Share Dialog
Share Dialog
序章：
舞台上演员们正在对镜化妆。
【Xxx转过身来面对观众】
Xxx：when I was a child，my father gave me a book，and said“read this.”
当我还是个孩子的时候，我的父亲给了我一本书，并对我说：读吧。“
On the cover, there was a bald man with a pointy beard.
在这本书的封面上，有一个秃顶的男人并留着尖尖的胡子。
I was 12 years old, and asked, “who is that?”
我当时12岁，就问父亲：“这个人是谁？”
My father, a Troskyist-yes, we have them in Austria, too-answered,
我的父亲，一个托洛茨基主义者—是的，我们在奥地利也拥有这些书—回答道：
“Lenin, the smartest man of the century.”
“列宁，这个世纪最聪慧的男人。“
I remember how Leon Trotsky’s book, The Young Lenin, captivated me.
我记得托洛茨基的书，《青年列宁》是如何吸引我的。
More than the content, the language fascinated me.
比起内容，更吸引我的是书里的语言。
How Trotsky describes people, the times.
托洛茨基是如何描述人，描述时代。
Trotsky lived in Vienna for 7 years.
托洛茨基在维也纳生活了7年。
I’m certain that Trotsky, like every Viennese, sat in cafes and pontificated.
我敢肯定，托洛茨基和每一个维也纳人一样，坐在咖啡馆里滔滔不绝。
I’m also Viennese, so I know…. Vienna is a revolution that takes place in cafes.
我也是维也纳人，所以我知道……维也纳的革命发生在咖啡馆里。
Nowhere are there as many champagne or schnitzel communists as in Vienna.
没有哪个地方和维也纳一样，有那么多的香槟或炸肉排共产主义者。
When you leave the café, you become depressed.
当你离开咖啡馆的时候，你会变得很沮丧。
You immediately have to go to the next café and talk about the revolution…. or you’ll kill yourself.
你必须马上去下一家咖啡馆，谈论革命……否则你会自杀。
If God were to say,’I’m starting over,’He’d have to start with the Viennese.
如果上帝说，“我要重新开始，”他必须从维也纳人开始。
He’d have to admit,”I made them all wrong, I can remake these people from scratch.’
他必须承认，“我把他们都弄错了，我可以从头开始改造这些人。“
When I read Trotsky’s texts, I also find this godlike attitude.
当我阅读托洛茨基的文章时，我也发现了这种态度。
As he described his years in exile, the World war, the rise of Lenin, Lenin’s strokes, Stalinism – dry, distant, vivid.
当他描述他的流亡岁月，一战，列宁的崛起，列宁的笔触，斯大林主义---- 干瘪的，遥远的，生动的。
When he realizes it was all in vain, that the counterrevolution would triumph, he writes, “ That is the law of history, the law of inertia.”
当他意识到这一切都是徒劳的，反革命会胜利时，他写道：“这就是历史的规律，惯性的规律。”
【演员回到化妆台，位于舞台正中央的屏幕亮起。屏幕上显示的是三位正在化妆的演员的脸。】
Xxx：I envy people from the West, for whom Lenin or Trotsky can still be icons.
我羡慕西边的人，列宁或托洛茨基对他们来说仍然是偶像。
Then I think,”Nice, but I experienced “real Socialism”for 23 years.’
然后我想：“不错，但我经历了23年的”真正的社会主义。“
In my youth, I wanted to read The Myth of Sisyphus by Camus.
在我年轻的时候，我想读加缪的《西西弗神话》。
I took great pains to try to get the book, was on the waiting list for years, but by the end of the GDR, I still hadn’t received it.
我费劲心思想得到这本书，在等待名单上等了好几年，但到了东德末期，我还是没有得到它。
The first time I went to the west, I went to an U-Bahn station Kiosk.
我第一次去西边的时候，我去了一个地铁站的报亭。
And the thing was simply lying there. Then I understood what the GDR was.
而那东西就那么躺在那里。后来我才明白，什么是民主德国。
I first went to the Lenin Mausoleum in 2005, My theatre company was performing in Moscow.
我第一次去列宁墓是在2005年，我们的剧团在莫斯科演出。
As I was walking through the Red Square, I had the feeling I had been there before as if I were in a dream.
当我走过红场的时候，我有一种感觉，我曾经去过那里，仿佛在梦里。
I had learned it all in school.
这些我在学校里都学过。
Then we waited in the queue. There were 2 queues: one for the mausoleum and one for McDonald’s, I thought,’How stupid can someone be, to queue up for McDonald’s…”
然后我们就在队列中等待。有两条队伍：一条是去陵园的，一条是去吃麦当劳的，我想：“有人真傻，竟然排队去吃麦当劳……”
We slipped one of the guards some money, and he brought us past the queue to Lenin.
It was so strange…Lenin’s face truly moved me.
我们给一个警卫塞了一些钱，他带我们插队，直接来到列宁面前。
太奇怪了……列宁的脸真让我感动。
All of it was dead, many times over.
所有人都死了，很多时候都是这样。
Lenin, of course, but the Soviet Union ,too.
列宁，当然，苏联也是如此。
But it was like a holy image, an icon.
但他就像一个神圣的形象，一个圣象。
Everything bather in golden light, so that his flesh glowed.
所有一切都沐浴在金光之中，而他的肉体也在发光……
Xxx :It’s getting dark… an entire century has passed.
天，要黑了…… 整个世纪都逝去了。
【屏幕渐黑，打出剧目标题，列宁】
【托洛茨基在房外，手持煤油灯】
Trotsky: It is September 1923, 6 years after the October Revolution. The long Russian summer is turning into autumn. Mosquitos- a cleaning storm is afoot. Vladimir Ilyich Lenin, the liberator of humanity, has been living in seclusion in a mansion near Moscow since his stroke. White pillars adorn the front of the house, but let us imagine them gone.
托洛茨基：现在是1923年9月，十月革命6年后。俄国的长夏正在变成秋天。蚊子--一场清洁风暴正在上演。人类的解放者弗拉基米尔-伊里奇-列宁自中风后，一直隐居在莫斯科附近的一座豪宅里。白色的柱子装饰着房子的正面，但让我们想象一下它们的消失。
Trotsky：who lives here?
