been felt by Ruin in general?
A2: Rulingu: It is an honour to continue this year’s cooperation with the Habitat exhibit, and last year, the work of the Choi Young Teachers, The Insight, is very good. That is why we have greater experience and confidence in cooperation with Habitat this year.
This year’s pioneering design of the Liu Daqun teacher has a deep human face, and her policy-making theme “sources” describes how the stone-to-natural relationship is bad and starts. Initial contact to the programme is shocking! The combination of brands as a teacher of Liu is a major challenge for us, but it is also a very difficult opportunity to upgrade the team’s artistic landscape, in order to provide a better understanding of the subject while at the same time trying to find the most suitable raw materials of stones, and to re-establish the designers’ philosophy and design as far as possible through products.
Q3: As has been said in general, the stone-to-natural chain of relations described by Liu teacher’s policy exhibit, The Source, has a very strong retrospect.