Hello fellow Clickstars!
What a week to be alive and clicking. MICHAANTHENOR opened Monday with Paris at full roar — football shirts, flares and Marianne looking down from her pedestal as PSG's latest European triumph spilled across Place de la République. KIDDDAPPER picked up the thread on Tuesday from Johannesburg, where a brilliantly red wire car parked on a boardroom table tells the whole story of South African craft in one compact object. FAUZAN carried us into Wednesday and into the organised spectacle of Putrajaya, where hundreds of runners in gradient blue-green T-shirts gathered before the steel lattice of one of Malaysia's most striking mosques. BIGIG brought the week's quietest moment on Thursday — a shuttered side street in Tel Aviv where someone had turned a garage door into a large silver throw-up, a peace sign included. And then, with perfect timing, an anonymous Clickstar closed out Friday night in a field near Westerheim with Scooter blazing on stage, the blue-hour sky just holding above the crowd.
Five countries, five very different moods, and every single one of them signed and stored inside the Trust Network exactly as it looked the moment the shutter dropped.
Throughout the week, the team handpicks Clicks to promote the different feeds and Clickstars on social media, like X and Instagram. They get a tip from Nodle for their contributions to the network, Click archive and creativity — if you want to get highlighted by the official accounts, keep on Clicking, yours might be next!
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In this week, the archive grew by 312 Clicks, totaling a staggering 76,441 certified media that got put on the chain. Week by week, contributions all over the world contribute to Nodle — the first Digital Trust Network that empowers creators and enterprises alike through their Android and iOS apps.
Where: Paris, Île-de-France, France
Feed: Sports
Social links
X: https://x.com/clickdeepreals/status/2061542001116610955
Instagram: https://www.instagram.com/p/DZDlxDhDiES
Beginning the week from Paris, MICHAANTHENOR planted himself at Place de la République on a late May evening, as football supporters poured across the intersection and climbed the pedestal of the Monument à la République. The square sits at the junction of the 3rd, 10th and 11th arrondissements — long known as Place du Château-d'Eau after the monumental fountain built there in 1811, reshaped under Baron Haussmann and officially renamed in 1879 to honour the French Third Republic.
The monument at its centre, inaugurated on 14 July 1883 after a city-run competition, was designed by brothers Léopold and Charles Morice. Marianne rises 9.4 metres in bronze on a stone pedestal over 15 metres tall, surrounded by allegorical figures for Liberty, Equality and Fraternity and bronze reliefs narrating key episodes from republican history. At the base, a lion guards a ballot box, tying the whole ensemble to 1789 and the Declaration of the Rights of Man.
Over recent decades, République has become one of Paris's main rallying points — for labour marches, Nuit Debout assemblies, climate strikes and the enormous candlelit gatherings after the Charlie Hebdo and Bataclan attacks. It is also part of the city's sporting rituals: when PSG's latest European triumph sent fans surging out of the Parc des Princes and the fan zones in late May 2026, wave after wave of supporters ended up here, setting off flares and singing on the same pedestal that, on other nights, carries protest banners. The result is a photograph with unusual depth: the bronze Marianne, created to embody civic ideals, looks down on football shirts and scooters rather than tricolour sashes, and the square performs exactly the role it has always performed — absorbing the city's loudest emotions, whatever shape they arrive in on the night.
Where: Johannesburg, Gauteng, South Africa
Feed: General
Social links
X: https://x.com/clickdeepreals/status/2061911980722561122
Instagram: https://www.instagram.com/p/DZGNlDMDncX
Carrying the week from Paris into Johannesburg, KIDDDAPPER found his subject not on a street stall but on a sleek black boardroom table — a meticulously detailed wire car in vivid red, complete with spoke rims, a rear spoiler and an open interior that shows every seat. South African wire art grew out of township and rural ingenuity: children and parents used discarded fence wire, old coat hangers and tin cans to make toy cars when store-bought toys were out of reach, and what started as improvised play slowly evolved into a national craft tradition closely linked to Zulu and broader Southern African wire-and-bead practice.
Over time, those simple objects became increasingly intricate — model cars built with steering, suspension details and brand-specific silhouettes that collectors and tourists began to seek out seriously. The form is now woven into the city's creative economy: Johannesburg's design fairs, from Hobby X to RMB Latitudes Art Fair, regularly feature wire work alongside larger sculptural pieces, and civic initiatives use wire-craft workshops to build income-generating skills in areas hit by unemployment. The bright red car in this Click — placed between office chairs, its reflection caught in the polished tabletop — sits exactly at that intersection, a craft that was born in the dust of township roads now occupying the same surface as a laptop or a meeting agenda. The gap between those two worlds turns out to be about the length of one very well-made wire model.