托洛茨基：谁住在这里呢？
【托洛茨基转身打开门进入房间内，镜头慢慢运动起来，并对准身处其中的人。】
【Nina Kunzendorf 饰演Krupskaya】
Trotsky: Nadezhda Konstantinovna Krupskaya, 54 years old, Lenin’s wife and fellow fighter. Party member since 1898, clever, sensitive, but always horrendously dressed.
娜杰日达-康斯坦丁诺夫娜-克鲁普斯卡娅，54岁，列宁的妻子，同为战士。自1898年以来一直是党员，聪明、敏感，但总是穿着可怕的衣服。
【Kay Bartholomaus Schulze饰演 Lenins Leibarzt】
Trotsky: Fyodor Alexandrovich Guetier, 50 years old, physician to Lenin, Krupskaya, and Trotsky. One of the few whom Lenin would see during his illness without protest.
费奥多尔-亚历山德罗维奇-盖蒂埃，50岁，列宁、克鲁普斯卡娅和托洛茨基的医生。是列宁生病期间少数几个不抗议就会去看他的人之一。
【Lukas Turtur 饰演 Protokollcbef】
Trotsky: Pyotyr Pakaln, 37years old, Chief of Protocol, and head of Lenin’s bodyguards, Chekist since 1917, petticoat chaser and drunkard.
皮奥蒂尔-帕卡恩，37岁，礼宾处处长，列宁的保镖头子，1917年起任契克党人，追赶衬裙的人和酒鬼。
【Konrad Singer 饰演 soldat】
Trotsky: Sapogov, a man of unknown age, Lenin’s bodyguard.
萨波戈夫，年龄不详，列宁的保镖。
【Iris Becher 饰演 lenins sekretarin】
Trotsky: Lydia Alexandrovna Koshkina, secretary, at Lenin’s side since the Smolny days.
莉迪亚-亚历山德罗夫娜-科什金娜，秘书，从斯莫尔尼时代就在列宁身边
【Veronika Bachfischer 饰演feiga】
Trotsky: Feiga Shabat, cook, former fighter in the Civil War, and finally, Lenin himself, leader of the Russian Communist Party.
费加-沙巴特，厨师，曾是内战中的战士，最后是列宁本人，俄共领导人。
【Ursina Larrdi 饰演 Lenin】
Trotsky: Later, there would appear: Two children, dispatched from the Simbirsk Trade Union.
后来，还出现了。两个孩子，从辛比尔斯克工会派来的。
【Benjamin and Mirjam Wachsmuth 饰演 Lenin’s children】
【Ulrich Hoppe 饰演 Lunacharsky】
Trotsky: Anatoly Vasilyevich Lunacharsky, 48 years old, People’s Commissar of Education.
阿纳托利-瓦西里耶维奇-卢那察尔斯基，48岁，人民教育委员会委员。
【Damir Avdic 饰演 Stalin】
Trotsky: Iosif Vissarionovich Dzhugashvili, called Stalin, General Secretary of the Central Committee (CC) of the Communist party.
伊奥西夫-维萨里奥诺维奇-朱加什维利，人称斯大林，共产党中央委员会（CC）总书记。
【Felix Romer 饰演 Trotsky】
Trotsky: As well as myself, Lev Davidovich Bronstein, called Trotsky. Author, revolutionary, founder and leader of the Red Army.
以及我本人，列夫-达维多维奇-布朗斯坦，被称作托洛茨基。作家、革命家、红军的创始人和领导人。
【屏幕渐黑，打出「早晨」】
【屋内，列宁的秘书正在整理手稿，然后到桌前倒水，她将水递给了两名列宁的护卫，两人正在桌前看报纸，下棋。Lydia坐在桌前不语。Guetier和Krupskaya坐在浴缸前试着水温，两人面色凝重。】
Guetier: Cold baths- It is important that he cools down.
盖蒂埃：冷水浴—这对他降温很重要。
Krupskaya: Soviet Russia is 6 years old, and the water is still as brown as coffee.
克鲁普斯卡娅：苏俄已经六岁了，但是水还是像咖啡一样的褐色。
Guetier: Be glad you even have water.
盖蒂埃：得庆幸你连水都拥有了。
Krupskaya:That is too cold.
克鲁普斯卡娅：这水太冷了。
Guetier: Sapogov!
盖蒂埃：萨波戈夫！
【萨帕戈夫走到浴室.】
Guetier: Boil some water.
盖蒂埃：煮点水。
【盖蒂埃走到桌前整理自己的药箱，列宁躺在床上，双目紧闭。克鲁普斯卡娅走到床前，紧抱着列宁，列宁睁开了双眼。】
Lenin: What is that? Where am I? Hello? Mama? It is you…… What is happened? I do not know… Nothing.
列宁：那是什么？我在哪里？喂？妈妈？是你啊….发生了什么？怎么了？我不知道。
Krupskaya: You are burning up.
克鲁普斯卡娅：你发烧了。
【盖蒂埃拿着舌压板检查列宁的身体状态。】
Lenin: Good morning.
列宁：早上好。
Guetier: He has a fever.
盖蒂埃：他得了流感。
Krupskaya: How could anyone not have a fever?
克鲁普斯卡娅：怎么会有人不发烧呢？
【盖蒂埃将列宁翻过身去，扒下裤子，测量直肠的体温】
【镜头划过屋内的陈设，对准了莉迪亚。】
Lydia：In the beginning, in Smolony, during the Revolution, the Council would meet day in and day out. Women, men, proletarians, intellectuals, everyone worked toward the cause together. There was nothing beyond the cause. I remember how Lenin returned to Russia. It was wartime, millions dead, the Czar deposed, but the democratic regime simply picked up where the old one had stopped. And then this man comes. He promises land, peace, bread-justice. He says, ‘It can not remain as it is. And after a few weeks, millions stand behind him.
Women, men, soldiers, farmers, everyone falls in love with this compeletely average man. And the old world is toppled.
