An artist crafting visual meditations, mixing digital & analogue methods
An artist crafting visual meditations, mixing digital & analogue methods
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I am excited to be a curated artist in FITC’s upcoming collection of work based on the theme of emergence.
In the liminal space after catastrophe, the future may not look bright, but hope remains. Through creativity & innovation, a new perspective grows beyond the current reality and presents a new outlook with unlimited possibilities for our future. What will emerge? It is up to us to decide.
FITC Toronto is a yearly technology and creativity conference dedicated to future of innovation, technology, creativity and design.
“Bathyscaphe” is my interpretation of the exploration of the self, and the exploration of unseen details around us that emerge when we finally take the time to pause and take a closer look. Using found textiles, acrylic and various chemicals to create reactions, I begin to build an extraterrestrial landscape.
https://foundation.app/@FITC/emergence/5
Is this the deepest part of the ocean or a golden mountain range on the other side of the solar system?
The base layer creates the main form of this undiscovered land. Part of my process involves finding and reusing discarded materials; augmenting them in new ways to form something a bit more unexpected than their original form.
My works of art are temporal. By photographing paint reacting and moving on various textiles, I can guarantee they only exist in that form for the short moment they mutate in front of my lens. There is often times no permanent work of art left over. The materials get recycled, reused, or take on a new form for a future project.
I love playing with this form of documentation in the context of NFTs and provenance: in my case, though I work with physical and analog techniques, there is no final product, no canvas that can be hung. The works can never be replicated again and are immutable on the blockchain.
Introducing the power of augmentation, I find it important to use digital tools to further build and evolve the physical elements of my work. I work within Photoshop and occasionally use Processing to add complexity and a digital fingerprint to the final piece.
In the case of “Bathyscaphe” and the theme of exploration, I was keen to add over 100 hand drawn and animated topographical lines to add a bit more dimension to this landscape composite.
https://foundation.app/@FITC/emergence/5
Be sure to follow me on twitter for behind the scenes and close up views of the final animated NFT.
Is this the deepest part of the ocean or a golden mountain range on the other side of the solar system? A moving landscape emerges via a digital composite of acrylic and spray-paint on canvas and textiles. Hand animated topographical details reveal a dynamic terrain in this seamlessly-looping 10 second animation.
Created by Jana Stýblová
— 3840 × 2160 | 30FPS | MP4 | 2022
First buyer to redeem a Full-Resolution 4K 800MB file upon request.
—
Jana Stýblová is a multidisciplinary artist working to bind the worlds of analogue & digital. Excited by the ephemeral & subconscious, she limit's her direct hand in creation by documenting chemical & paint reactions. The combination of code, acrylic, & photography symbolize the many facets that make us who we are: for Jana, a merger of her background in Astrophysics, Design, and Fine Art. These otherworldly landscapes celebrate our complexity and the moments of chance that define our existence.
I am excited to be a curated artist in FITC’s upcoming collection of work based on the theme of emergence.
In the liminal space after catastrophe, the future may not look bright, but hope remains. Through creativity & innovation, a new perspective grows beyond the current reality and presents a new outlook with unlimited possibilities for our future. What will emerge? It is up to us to decide.
FITC Toronto is a yearly technology and creativity conference dedicated to future of innovation, technology, creativity and design.
“Bathyscaphe” is my interpretation of the exploration of the self, and the exploration of unseen details around us that emerge when we finally take the time to pause and take a closer look. Using found textiles, acrylic and various chemicals to create reactions, I begin to build an extraterrestrial landscape.
https://foundation.app/@FITC/emergence/5
Is this the deepest part of the ocean or a golden mountain range on the other side of the solar system?
The base layer creates the main form of this undiscovered land. Part of my process involves finding and reusing discarded materials; augmenting them in new ways to form something a bit more unexpected than their original form.
My works of art are temporal. By photographing paint reacting and moving on various textiles, I can guarantee they only exist in that form for the short moment they mutate in front of my lens. There is often times no permanent work of art left over. The materials get recycled, reused, or take on a new form for a future project.
I love playing with this form of documentation in the context of NFTs and provenance: in my case, though I work with physical and analog techniques, there is no final product, no canvas that can be hung. The works can never be replicated again and are immutable on the blockchain.
Introducing the power of augmentation, I find it important to use digital tools to further build and evolve the physical elements of my work. I work within Photoshop and occasionally use Processing to add complexity and a digital fingerprint to the final piece.
In the case of “Bathyscaphe” and the theme of exploration, I was keen to add over 100 hand drawn and animated topographical lines to add a bit more dimension to this landscape composite.
https://foundation.app/@FITC/emergence/5
Be sure to follow me on twitter for behind the scenes and close up views of the final animated NFT.
Is this the deepest part of the ocean or a golden mountain range on the other side of the solar system? A moving landscape emerges via a digital composite of acrylic and spray-paint on canvas and textiles. Hand animated topographical details reveal a dynamic terrain in this seamlessly-looping 10 second animation.
Created by Jana Stýblová
— 3840 × 2160 | 30FPS | MP4 | 2022
First buyer to redeem a Full-Resolution 4K 800MB file upon request.
—
Jana Stýblová is a multidisciplinary artist working to bind the worlds of analogue & digital. Excited by the ephemeral & subconscious, she limit's her direct hand in creation by documenting chemical & paint reactions. The combination of code, acrylic, & photography symbolize the many facets that make us who we are: for Jana, a merger of her background in Astrophysics, Design, and Fine Art. These otherworldly landscapes celebrate our complexity and the moments of chance that define our existence.
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