The hypothetical atmosphere of the “51” yards has not yet been broken, and new film films have been fevered, contributing to the growth in the number of tickets. On 7 May, according to the light tower professional version data, the 2023 large ticket room (including pre-sold) ran over $20 billion. The recovery of the film market has become an indisputable focus of concern. Under the city’s high heat, external capital is being tested, and it is expected that the build-up will add another fire to the market.

The rise of subsided market tickets

According to the light tower professional version, on 7 May, a 203-year large ticket room (including pre-sold) breaking a distance of 20 billion yuan renminbi, and a 2023-year-old film, The Richmond Earth2, “Casting with my “chip” remains in its possession, with three of the 2023-year-old tickets.

In contrast to the same period in 2022, the number of tickets and videos grew this year, and the cinema market also saw the emergence of numerous high-profile works, including the “Travel Earth” 2 “Cypists eight”.

In the last five tranches, the military issue, the King of Long Skies, is the top-heaviest film in the first line of urban lots, the second line of urban fares in the Great Wall, the Long-Salin Life, is more than the other film, and the thread of the “Let of Life” and the loved ones, “Yes for so many years” is striking.

Women accounted for 65 per cent of purchasers, women accounted for six of the first breakthroughs in the fifth tranche, and women aged 30 years and over were significantly upgraded, while male users aged 29 and below were less represented.

The shadow commentator Liu stated that for a long time, a second line city had been the main battlefield in the country’s warehouse, with nearly six ticket houses contributing to a second line city. In recent years, the film industry, represented by the three-pronged city, is showing strong potential.

In addition, the special edition of the light tower shows a continuing upward trend in the average billing prices of three-line cities. In contrast to the first and fourth line cities, between 2014 and 2023, the first line of urban fares rose from $42.68 to S$55.06, with a change of about 29 per cent, and the fourth line city from S$ 31.07 to S$ 43.68, with a change of about 41 per cent.

“Apcount prices are often linked to local consumption levels and visual desires, and, as consumption levels increase, viewers are expected to increase their demand for videos and therefore are willing to spend more on this, thus demonstrating market potential.” Lewis further explained.

External capital leap forward

The public information shows that, over a quarter, the national cinema of $15.86 billion, an increase of 13.5 per cent over the same period in 2019, has been restored to 85 per cent over the same period; at the same time, there have been a spectacular increase of 3.4 million, an increase of 9.7 per cent over the same period in 2019.

The double-digit increase in tickets and videos, the gradual resumption of the film supply tempo, has also contributed to the performance of backed companies. China’s market companies such as cinema, trans-shop videos, Shanghai movies, gold videos, etc. recorded a quarterly increase in yields and net profits across ranges.

In addition, according to previous reports, the spectacular Maori rate increased to 30 per cent in the first quarter of 2023, compared with an average of about 28 per cent in 2022.

“Many teams survive and develop in change by reducing the efficiency of production costs. The spring slots have opened a good business, and many funds are being considered for retrospecting the film market, giving hope to the industry.” The Director pointed out.

The China Film Investment Financing Development Report (2022) shows five major features of film financing in 2022: first, the collapse of the film recovery process and the challenge of production; second, the fall of capital markets, the visualization of business; thirdly, the decline in private financing and the increasing bias in large investments; fourthly, the continued activity of small and medium enterprises, the early bias in financing; and fifthly, a significant shift to financial institutions, with increasingly tight financing conditions.

“It is unquestionable that if we are to build into a movie power, capital must play a crucial role.” At the Beijing International Film Festival, the yellow group, the general director of the limited liability company for film distribution, considered that out-of-industrial capital was now a great leap in the cinema market, but not enough, despite the hope. This year’s summer slot is critical, and it is expected that out-of-industrial capital will flow if it can be broken as in the spring.

Summer slots for nearly 40 films

The official web site of the National Film Bureau shows that in March 2023, the National Film Theatre (Pass) was filed and 263 films were installed, up from the same period last year.

In addition, the Beijing reporters are not fully statistical, and more than 60 films have been declared for 2023 years after the fifth tranche, followed by Chinese film, shop video, joy media, etc. Nearly 40 of these films will be placed on the silver curtain during the summer slot, covering a variety of items, such as drama, braking, play and animation.

At the same time, according to the lighting professional version, the screening date for 2023 was to be determined for a total of 49 films, of which six films, such as Yoo, Wang Bo, Chuthing, etc., were featured in the Peacekeeping Preventive Brigade, the first edition of the Encycling, Fonds, Lee, and sown, were shown by the masters of Korea, Ka, Zheng, the former 4: early marriages in English, etc., to see a number of 100,000 people.

“The visual atmosphere and film monuments of the cinema are the determining factors in the visualization of the film, and it is to be hoped that more films, pamphlets and films will be visible than the main showcases and promotions.” The spectator, Wangley, told the Beijing reporters.

The head of the cinema said that during the first weekend after the fifth tranche, there would be no small length of time off at the top of the new brands of the Silver River Guard and the five-one series. Despite the impact of the “five-one-to-one” sketch films, there has been a clear feeling of slotting effect since this year. “To look forward to more high-quality sketches, and hope that the events of the spring will be as fast as possible.”

Reporter of the Beijing Panel

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