莉迪亚：一开始，在斯莫洛尼，在革命期间，委员会日复一日地开会。女人，男人，无产阶级，知识分子，每个人都在为事业而努力。没有什么比事业更重要的了。我记得列宁是如何回到俄国的。那是战争时期，数百万人死亡，沙皇被废黜， 但民主政权只是接手了旧政权停止的地方。然后这个人就来了 他承诺给我们土地，和平，面包，正义。他说："我们不能再这样下去了 几周后，数百万人站在他身后。女人，男人，士兵，农民，每个人都爱上了这个平凡的男人。旧世界被推翻了，它是行不通的。
【克鲁普斯卡娅推门而入。她拿起电话，却没有反应。两名守卫看着她。】
Pakaln：It is not working.
帕卡恩：电话坏了。
Krupskaya: I thought it was going to be repaired.
克鲁普斯卡娅：我还以为它被修好了。
Pakaln: It is impossible get a repairman in Russia these days. All the major construction….
帕卡恩：现在在俄国找一个修理工是不可能的。所有的大型建筑……
Krupskaya: That is an absurd excuse.
克鲁普斯卡娅：这是一个荒唐的借口。
Pakaln: But it is true.
帕卡恩：但确实如此。
【克鲁普斯卡娅坐在两位守卫身边，和萨帕戈夫下起了棋。】
Krupskaya: And the meeting records?
克鲁普斯卡娅：会议记录呢？
Pakaln: You mean the CC meeting. I thought you should already received them. I will take care of it.
帕卡恩：你指中央委员会会议？我想你已经收到他们的消息了，我会处理好的。
Krupskaya: Has Stalin ordered this isolation?
克鲁普斯卡娅：是斯大林下令隔离的？
Pakaln: Why should he?
帕卡恩：为什么是他？
Krupskaya: Visitors?
克鲁普斯卡娅：那些访客？
Pakaln: A delegation from Simbirsk. The railway workers want to give Ilyich a wheelchair as a gift. Lunacharsky, Comrade Stalin, and Trotsky.
帕卡恩：辛比尔斯克的一个代表团。铁路工人想送伊里奇一把轮椅作为礼物。卢那察尔斯基，斯大林同志，还有托洛茨基。
【屋外响起了雷声。】
Krupskaya: What is that?
克鲁普斯卡娅：那是什么声音？
Sapogov: Thunder.
萨波戈夫：雷声，
【盖蒂埃躺在列宁床上，用手扶着他的额头，测着温度。】
Lenin: I had a strange dream…
列宁：我做个了奇怪的梦。
Guetier: Normal temperature..
盖蒂埃：温度正常。
Lenin: My arm…
列尼：我的膀子…
Guetier: Undress him.
盖蒂埃：脱掉他的衣服。
【沙巴特和萨波戈夫开始脱掉列宁身上的衣服。】
Lenin: I can do it myself!
Guetier: Careful.
【列宁赤身裸体坐在床上，盖蒂埃坐在他的身边。】
Lenin：What is your name again?
列宁：再说遍你的名字？
Guetier: Fyodor Alexandrovich.
盖蒂埃：费奥多 亚历山德罗维奇。
Lenin: How long do I have left to live?
列宁：我还能活多久？
Guetier: You have had a small stroke. By winter you will be back in the Kremlin.
盖蒂埃：你有一点中风。等到冬天你就可以回克里姆林宫了。
Lenin: Sometimes I do not know if I am awake or dreaming. I am forgetting faces…
列宁：有时候我不知道我是醒着，还是在梦中。。我正在忘记很多面孔…
Guetier: Pavlov had a patient- an aristocrat – who got a bullet in his head during a duel. He experienced a change in personality: A friendly and even-tempered man turned into an impulsive, cruel person… It is all here inside.
盖蒂埃：巴甫洛夫有一个病人-一个贵族-在一次决斗中头部中了一枪。他的性格大变。一个友好的、脾气温和的人 变成了一个冲动的、残忍的人... ...这一切都在里面。
Lenin: How long did he live?
列宁：他活了多久？
Guetier: Who?
盖蒂埃：谁？
Lenin: Pavlov’s patient?
列宁：巴甫洛夫的病人？
Guetier: He died during the operation.
盖蒂埃：他死在手术中。
Lenin: I will die soon as well.
列宁：我也将很快死去。
Guetier: I do not think so.
盖蒂埃：我不这么认为。
Lenin: I have not been able to feel my arm.
列宁：我感受不到我的手臂。
Guetier: You will get better, as soon as you can write properly again.
盖蒂埃：你会变好的。只要你能再好好写字。
Lenin: Yes, reading, writing… Where is my pen, my books?
列宁：是的，阅读，写作…我的笔和书在哪里？
Feiga: Today a shipment of books has arrived.
沙巴特：今天有一批书到了。
【 沙巴特将一摞书籍递到列宁眼前。】
Lenin: The History of the Russian Revolution, by Trotsky.
列宁：托洛茨基的《俄国革命史》
Guetier: As Pavlov put it, ’Collect facts, compare, study.’ ’Everything else is metaphysics.’
Lenin: February Revolution… the Kerensky Putsch… April Theses, good… the Art of Rebellion… October… the New Man… come.
盖蒂埃：正如巴甫洛夫所说："收集事实，比较，研究。'其他都是形而上学。
列宁：二月革命... 克伦斯基政变... 四月纲领，好... 叛乱的艺术... 十月...这新人类…到来了。
【镜头拉远到正在窗外注视着列宁状态的托洛茨基，托洛茨基转过身来。】
Trotsky: Throughout the years, Lenin would long to feel his wife’s hand on his skin, how she would stroke him as if he were a doll, the softness if her voice, There was no reason to ask her forgiveness for everything that had happened. What had succeeded and failed, violence and generosity. She understood everything.
托洛茨基：多年来，列宁一直渴望感受妻子的手抚摸他的皮肤 她就像抚摸一个洋娃娃一样抚摸她，她的声音很温柔，没有理由要求她原谅所发生的一切。什么成功和失败，暴力和慷慨。她明白了一切。
【 镜头再次转入室内，沙巴特和克鲁普斯卡娅正在给列宁洗澡。】
Lenin: Not so rough… Who is coming today?
列宁：别那么粗暴..谁今天会来？
Krupskaya: Stalin.
