
Facebook 20 Album Challenge
I was challenged by my friend Thomas Townsend to choose 20 albums that greatly influenced my taste in music. One album per day, for 20 consecutive days. No explanations, no reviews, just covers.

transaction (genesis)
Mike Shupp NFT

Zora Creator Coins
I activated my Creator Coin on Zora: → Symbol: $mikeshupp • CA: 0x9b96...9d96, an ERC-20 token on Base Chain. Creator Coins tokenize a user's profile, and...

Facebook 20 Album Challenge
I was challenged by my friend Thomas Townsend to choose 20 albums that greatly influenced my taste in music. One album per day, for 20 consecutive days. No explanations, no reviews, just covers.

transaction (genesis)
Mike Shupp NFT

Zora Creator Coins
I activated my Creator Coin on Zora: → Symbol: $mikeshupp • CA: 0x9b96...9d96, an ERC-20 token on Base Chain. Creator Coins tokenize a user's profile, and...
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This short music clip was an exercise in learning several creative tools. I began in Avid Pro Tools Sketch, the clip-based, non-linear iPadOS app similar to Ableton or Logic Pro’s Live Loops. Its deep integration with Pro Tools lets you start on the iPad and seamlessly finish in a full desktop session.
After sketching some ideas and building a simple arrangement on the iPad, I created a Pro Tools session on my computer and opened the same Sketch file from iCloud. From there, I simply dragged the arrangement scenes into the Edit Window, automatically creating new audio tracks and clips.
I then performed an additional top-line keyboard part on a new track in Pro Tools, using ANA 2 (Sonic Academy / Slate Digital) virtual synthesizer instrument, and mixed the project down to a 44.1 kHz, 16-bit WAV file, with separate passes each for sample-rate, and then bit-depth conversion.
The initial grayscale waveform file animation is from the native iOS audio file player on my phone; I imported the mixed-down audio file to my phone, played it, and took a screen recording while it played, creating a video file. The visual effects were added in TikTok; briefly posting it allows you to save a copy of the processed video locally without any watermark or logo; you can then delete the public TikTok post if desired.
Finally, I edited and assembled the video in DaVinci Resolve from Blackmagic Design, including replacing the audio from the screen recording-TikTok workflow, with the original, full-resolution audio from Pro Tools, and rendering to an H.264 codec, .MP4 video file, for content distribution. Sketch 23 is published on Zora as an ERC-20 token on Base Chain, tradable now on Zora, Uniswap, and other DEXs — with Coinbase support coming soon.


This article is monetized as an ERC-20 token on Base Chain (CA: 0xa096…e1f0, Symbol: $MTSPS23) and can be traded via the Support button at the top of the page, or on decentralized exchanges like Uniswap.
This article is also published on Substack; and on Mirror as a collectible writing NFT.

This short music clip was an exercise in learning several creative tools. I began in Avid Pro Tools Sketch, the clip-based, non-linear iPadOS app similar to Ableton or Logic Pro’s Live Loops. Its deep integration with Pro Tools lets you start on the iPad and seamlessly finish in a full desktop session.
After sketching some ideas and building a simple arrangement on the iPad, I created a Pro Tools session on my computer and opened the same Sketch file from iCloud. From there, I simply dragged the arrangement scenes into the Edit Window, automatically creating new audio tracks and clips.
I then performed an additional top-line keyboard part on a new track in Pro Tools, using ANA 2 (Sonic Academy / Slate Digital) virtual synthesizer instrument, and mixed the project down to a 44.1 kHz, 16-bit WAV file, with separate passes each for sample-rate, and then bit-depth conversion.
The initial grayscale waveform file animation is from the native iOS audio file player on my phone; I imported the mixed-down audio file to my phone, played it, and took a screen recording while it played, creating a video file. The visual effects were added in TikTok; briefly posting it allows you to save a copy of the processed video locally without any watermark or logo; you can then delete the public TikTok post if desired.
Finally, I edited and assembled the video in DaVinci Resolve from Blackmagic Design, including replacing the audio from the screen recording-TikTok workflow, with the original, full-resolution audio from Pro Tools, and rendering to an H.264 codec, .MP4 video file, for content distribution. Sketch 23 is published on Zora as an ERC-20 token on Base Chain, tradable now on Zora, Uniswap, and other DEXs — with Coinbase support coming soon.


This article is monetized as an ERC-20 token on Base Chain (CA: 0xa096…e1f0, Symbol: $MTSPS23) and can be traded via the Support button at the top of the page, or on decentralized exchanges like Uniswap.
This article is also published on Substack; and on Mirror as a collectible writing NFT.
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