Early in Blockchain innovation, long before NFTs, Spazefalcon makes a bold (and risky) prediction. Somewhere around 2013, with experience in cryptography, he hears a murmur of "Art in Coins". With time, turns to a deep obsession, what is the potential for “Art in Coins”!?!

Deep-diving the concepts, Spazefalcon maps the emerging technical trends of the time. And stumbles upon a staggering formulation. Look at the arc of creative-tools on one hand: PhotoShop, Camtasia, 3D Animation, and Audio production software. And the ability to put “Art in Coins - long before Web3 - (on the other hand). Spazefalcon arrives at a stunning insight.

If the learning-curve for art-tech-tools continues to go down, via technical efficiency. While the automation of Web3 delivery via NFT ("Art in Coins") continues to go up:

> might a theoretical "storytellers-sweetspot" emerge?

Spazefalcon couldn’t get that idea out of his head! The fascination grows on a similarity to ECONOMIC EQUILIBRIUM. Where supply and demand curves meet based on human efficiencies. A similar (rudimentary) map could be made…

Above, the curves were the maturation of creative-technical tools, eventually converging with ability to deliver to market. The theory was that, one person could (someday soon) master an entire 3D Pipeline - from animated story inception to cross-platform social-media delivery. Where, best-in-class open-source content-creation tools would (eventually) become available to everyone. And for the first time in human history - the best possible storytelling medium should (theoretically) emerge.

For some talent like; Spielberg, Lucas, Lasseter, Catmull, or Benjamin Franklin: this convergence of new tools would be like a Greenfield-Storytellers-Paradise. Think of it. A virtual panacea of cinematography, within reason, an actual APEX for human expression. All of it at your fingertips - happening, someday soon?

With the added insight - no one is tracking this silent approach?

It was reasoned, that for the 1st time in human history, it would soon be technically possible - for one SOLO-ARTIST to express themselves fully: Direct-to-Market. Looking back, we can observe "technical-sweet-spots" before. They seem to occur for each innovation of medium: like for Renaissance Artists, and Benjamin Franklin with the printing press. Then, Radio, TV, and Movies. Each time a storyteller’s expressiveness evolves with the medium. Even for CGI at Lucas Films and Pixar, we can see theresults in our lifetime. Which may happen again, with content-creation tools, and Web3 NFTs.

Like the emergent role, of a modern day TECHARTIST. Will there be a New-Renaissance of solo-artists, like before, again - direct to market? That remains to be seen. But more importantly, isn’t it inevitable? A convergence of efficiencies - for art and tech? Should it occur eventually?

Questions aside, the most fascinating aspect of Spazefalcon's prediction is the non-visible nature (of it) as it slowly approaches. When this digital art efficiency arrives - NO ONE WILL KNOW!

No one will know of a SOLO-ARTIST-STORTELLER capability - until someone does it first! Someone will have to become the first ever SOLO-TECH-ARTIST. Following a law of human innovation: that no human can know it is possible - until it is done. Someone has to go first! So in late 2017, NetCinematics was founded on a hunch, of Spazefalcon's prediction. That the APEX of HUMAN EXPRESSIVENESS is at hand.

Don’t take it from me - go see for yourself!

~ : )