克鲁普斯卡娅：斯大林。
Lenin: Little Soso… What did he write?
列宁：这小子…他之前写了什么？
Krupskaya: About the National Question.
克鲁普斯卡娅：关于国家问题。
Lenin: Poor idiot.
列宁：可怜的白痴。
Krupskaya: For a Georgian, Russia could be the entire world.
克鲁普斯卡娅：对于一个格鲁吉亚人来说，俄国就是一整个世界。
Lenin: It is so gloomy here! Look how my flesh hangs…
列宁：这里太暗了！看看我身上的肉是怎么挂起来的…
Feiga: I once saw a mother refuse to bury her dead child, because she wanted to eat him. ‘That is my flesh, my child,’ she cried.
沙巴特：我曾经看到一位母亲拒绝埋葬她死去的孩子，因为她想吃掉他。'那是我的肉，我的孩子，'她哭着说。
Krupskaya: She did not want to let him go.
克鲁普斯卡娅：她不想让他走。
Feiga: True motherly love. It was during the Civil War… True love is only possible in communism.
沙巴特：真正的母爱。在内战的时候…真正的爱只有可能在共产主义之中。
Krupskaya: Have you heard what Comrade Kollantai says? ‘In communist society, sexual gratification is as simple as drinking a glass of water.’
克鲁普斯卡娅：你听过柯兰泰同志说的话吗？'在共产主义社会里，性的满足就像喝水一样简单。
Lenin: The first State of the proletarian dictatorship is fighting global counterrevolutionaries, yet our female comrades debate the sexual questions!
列宁：无产阶级专政的第一个国家正在与全球反革命分子作斗争，然而我们的女同志却就性的问题在进行辩论!
【沙巴特的面部特写镜头。】
Feiga: There was something endearing and odd about Lenin’s demeanour. Simply a child in this damned world. While in exile, he read Hegel’s The Science of Logic. The transition from quantitative to qualitative changes impressed him. He underlined ‘ The breaking off of gradualness.’ and wrote: ‘ Gradualness explains nothing without leaps.’ ‘ Gradualness explains nothing without leaps.’ He wrote in the margin:’leaps, leaps. leaps!’
沙巴特：列宁的神态有些可爱和奇怪。在这个该死的世界上，简直就是一个孩子。在流亡期间，他读了黑格尔的《逻辑学》。从量变到质变的转变给他留下了深刻的印象。他在 "渐进性的断裂 "下划线，并写道："没有跳跃，渐进性什么也解释不了 '渐进性解释了没有飞跃的一切。他在空白处写道：'跳跃！跳跃！跳跃！
Lenin: I know of nothing better than Bach. Extraordinary music that is no longer human. I often think with naive pride, what miracles mankind is capable of. But I must not listen to this music too often. We want to caress the heads of the those who lives in such hell and yet can create such beauty. But we may not, our hands will be bitten off. These heads must be smashed in- without pity.
列宁：我知道没有比巴赫更好的了。非凡的音乐，不再是人类的。我常常天真地骄傲地想，人类能创造什么奇迹。但我不能经常听这种音乐。我们想抚摸那些生活在那样的地狱里，却能创造出这样的美丽的人的脑袋。但我们不可以，我们的手会被咬掉。这些头颅一定要砸进去--毫不留情。
【沙巴特和克鲁普斯卡娅给列宁穿好浴袍，一同走出了浴室。列宁坐到了在外面椅子上正吃着苹果的莉迪亚身边。】
Lenin: Tell me about the state of Communist work.
列宁：说说共产党的工作状况。
Lydia: There is much talk – about sport, culture – gossip is talking over. Who loves whom, who has which post in the Party, who likes which artwork. Some even pray to their old icons. They used to be ashamed, not only before you, but before themselves as well.
莉迪亚：有很多的议论--关于体育、文化--八卦都在谈论。谁爱谁，谁在党内有哪个职位，谁喜欢哪个艺术品。有的人甚至向他们的老偶像祈祷。他们曾经很惭愧，不仅在你面前，而且在自己面前也很惭愧。
【克鲁普斯卡娅将一个库尔比斯克的孩子抱在怀中，坐在了列宁身边。】
Lydia: Why do not you have any children?
莉迪亚：为什么你没有孩子？
Krupskaya: What should I have done with them in exile. I do not even want to imagine…
克鲁普斯卡娅：在流亡中我该怎么处理他们呢？我甚至不愿意想象... ...
Lenin: Are you in the Pioneers?
列宁：你是少先队的吗？
Children: Yes, Our Leader.
孩童：是的，我们的领袖。
Lenin: How do you like it here?
列宁：你觉得这里怎么样？
Children: It is nice here.
孩童：这里很好。
Lenin: I could wring the necks of this child – such blathering makes me furious. Like we did with the Cazr’s children – first shoot them in the head, then the heart, then the bayonet in the throat, again and again. They just wont die. Then acid in the face and into the mass grave.
Would you like that?
列宁：我可以拧这孩子的脖子--这样的胡言乱语让我很生气。就像我们对待卡兹尔的孩子一样--先射他们的头，再射心脏，然后用刺刀刺入喉咙，一次又一次。他们就是不死。然后往脸上泼酸液，再把他们扔进乱葬岗。
Children: Yes, Our Leader.
孩童：是的，我们的领袖。
【莉迪亚将孩子带走。】
Krupskaya: Look.
克鲁普斯卡娅：瞧瞧。（手上拿着一只捏死的苍蝇。）
Lenin: One life less. What do you think? What do you think? What will happen when I am no longer here? The wind, the flies – will it all go on?
列宁：少了一条命 你觉得呢？你觉得呢？当我不在这里的时候，会发生什么？风，苍蝇------一切都会继续吗？
Krupskaya: Yes.
克鲁普斯卡娅：是的。
Lenin: What will you do when I am dead?
列宁：当我死了你会怎么做？
Krupskaya: I cannot imagine.
克鲁普斯卡娅：我不能想象。
Lenin: Have not you thought about it?
列宁：你没有想过吗？
Krupskaya: To what end? We are human, we will die. Perhaps I will die before you.
