John PalmerScissor Labels
We live in an age of constant narrative conflict. But today, not every battle is legible to the untrained observer. While some grifts are plainly perpetrated by would-be thought leaders, other battles for narrative control are hiding in plain sight, happening under the guise of intellectual debate. When these battles go unrecognized for what they are, even the best among us fall victim to meaningless conversations that waste the time of those involved. In this piece, I introduce the concept o...
John PalmerShields Background
In 2021, Timothy Luke and I received a grant to build a new brand for the Uniswap Grants Program (UGP). When we looked at UGP, it felt clear that the program’s core was the grant recipients themselves, and the projects they were building. We saw a wide range of work being funded and completed through UGP, with each individual project shaping the program’s overall identity. Inspired by the concept of headless brands, we sought to create a visual identity that felt true to UGP: individually uni...
John PalmerStem III Auction
I'm using Mirror to auction the third piece in my Stem copy series, based on David Rudnick's Stem series. For every Stem that David has published, I've produced a copy in Paint on my computer. This is piece 3/4 in that series, and the only one currently for sale. You can see David's original here: NFTHistoryWhen David's Stem I was originally released, @milkshapes minted "Saved," a screenshot of the piece. https://twitter.com/milkshapes/status/1361210453746085888?s=20 ...
New every morning.
John PalmerScissor Labels
We live in an age of constant narrative conflict. But today, not every battle is legible to the untrained observer. While some grifts are plainly perpetrated by would-be thought leaders, other battles for narrative control are hiding in plain sight, happening under the guise of intellectual debate. When these battles go unrecognized for what they are, even the best among us fall victim to meaningless conversations that waste the time of those involved. In this piece, I introduce the concept o...
John PalmerShields Background
In 2021, Timothy Luke and I received a grant to build a new brand for the Uniswap Grants Program (UGP). When we looked at UGP, it felt clear that the program’s core was the grant recipients themselves, and the projects they were building. We saw a wide range of work being funded and completed through UGP, with each individual project shaping the program’s overall identity. Inspired by the concept of headless brands, we sought to create a visual identity that felt true to UGP: individually uni...
John PalmerStem III Auction
I'm using Mirror to auction the third piece in my Stem copy series, based on David Rudnick's Stem series. For every Stem that David has published, I've produced a copy in Paint on my computer. This is piece 3/4 in that series, and the only one currently for sale. You can see David's original here: NFTHistoryWhen David's Stem I was originally released, @milkshapes minted "Saved," a screenshot of the piece. https://twitter.com/milkshapes/status/1361210453746085888?s=20 ...
New every morning.
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A new experiment begins today: using crypto to crowdfund the next essay I'm writing, titled Scissor Labels.
Instead of publishing my work for free, or putting it behind a paywall, I'm doing something in between: raising funds to produce a new essay in exchange for ownership of the work. This will allow me to devote my full time to writing the piece, while allowing it to exist as a public good for anyone to read. The crowdfund is now live, and will stay open for one week, or until the cap is hit.
Unlike other patronage models, this form of crowdfunding is not pure altruism. Instead, patrons receive a stake in the success of the work. Here's how it works:
The essay exists as permanent, public data published via Mirror.
That essay is minted as an NFT on the new Zora protocol.
Backers can send ETH to the crowdfund in exchange for $ESSAY tokens.
When the NFT is sold, the ETH in the contract increases
$ESSAY tokens can be bought and sold like any other ERC-20 token, or redeemed for underlying ETH.
Participants in the initial crowdfund will be embedded in the essay forever, as the supporters who made it possible.
Over the past couple years, paid writing has made great strides, with Substack popularizing newsletter subscriptions as the dominant business model for writing online. However, the paid newsletter model only works for a certain kind of writing - something regular, consistent, and often a bit shorter.
While newsletters are great for many reasons, we also need other business models for writing. Some of the greatest thinkers around are primarily dedicated to something besides publishing their ideas on a regular cadence, and therefore won't be found starting a weekly newsletter. Even those who are dedicated to writing often produce their best work after weeks or months of research, not by writing a new piece every few days. Unfortunately, these kinds of writers face a tough choice today: adapt their work to a newsletter format, or write without being paid.
Even for writers running successful newsletters, there's an inherent tradeoff in the subscription format: in order to monetize their content, writers must hide some, if not all of their work, behind a paywall, reserved for those who pay to subscribe. With each new piece is a choice between rewarding those who pay and sharing ideas widely.
The tools we have at our disposal influence the kind of work we create, and when the only tool around for getting paid to write is a newsletter publisher, it's no wonder we see more and more newsletters, and less of everything else.
Other formats and styles of writing are obviously valuable and worth paying for, and for this reason alone it's worth experimenting with new funding models. I believe that these issues can be solved if we can introduce effective new business models for writing.
This week, in an attempt to move towards that goal, I'm pursuing my own writing under the new crowdfunding model described above. This model has been on my mind for awhile, and I'm really curious to see if it's possible.
If my funding goal is hit, the piece will be published publicly, free for everyone to read and share, while those who funded it hold ownership. If the funding goal isn't hit, everyone will receive their money back.
