Juuon: a man who drew a “summary”

“Young and present — a new exhibition of Juu Chinese paintings”

The well-known architects of the Montpréal, Liu Xian, Yukio Takasu and Sonson were present as the objects of their creation and were present in the works of “Amergou and present-Jinu Chinese paintings” organized by the Cultural and Art Centre of the State of the City of Hiroshima, and in particular in a special context, in which they were painted by the Secretary-General of the State Council of Municipalities and the Vice-President of the State of the State of Hiroshima, Juu Yukio Takasu.

The purpose of his creation was precisely to express the words of “teachers”, and during the same period, the exhibit was accompanied by work of the families of the adventurists, eight mountainous people, stoning, Uchong Cham, Siemble and the yellow bin Rainbow. Chusei Yamada indicated that those who had painted a “glomeration” had been able to write for all.

Sensitizing the press for the weekly collection

All pictures are not available, and the vast majority of works are in vain.

Weekly collections: Can you comment on your original intention to create such subjects?

Juuon: Since his love for the drawing arts has been overstretched, he has always been able to meet a high number of professional teachers and help at all stages of life. I think it is perhaps the teachers who have seen my humility and perseverance that are valuable, and the pupil is willing to dial. It is also due to the continuous succession of teachers, whose art will be harvested for one year and another, and how can the situation of teachers be forgotten!

If I were given a panacea for human development and technological progress, the Honduran Church in Beijing did not have a mastery of commuting with commuting; and the Kinduian taught me a vision of training and history. Various national dignitaries and provincial and municipal dignitaries have given me a lot of courage, a stronger sense of mission and a firm and constant brake on the road map of China.

The departure of the pre-eminent Chande teacher has triggered my thoughts, and is so many good teachers not a living example of the flourishing of the art of this era? Why do their high image not be painted? As a result of this, the art works that paint a teacher every day began at the end of 2022. In order to exercise the capacity to determine their own sensitivity, all pictures are not available and the vast majority of works are written in a one-time fashion. Individual drafts are completed. The ink itself has been perfectly complete and, after all, Chinese paints in ink; other works that still need to be perfected continue to be coloured. It is a step-by-step summary of the artistic exploration of pictures.

Weekly collections: While you have generally expressed the different influences of different teachers on you by geographical distribution, in particular, which teachers have a greater influence on you if you are to be cited?

Juuon: Most of the teachers of the American Philosophy are masters of my technical law, and I am here to learn the skills, fabrication and penitentiary basis of Chinese paintings. In turn, Lulate teachers influence me by doing things in the treachers; the screaming teachers and the moderate-encompassing teachers point me with their wealth of creative experience; the President of Liusmo ask me to understand how important it is for me to have a crossroads; and the principal of Wang Moncs, let me know how important it is for me to have a crossroads that compares with ancients, presenters and students, to determine their own shortcomings accurately and to influence me very well.

Four-year completion of 1460 critical learning drafts from the age of 56

Collections: You have a distinction when selecting the image of the different teachers, such as the selection by Liu Jiayi of a “colour” position, the situation in which the Ban Ki-moon is working, the positive image of the Embang State and of the Lini-wanteachers, and what considerations have been taken in making these choices?

Juonus: the main consideration is not to be too mine-like, and each teacher has their flashlights and personal characteristics. The primary problem to be addressed is how to properly shape the image of young teachers. In particular, the closest teacher image, I do everything possible to avoid creating the same type of inspiration and the same pattern of subject matter, enabling viewers to produce a good tempo and visual effect. This is, of course, a paying tribute to the architects, whose type is not dreadful. It may be more exaggerated to paint other images later.

The weekly collection: this exhibit, in addition to the production of a photograph for teachers who have had a direct impact on you, is the work of the 10 Chinese painting masters who have been severely disabled, eight mountainous, tacit, stoning, yellow bin rain, pessimism, panacea, lining, and the top 10 Chinese paintings at U. In your view, what is the artistic inspiration of you?

Juonus: there are many former loving generations of seniors, but not so much harvested and cannot be overshadowed. I later reconfigured my prestige as a teacher, all of whom affected the grandmother or teacher, and I want to find the most suitable ink during the course of the study, and to focus further on the master’s research to explore the services of my future personalities. This is also the idea that Wang Monc teachers have given me to learn from him and to jump away from the art of artisans, and I have benefited much in his direction.

Collection: Does this type of subject matter be created in other ways? Or what are the next creative schemes?

Juuon: I will also complete this work on a step-by-step basis, with 1460 drafts scheduled for four years between the ages of 56 and 60, and now over 600. After retirement, it is possible to live directly, to go to the field for the exchange of winds and to produce works consistent with their own names. After all, the analytical history of the arts found that the creative styles and titles of many artistes coincided very well with his name, as was the case of swords, mountain months, talents, ambitions, eternals, forest blues, such as stoning in the north, shaking, white rocks, kidneys, stones, dyes, yellow, Monc, and newly built families. The honourable and honourable events are the main thrust of my modern subject. In turn, the ancient man who wrote the springs was in line with the minds of the springs, and the ancient subjects could work in that direction.

Juhoon

The other springs. Born in Hiroshima in October 1965. He graduated in 1991 from the Chinese posterate of the Institute of Fine Arts of the State of Hiroshima. Presented as Board member of the Association of Fine Arts in the Department of Wide-East, as Board member of the Chinese Poster Institute in the Department of Wide-East, as Deputy Secretary-General of the Department of Political Affairs of the Province of Wide-East, as well as as the Department of Management of the Humanities Research Institute