克鲁普斯卡娅：为了什么呢？我们是人，我们会死。也许我会比你先死。
Lenin: We are human. The Revolution will go on, and someone will come… I have asked the Party for poison.
列宁：我们都是人。革命会继续，有其他人会来…我在向党求毒。
Krupskaya: Why?
克鲁普斯卡娅：为什么？
Lenin: If you kill others, you must be able to kill yourself. I hardly remember the names of the people around me. I can not even read properly anymore. This is only the beginning. In 1 mouth I wont know my own name. The members of the CC: Lenin, Stalin… In 2 months, I will have forgotten who I am.
列尼：如果你杀了别人，你也要能杀了自己。我几乎不记得周围人的名字了 我甚至都不认识字了 这只是个开始 一张嘴我就不知道自己的名字了。党的成员们：列宁，斯大林… 两个月后，我就会忘记自己是谁。
【镜头移向正在窗外窥视的托洛茨基。】
Trotsky: The task of our era is to examine humans, just as things and animals were examined in the past. Conscious thought is only one small part of our sinister psychic powers. Divers will descend to the bottom of the ocean and photograph the fish- our fears, our instincts, our greed. Then man will take himself as an object of labuor. Humanity will see itself as a raw material. We are products of the old world that cannot comprehend the new one. Future generations will look back at us with both amusement and disdain.
托洛茨基：我们这个时代的任务是研究人类，就像过去研究事物和动物一样。有意识的思想只是我们邪恶的精神力量的一小部分。潜水员会下潜到海底，拍摄鱼群--我们的恐惧，我们的本能，我们的贪婪。然后，人类会把自己当成一个劳作的对象。人类会把自己看成原材料 我们是旧世界的产物，无法理解新的世界。子孙后代回过头来看我们的时候，既会觉得好笑，又会觉得不屑。
【位于舞台中央的屏幕上打出「中午/midday」的字样】
【众人在客厅内，列宁、卢那察尔斯基、克鲁普斯卡娅、萨波戈夫以及那两个从库尔比斯克来的孩子一起坐在桌上翻看着什么。】
Lunacharsky: I am certain you slept well.
卢那察尔斯基：我确定你睡得很好。
Lenin: How?
列宁：怎么着？
Lunacharsky: Was there anything in there that you liked?
卢那察尔斯基：里面有你喜欢的东西吗？
Krupskaya: Mayakovsky was in your book shipment.
克鲁普斯卡娅：马雅可夫斯基在你的书里。
Lunacharsky: We want to print his new collection of poetry. 10000 copies.
卢那察尔斯基：我们想出版他的新诗集。一万册。
Lenin: No one needs lyricism… 1500 copies. For libraries and the petty bourgeoisie. You deserve a flogging for this Futurism shit.
列宁：没有人需要抒情诗... 1500册。给图书馆和小资产阶级的。你这套未来主义的狗屁东西应该受到鞭打。
Krupskaya: Memories of Lenin: A Factual Novel.
克鲁普斯卡娅：《列宁的回忆》 一部实录小说。
Lunacharsky: huh, A Factual Novel. These days only the factual counts. Not the fictitious.
卢那察尔斯基：哼，实事求是的小说。这年头，只有事实才是最重要的。而不是虚构的。
Lenin: Why ’memories’? What should anyone remember? Everything Lenin did has become history. Lenin himself is nothing more than a plant.
列宁：为什么是 "回忆"？有什么好回忆的？列宁所做的一切都已成为历史。列宁本人不过是个植物人。
Lunacharsky: There are even some plays and films about Lenin.
卢那察尔斯基：甚至有一些关于列宁的戏剧和电影。
Lenin: How would you portray him?
列宁：你会怎样描写他？
Lunacharsky: To portray Lenin as human is already wrong.
卢那察尔斯基：把列宁描绘成人，已经是错误的了。
Krupskaya: Why wouldn’t he be human? Shchukin from Gorki’s Summer Folk portrays Lenin rather well. Manly, clever, slightly sentimentalised.
克鲁普斯卡娅：他为什么不会是人呢？高尔基的《夏日民谣》中的什丘金把列宁刻画得相当好。男子汉，聪明，略带感情色彩。
Lunacharsky: Have you heard about biomechanics? It purports: When the body takes on a certain posture, emotions will follow automatically.
卢那察尔斯基：你听说过生物力学吗？它是这样说的： 当身体呈现出某种姿势时，情绪就会自动跟上。
Krupskaya: Amazing.
克鲁普斯卡娅：有意思。
Lunacharsky: Simply being is not an actor’s challenge. The would only mean a descent into the material world out of which we must lift ourselves. Does Lenin look like this? Would he be more accurate with a bald head and a beard? Yes and no. But since nothing is identical in the world things and of bodies, does it matter?
卢那察尔斯基：简单的存在不是演员的挑战。这将只意味着一个下降到物质世界中，我们必须提升自己。列宁是这样的吗？他有了胡子和秃顶会不会更准确？是，也不是。但是，既然世界上没有什么东西是完全一样的，包括身体，这有什么关系吗？
Lenin: What do you have there?
列宁：你们那儿有什么？
Children: The Workers’ Committee from Simbirsk sent us. We read in the Pravda that Comrade Lenin is often tired. So we are bringing you this wheelchair.
孩子：辛比尔斯克工人委员会给我们发来的。我们在《真理报》上看到列宁同志经常疲惫不堪。所以我们给你送来了这个轮椅。
Lenin: Thank you, children. Tell the Committee that I accept their gift. But I am not that tired yet.
列宁：谢谢你们，孩子们 告诉委员会，我接受他们的礼物。但我还没那么累。
【列宁呼喊帕卡恩的名字，帕卡恩从厕所走出。】
Lenin: Give the chair to one of your soldiers… The man who lost his legs in the Civil War.
列宁：把这把椅子送给你们的一个士兵，那个在内战中失去双腿的人。
Pakaln: You mean Ossipov.
帕卡恩：你是说奥西波夫。
【列宁瞪了一眼帕卡恩，帕卡恩悻悻离开。】
Lenin: Do you like the theatre?
列宁：你喜欢剧院吗？
Children: I prefer the cinema.
