
The Black Mechanism: An Interview with Todd Hido
By Brileigh Hardcastle Obscura Journal Contributor Brileigh Hardcastle recently interviewed photographer Todd Hido for the drop of his Obscura Curated Commission: The Black Mechanism. They discuss the role of inclement weather in this new body of work, how it might relate to an underlying existential anxiety while searching for the unknown in this “ambient darkness.” BH: Todd, I like the variety of subject matter across all of your work, from portraits to suburban homes, and now landscapes. A...

Transfiguration: An Interview with Sabiha Çimen
By Danielle EzzoTransfiguration #44 by Sabiha Çimen, Obscura Magnum CommissionObscura Journal Contributor Danielle Ezzo recently interviewed Magnum photographer Sabiha Çimen about her newest work for the Obscura Magnum Commission, Transfiguration: The Double Life of Şeyma. They discuss the collision of contemporary culture and Muslim tradition in Turkey and one woman’s relationship with both. DE: It’s such a pleasure to get to talk with you about this project. What is Transfiguration: The Dou...

TUDO BOM: An Interview with Alex Majoli
By Danielle EzzoTudo Bom 2022 #18 by Alex Majoli, Obscura Magnum Commission.Obscura Journal Contributor Danielle Ezzo recently interviewed Magnum photographer Alex Majoli about his recent Obscura Magnum Commission, TUDO BOM. They discuss the current economic crisis in Brazil, the aesthetic strategies for conveying conceptual ideas, the limitations of photography and how outside influences like theatre and performance inform the artist’s work. DE: TUDO BOM, meaning “Everything Well?” in Portug...
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in the words of Lorenzo Meloni
Today I spent an hour or two on the streets of Kiev. The logistic is very complicated as most of the fixers have left or decided to fight and the same goes for having a driver or just a car. Apart from a bombing on a TV antenna the situation is tense but calm. It’s probably the calm before the storm, as I see from the news that there is a 60km (?!) queue of tanks at the gates of Kiev.
Along the streets I found many barricades and checkpoints set up by citizens. I saw many young people, especially in the suburbs, protecting their neighbourhood. I don't know if they know or not that those barricades won't stop any tanks. But I didn't feel I had to tell them that, if they want to hope so.

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100% of the proceeds of the Emergency Reporting Commission are distributed amongst selected active photographers on the ground to support their efforts to document during moments of conflict.
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