Though not proven, I believe this model can can solve both of the problems mentioned above:
It offers a path to being paid for a one-off work that's not part of a subscription or newsletter.
It offers a way to monetize work that remains a public good, without a paywall.
If this experiment is a success, it will mark an early promising sign for a new way to fund not just writing, but all kinds of creative work.
That all being said, I hope you'll stick around to fund, share, or at least observe as we try something new. A link to the post containing the abstract is below, along with some information about me.
https://j.mirror.xyz/RUeJfZEZxr-hkuzUCakQyUuf2kOJVMPPiAWBaQFhhqc
To view or bid on the NFT of the essay, check out the block below.
I’m a product designer and software engineer, mostly involved in helping early stage startups design and grow products in interesting markets. I started my career as a software engineer at Snapchat, then founded a startup, which went through Y Combinator in 2018. Since then, I've worked as a designer and consultant for several startups and investors, including WorkOS, Muze, a16z Crypto, and Y Combinator, where I help out part-time with admissions. You can find me on Twitter here.
I typically write 1-2 longer essays each year, most often concerning new insights around startup strategy and product design. Among them, my Spatial Software post from last year was probably the most popular, describing a wave of new products being built around game-like interfaces and what makes them unique.
A new experiment begins today: using crypto to crowdfund the next essay I'm writing, titled Scissor Labels.
Instead of publishing my work for free, or putting it behind a paywall, I'm doing something in between: raising funds to produce a new essay in exchange for ownership of the work. This will allow me to devote my full time to writing the piece, while allowing it to exist as a public good for anyone to read. The crowdfund is now live, and will stay open for one week, or until the cap is hit.
Unlike other patronage models, this form of crowdfunding is not pure altruism. Instead, patrons receive a stake in the success of the work. Here's how it works:
The essay exists as permanent, public data published via Mirror.
That essay is minted as an NFT on the new Zora protocol.
Backers can send ETH to the crowdfund in exchange for $ESSAY tokens.
When the NFT is sold, the ETH in the contract increases
$ESSAY tokens can be bought and sold like any other ERC-20 token, or redeemed for underlying ETH.
Participants in the initial crowdfund will be embedded in the essay forever, as the supporters who made it possible.
Over the past couple years, paid writing has made great strides, with Substack popularizing newsletter subscriptions as the dominant business model for writing online. However, the paid newsletter model only works for a certain kind of writing - something regular, consistent, and often a bit shorter.
While newsletters are great for many reasons, we also need other business models for writing. Some of the greatest thinkers around are primarily dedicated to something besides publishing their ideas on a regular cadence, and therefore won't be found starting a weekly newsletter. Even those who are dedicated to writing often produce their best work after weeks or months of research, not by writing a new piece every few days. Unfortunately, these kinds of writers face a tough choice today: adapt their work to a newsletter format, or write without being paid.
Even for writers running successful newsletters, there's an inherent tradeoff in the subscription format: in order to monetize their content, writers must hide some, if not all of their work, behind a paywall, reserved for those who pay to subscribe. With each new piece is a choice between rewarding those who pay and sharing ideas widely.
The tools we have at our disposal influence the kind of work we create, and when the only tool around for getting paid to write is a newsletter publisher, it's no wonder we see more and more newsletters, and less of everything else.
Other formats and styles of writing are obviously valuable and worth paying for, and for this reason alone it's worth experimenting with new funding models. I believe that these issues can be solved if we can introduce effective new business models for writing.
This week, in an attempt to move towards that goal, I'm pursuing my own writing under the new crowdfunding model described above. This model has been on my mind for awhile, and I'm really curious to see if it's possible.
If my funding goal is hit, the piece will be published publicly, free for everyone to read and share, while those who funded it hold ownership. If the funding goal isn't hit, everyone will receive their money back.
Though not proven, I believe this model can can solve both of the problems mentioned above:
It offers a path to being paid for a one-off work that's not part of a subscription or newsletter.
It offers a way to monetize work that remains a public good, without a paywall.
If this experiment is a success, it will mark an early promising sign for a new way to fund not just writing, but all kinds of creative work.
That all being said, I hope you'll stick around to fund, share, or at least observe as we try something new. A link to the post containing the abstract is below, along with some information about me.
https://j.mirror.xyz/RUeJfZEZxr-hkuzUCakQyUuf2kOJVMPPiAWBaQFhhqc
To view or bid on the NFT of the essay, check out the block below.
I’m a product designer and software engineer, mostly involved in helping early stage startups design and grow products in interesting markets. I started my career as a software engineer at Snapchat, then founded a startup, which went through Y Combinator in 2018. Since then, I've worked as a designer and consultant for several startups and investors, including WorkOS, Muze, a16z Crypto, and Y Combinator, where I help out part-time with admissions. You can find me on Twitter here.
I typically write 1-2 longer essays each year, most often concerning new insights around startup strategy and product design. Among them, my Spatial Software post from last year was probably the most popular, describing a wave of new products being built around game-like interfaces and what makes them unique.
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