孩子：我更喜欢看电影。
【镜头转换为全景，从室外拍摄屋内。】
Lenin: Our theatres use film as well, so that the actors on the stage alternate with the action on the screen.
列宁：我们的剧院也使用电影，这样舞台上的演员就会和银幕上的动作交替出现。
Children: I prefer only to have the screen.
孩子：我宁愿只拥有屏幕。
【镜头转化为对列宁脸部的特写。】
Lenin: They will shoot you all, including the children. And your workers, your facts will be as torn to shreds as the tapestries in the Winter Palace. What is that?
列宁：他们会把你们全部枪毙，包括孩子。而你们的工人，你们的事实会像冬宫里的挂毯一样被撕成碎片。那是什么？
Children: Thunder.
孩子：雷声。
【莉迪亚将男孩子带入保安们的房间，沙巴特正在切一条鱼。她将鱼的内脏取出来。音乐响起，蚊子嗡鸣。萨波戈夫（他穿着军服坐在桌边）将蚊子拍死，音乐随之结束。】
Pakaln: you are called sapogov.
帕卡恩：你叫萨波戈夫？
Sapogov: Yes.
萨波戈夫：是的。
Pakaln: That means ‘boot’.
帕卡恩：那名字的意思是‘靴子’。
Sapogov: Yes.
萨波戈夫：是的
Pakaln: No real name?
帕卡恩：没有真名？
Sapogov: Do not know. I am called ‘ boot’.
萨波戈夫：不知道。我就被叫做靴子。
Feiga: Where are you from?
沙巴特：你从哪里来？
Sapogov: Mariupol, East Ukraine.
萨波戈夫：东乌克兰的马里乌波尔
Feiga: Were you a soldier in the Civil War?
沙巴特：在内战中你是士兵嘛？
Sapogov:I have a bad leg. I was a watchmaker in my father’s factory. 5 employees, all from Mariupol.
萨波戈夫：我有条坏腿。 我在我父亲的工厂里做钟表匠。5个员工，都是来自马里波尔。
Feiga: And your family?
沙巴特：你的家人呢？
Sapogov: Both my brothers were killed in action. One in 1914, in East Prussia. The other in the summer before the Revolution, in the Kerensky Offensive. The Whites came in 1919. My father was a socialist. So they nailed him to the barn door. My sisters were raped. After that, my mother killed herself. Late 1920, the Red Army came. Did not make things any better. My father was not only a socialist, but a ‘factory owner’ as well. Then I became a soldier. What else could I have done?
萨波戈夫：我的两个哥哥都在战场上牺牲了。一个在1914年，在东普鲁士。另一个是在革命前的夏天，在克伦斯基攻势中牺牲的。白军是1919年来的 我父亲是个社会主义者 所以他们把他钉在了谷仓的门上。我的妹妹们被强奸了. 之后,我母亲就自杀了. 1920年底，红军来了。没有让事情变得更好。我父亲不仅是个社会主义者，还是个工厂主。然后我就当了兵 我还能做什么？
Feiga: And then?
沙巴特：之后呢？
Sapogov: Nothing. Then came the winter of 21-22.
萨波戈夫：啥也没有。接下来就到了21到22年的冬天。
Feiga: Whoever was still alive starved to death. How did you get here?
沙巴特：谁还活着，谁就会饿死。你是怎么到这里来的？
Sapogov: I have killed enough bourgeoisie arseholes. I was the doorman at the CC, and when Lenin fell ill, Stalin sent me here. What is more- I repaired Lenin’s watch.
萨波戈夫：我杀了足够多的资产阶级混蛋。我是中央委员会的看门人，列宁病了，斯大林就派我来了。更重要的是--我修过列宁的表。
【萨波戈夫掏出一支制作精美的怀表，并将其放在耳边，秒针滴答。】
Sapogov: I am doing well, I eat twice a day. But I need a new belt… What bothers me are the fruit thieves. They will even steal your boots. They even made off with a palm tree. Can you imagine? We’d transported here from Georgia. There are no palm trees here! I say to the buggers, ’I see you!’ They can not even hide… The Revolution has brought us nothing. The people have only become more filthy and cruel. Most are dead anyway. The animals are also dying out. At some point there will be nothing left alive.
萨波戈夫：我很好，每天吃两次饭。但我需要一条新腰带......让我烦恼的是那些偷水果的人。他们甚至会偷你的靴子 他们甚至偷了一棵棕榈树。你能想象吗？我们从乔治亚州运到这里。这里没有棕榈树！我对他们说，"我看到你了！他们连躲都躲不开 革命没有给我们带来任何东西。人们只是变得更加肮脏和残忍。反正大多数人都死了。动物们也在死亡。到了某个时候，就会没有任何活着的东西了。
序章：
舞台上演员们正在对镜化妆。
【Xxx转过身来面对观众】
Xxx：when I was a child，my father gave me a book，and said“read this.”
当我还是个孩子的时候，我的父亲给了我一本书，并对我说：读吧。“
On the cover, there was a bald man with a pointy beard.
在这本书的封面上，有一个秃顶的男人并留着尖尖的胡子。
I was 12 years old, and asked, “who is that?”
我当时12岁，就问父亲：“这个人是谁？”
My father, a Troskyist-yes, we have them in Austria, too-answered,
我的父亲，一个托洛茨基主义者—是的，我们在奥地利也拥有这些书—回答道：
“Lenin, the smartest man of the century.”
“列宁，这个世纪最聪慧的男人。“
I remember how Leon Trotsky’s book, The Young Lenin, captivated me.
我记得托洛茨基的书，《青年列宁》是如何吸引我的。
More than the content, the language fascinated me.
比起内容，更吸引我的是书里的语言。
How Trotsky describes people, the times.
托洛茨基是如何描述人，描述时代。
Trotsky lived in Vienna for 7 years.
托洛茨基在维也纳生活了7年。
I’m certain that Trotsky, like every Viennese, sat in cafes and pontificated.
我敢肯定，托洛茨基和每一个维也纳人一样，坐在咖啡馆里滔滔不绝。
I’m also Viennese, so I know…. Vienna is a revolution that takes place in cafes.
