Cristina de Middel InterviewBy Danielle EzzoDE: What intrigues me about your oeuvre is that many of your projects are framed within two frameworks: an overarching, often universal idea, and a more localized, personal narrative within that. How do you choose and research your projects? And in the case of The Royal Pinedo, can you tell us how the project began? CM: I participated in a big exhibition called Africa Americanos, a survey of all the remains of African descent in Latin America. That’...