Where: Putrajaya, Malaysia
Feed: Events
Social links
X: https://x.com/clickdeepreals/status/2062254643896590465
Instagram: https://www.instagram.com/p/DZIp6AfDt3-
From Johannesburg's craft world to Malaysia's planned capital, FAUZAN stepped out into the formal axis between the Palace of Justice and the Tuanku Mizan Zainal Abidin Mosque — better known as the Steel Mosque — in Putrajaya on a Sunday morning. Completed around 2010 and facing Putrajaya Lake, the mosque's patterned steel façade and tall pointed arches rising behind the event tents give the image its architectural backbone. The whole precinct was designed as a ceremonial approach, symmetrical and deliberately grand, which makes the contrast with a crowd of hundreds in gradient blue-green running shirts all the more alive.
Putrajaya has developed an informal tradition of turning its government boulevards and lakeside strips into start lines and festival grounds for mass participation events — fun runs, night races and community wellness days that temporarily transform an administrative district into a very human kind of festival ground. Events like the Putrajaya Neon Night Run, the Putrajaya Night Race and the Skechers Friendship Walk & Run all use these central precincts as staging areas, with tents, banners and coordinated T-shirts matching exactly what FAUZAN captured here. Local regulars describe the ritual of watching thousands of people arrive before dawn or linger into the evening under the arches of the Steel Mosque as one of those recurring Putrajaya experiences that reminds you a planned city can still produce spontaneous feeling. A government plaza, temporarily handed over to sneakers and small talk, is as much a part of modern Malaysian life as the domes and lake views that frame it.
Where: Tel Aviv-Yafo, Tel Aviv District, Israel
Feed: Street Art
Social links
X: https://x.com/clickdeepreals/status/2062598764674605463
Instagram: https://www.instagram.com/p/DZK-xOtiC-v
Midweek, BIGIG brought us to a quiet corner of Tel Aviv-Yafo that looks and smells like the Florentin belt — the neighbourhood that started in the 1930s as a district of small factories, workshops and immigrant housing, slid into neglect by the 1960s, and was re-colonised from the 1990s onwards by artists and students drawn by cheap rents and the chance to use peeling plaster and old garage doors as an open-air canvas. The image shows exactly that: old stone and rendered plaster patched with a corrugated tin overhang and a satellite dish, the garage door entirely taken over by a large silver-and-black throw-up with a peace symbol worked into the left side.
Florentin is widely described as Israel's unofficial street-art capital, with alleys around Abarbanel Street carrying dense layers of tags, stencils and murals by artists like Dede, Klone and Kis-Lev, often mixing Hebrew, Arabic and English in the same piece. Regular walking tours treat the walls as a living conversation about politics, nightlife and gentrification — which also means the walls change fast. As developers move into blocks, entire surfaces get painted over, studios migrate further south, and new layers appear within weeks. The peace symbol in this Click reads differently depending on the day: in one of the world's most contested cities, it is neither slogan nor irony but somewhere in between, the kind of mark that belongs on a wall that has already seen a thousand marks. What BIGIG signed on the blockchain is not a permanent statement but a single frame in a very long, ongoing argument — and that is exactly what makes it worth keeping.
Where: Westerheim, Bavaria, Germany
Feed: Festivities
Social links
X: https://x.com/clickdeepreals/status/2062990689630056668
Instagram: https://www.instagram.com/p/DZN4B-cjgCp
Closing the week in the loudest possible way, this Clickstar captured Friday night at the Ikarus Festival near Westerheim, where the former military airfield between Memmingen and Ulm transforms every Whitsun into one of southern Germany's biggest electronic music gatherings. The image tells the story directly: a packed crowd stretching back under a blue-hour sky, the stage engulfed in orange and purple light, smoke rolling across the LED sculptures, and the name Scooter blazing across the screens as the band launches into one of the dozens of hard-dance anthems they have been playing to exactly this kind of crowd since 1993.
Ikarus has been running since 2015 — with the expected Covid interruptions — and has built its own lore in the Bavarian festival calendar. The airfield's aircraft hangars double as dancefloors, the camping village fills days before the main acts, and sunrise sets have quietly become one of the weekend's minor traditions. For the 2026 edition, Scooter was billed as a main headline act, the show promoted as "30 Jahre Rave, unzählige Hits und pure Energy" — thirty years of rave, countless hits and pure energy — with a set that delivered precisely that. Pentecost Sunday into early Monday, the slot when this Click was taken, is when the biggest names traditionally close the weekend before the tents come down and the airfield returns to silence. That specific moment — one last night, the sky still holding its last blue, the stage at full burn — is what this photograph is, and what the Digital Trust Network now holds permanently.
From Paris crowd to Joburg's boardroom wire car, from Putrajaya plaza to Tel Avivs garage door and one last anonymous Clickstar standing in a Bavarian field as Scooter closed out Pentecost weekend — this week covered a lot of ground. What held it together was the same thing that always does: a real person, in a real place, pressing the shutter at the right moment and signing what they saw directly into the chain.
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Explore our blog post, Click: Beyond the Filter, to discover how the app powers the ecosystem behind the Digital Trust Network.
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