我也是维也纳人，所以我知道……维也纳的革命发生在咖啡馆里。
Nowhere are there as many champagne or schnitzel communists as in Vienna.
没有哪个地方和维也纳一样，有那么多的香槟或炸肉排共产主义者。
When you leave the café, you become depressed.
当你离开咖啡馆的时候，你会变得很沮丧。
You immediately have to go to the next café and talk about the revolution…. or you’ll kill yourself.
你必须马上去下一家咖啡馆，谈论革命……否则你会自杀。
If God were to say,’I’m starting over,’He’d have to start with the Viennese.
如果上帝说，“我要重新开始，”他必须从维也纳人开始。
He’d have to admit,”I made them all wrong, I can remake these people from scratch.’
他必须承认，“我把他们都弄错了，我可以从头开始改造这些人。“
When I read Trotsky’s texts, I also find this godlike attitude.
当我阅读托洛茨基的文章时，我也发现了这种态度。
As he described his years in exile, the World war, the rise of Lenin, Lenin’s strokes, Stalinism – dry, distant, vivid.
当他描述他的流亡岁月，一战，列宁的崛起，列宁的笔触，斯大林主义---- 干瘪的，遥远的，生动的。
When he realizes it was all in vain, that the counterrevolution would triumph, he writes, “ That is the law of history, the law of inertia.”
当他意识到这一切都是徒劳的，反革命会胜利时，他写道：“这就是历史的规律，惯性的规律。”
【演员回到化妆台，位于舞台正中央的屏幕亮起。屏幕上显示的是三位正在化妆的演员的脸。】
Xxx：I envy people from the West, for whom Lenin or Trotsky can still be icons.
我羡慕西边的人，列宁或托洛茨基对他们来说仍然是偶像。
Then I think,”Nice, but I experienced “real Socialism”for 23 years.’
然后我想：“不错，但我经历了23年的”真正的社会主义。“
In my youth, I wanted to read The Myth of Sisyphus by Camus.
在我年轻的时候，我想读加缪的《西西弗神话》。
I took great pains to try to get the book, was on the waiting list for years, but by the end of the GDR, I still hadn’t received it.
我费劲心思想得到这本书，在等待名单上等了好几年，但到了东德末期，我还是没有得到它。
The first time I went to the west, I went to an U-Bahn station Kiosk.
我第一次去西边的时候，我去了一个地铁站的报亭。
And the thing was simply lying there. Then I understood what the GDR was.
而那东西就那么躺在那里。后来我才明白，什么是民主德国。
I first went to the Lenin Mausoleum in 2005, My theatre company was performing in Moscow.
我第一次去列宁墓是在2005年，我们的剧团在莫斯科演出。
As I was walking through the Red Square, I had the feeling I had been there before as if I were in a dream.
当我走过红场的时候，我有一种感觉，我曾经去过那里，仿佛在梦里。
I had learned it all in school.
这些我在学校里都学过。
Then we waited in the queue. There were 2 queues: one for the mausoleum and one for McDonald’s, I thought,’How stupid can someone be, to queue up for McDonald’s…”
然后我们就在队列中等待。有两条队伍：一条是去陵园的，一条是去吃麦当劳的，我想：“有人真傻，竟然排队去吃麦当劳……”
We slipped one of the guards some money, and he brought us past the queue to Lenin.
It was so strange…Lenin’s face truly moved me.
我们给一个警卫塞了一些钱，他带我们插队，直接来到列宁面前。
太奇怪了……列宁的脸真让我感动。
All of it was dead, many times over.
所有人都死了，很多时候都是这样。
Lenin, of course, but the Soviet Union ,too.
列宁，当然，苏联也是如此。
But it was like a holy image, an icon.
但他就像一个神圣的形象，一个圣象。
Everything bather in golden light, so that his flesh glowed.
所有一切都沐浴在金光之中，而他的肉体也在发光……
Xxx :It’s getting dark… an entire century has passed.
天，要黑了…… 整个世纪都逝去了。
【屏幕渐黑，打出剧目标题，列宁】
【托洛茨基在房外，手持煤油灯】
Trotsky: It is September 1923, 6 years after the October Revolution. The long Russian summer is turning into autumn. Mosquitos- a cleaning storm is afoot. Vladimir Ilyich Lenin, the liberator of humanity, has been living in seclusion in a mansion near Moscow since his stroke. White pillars adorn the front of the house, but let us imagine them gone.
托洛茨基：现在是1923年9月，十月革命6年后。俄国的长夏正在变成秋天。蚊子--一场清洁风暴正在上演。人类的解放者弗拉基米尔-伊里奇-列宁自中风后，一直隐居在莫斯科附近的一座豪宅里。白色的柱子装饰着房子的正面，但让我们想象一下它们的消失。
Trotsky：who lives here?
托洛茨基：谁住在这里呢？
【托洛茨基转身打开门进入房间内，镜头慢慢运动起来，并对准身处其中的人。】
【Nina Kunzendorf 饰演Krupskaya】
Trotsky: Nadezhda Konstantinovna Krupskaya, 54 years old, Lenin’s wife and fellow fighter. Party member since 1898, clever, sensitive, but always horrendously dressed.
娜杰日达-康斯坦丁诺夫娜-克鲁普斯卡娅，54岁，列宁的妻子，同为战士。自1898年以来一直是党员，聪明、敏感，但总是穿着可怕的衣服。
【Kay Bartholomaus Schulze饰演 Lenins Leibarzt】
Trotsky: Fyodor Alexandrovich Guetier, 50 years old, physician to Lenin, Krupskaya, and Trotsky. One of the few whom Lenin would see during his illness without protest.
费奥多尔-亚历山德罗维奇-盖蒂埃，50岁，列宁、克鲁普斯卡娅和托洛茨基的医生。是列宁生病期间少数几个不抗议就会去看他的人之一。
【Lukas Turtur 饰演 Protokollcbef】
Trotsky: Pyotyr Pakaln, 37years old, Chief of Protocol, and head of Lenin’s bodyguards, Chekist since 1917, petticoat chaser and drunkard.
皮奥蒂尔-帕卡恩，37岁，礼宾处处长，列宁的保镖头子，1917年起任契克党人，追赶衬裙的人和酒鬼。
【Konrad Singer 饰演 soldat】
Trotsky: Sapogov, a man of unknown age, Lenin’s bodyguard.
