It is no secret that the post-pandemic economic crisis has hit artists and cultural workers hard. Due to the lack of networks, it is difficult to unite this sector to provide a safe space. State institutions are unable to provide a solution to this problem. Applying for a Fondart, practically the only state fund that finances cultural projects in Chile in addition to private initiatives (which often in both cases work through cronyism) is a tedious and distressing task, both because of its co...