萨波戈夫，年龄不详，列宁的保镖。
【Iris Becher 饰演 lenins sekretarin】
Trotsky: Lydia Alexandrovna Koshkina, secretary, at Lenin’s side since the Smolny days.
莉迪亚-亚历山德罗夫娜-科什金娜，秘书，从斯莫尔尼时代就在列宁身边
【Veronika Bachfischer 饰演feiga】
Trotsky: Feiga Shabat, cook, former fighter in the Civil War, and finally, Lenin himself, leader of the Russian Communist Party.
费加-沙巴特，厨师，曾是内战中的战士，最后是列宁本人，俄共领导人。
【Ursina Larrdi 饰演 Lenin】
Trotsky: Later, there would appear: Two children, dispatched from the Simbirsk Trade Union.
后来，还出现了。两个孩子，从辛比尔斯克工会派来的。
【Benjamin and Mirjam Wachsmuth 饰演 Lenin’s children】
【Ulrich Hoppe 饰演 Lunacharsky】
Trotsky: Anatoly Vasilyevich Lunacharsky, 48 years old, People’s Commissar of Education.
阿纳托利-瓦西里耶维奇-卢那察尔斯基，48岁，人民教育委员会委员。
【Damir Avdic 饰演 Stalin】
Trotsky: Iosif Vissarionovich Dzhugashvili, called Stalin, General Secretary of the Central Committee (CC) of the Communist party.
伊奥西夫-维萨里奥诺维奇-朱加什维利，人称斯大林，共产党中央委员会（CC）总书记。
【Felix Romer 饰演 Trotsky】
Trotsky: As well as myself, Lev Davidovich Bronstein, called Trotsky. Author, revolutionary, founder and leader of the Red Army.
以及我本人，列夫-达维多维奇-布朗斯坦，被称作托洛茨基。作家、革命家、红军的创始人和领导人。
【屏幕渐黑，打出「早晨」】
【屋内，列宁的秘书正在整理手稿，然后到桌前倒水，她将水递给了两名列宁的护卫，两人正在桌前看报纸，下棋。Lydia坐在桌前不语。Guetier和Krupskaya坐在浴缸前试着水温，两人面色凝重。】
Guetier: Cold baths- It is important that he cools down.
盖蒂埃：冷水浴—这对他降温很重要。
Krupskaya: Soviet Russia is 6 years old, and the water is still as brown as coffee.
克鲁普斯卡娅：苏俄已经六岁了，但是水还是像咖啡一样的褐色。
Guetier: Be glad you even have water.
盖蒂埃：得庆幸你连水都拥有了。
Krupskaya:That is too cold.
克鲁普斯卡娅：这水太冷了。
Guetier: Sapogov!
盖蒂埃：萨波戈夫！
【萨帕戈夫走到浴室.】
Guetier: Boil some water.
盖蒂埃：煮点水。
【盖蒂埃走到桌前整理自己的药箱，列宁躺在床上，双目紧闭。克鲁普斯卡娅走到床前，紧抱着列宁，列宁睁开了双眼。】
Lenin: What is that? Where am I? Hello? Mama? It is you…… What is happened? I do not know… Nothing.
列宁：那是什么？我在哪里？喂？妈妈？是你啊….发生了什么？怎么了？我不知道。
Krupskaya: You are burning up.
克鲁普斯卡娅：你发烧了。
【盖蒂埃拿着舌压板检查列宁的身体状态。】
Lenin: Good morning.
列宁：早上好。
Guetier: He has a fever.
盖蒂埃：他得了流感。
Krupskaya: How could anyone not have a fever?
克鲁普斯卡娅：怎么会有人不发烧呢？
【盖蒂埃将列宁翻过身去，扒下裤子，测量直肠的体温】
【镜头划过屋内的陈设，对准了莉迪亚。】
Lydia：In the beginning, in Smolony, during the Revolution, the Council would meet day in and day out. Women, men, proletarians, intellectuals, everyone worked toward the cause together. There was nothing beyond the cause. I remember how Lenin returned to Russia. It was wartime, millions dead, the Czar deposed, but the democratic regime simply picked up where the old one had stopped. And then this man comes. He promises land, peace, bread-justice. He says, ‘It can not remain as it is. And after a few weeks, millions stand behind him.
Women, men, soldiers, farmers, everyone falls in love with this compeletely average man. And the old world is toppled.
莉迪亚：一开始，在斯莫洛尼，在革命期间，委员会日复一日地开会。女人，男人，无产阶级，知识分子，每个人都在为事业而努力。没有什么比事业更重要的了。我记得列宁是如何回到俄国的。那是战争时期，数百万人死亡，沙皇被废黜， 但民主政权只是接手了旧政权停止的地方。然后这个人就来了 他承诺给我们土地，和平，面包，正义。他说："我们不能再这样下去了 几周后，数百万人站在他身后。女人，男人，士兵，农民，每个人都爱上了这个平凡的男人。旧世界被推翻了，它是行不通的。
【克鲁普斯卡娅推门而入。她拿起电话，却没有反应。两名守卫看着她。】
Pakaln：It is not working.
帕卡恩：电话坏了。
Krupskaya: I thought it was going to be repaired.
克鲁普斯卡娅：我还以为它被修好了。
Pakaln: It is impossible get a repairman in Russia these days. All the major construction….
帕卡恩：现在在俄国找一个修理工是不可能的。所有的大型建筑……
Krupskaya: That is an absurd excuse.
克鲁普斯卡娅：这是一个荒唐的借口。
Pakaln: But it is true.
帕卡恩：但确实如此。
【克鲁普斯卡娅坐在两位守卫身边，和萨帕戈夫下起了棋。】
Krupskaya: And the meeting records?
克鲁普斯卡娅：会议记录呢？
Pakaln: You mean the CC meeting. I thought you should already received them. I will take care of it.
帕卡恩：你指中央委员会会议？我想你已经收到他们的消息了，我会处理好的。
Krupskaya: Has Stalin ordered this isolation?
克鲁普斯卡娅：是斯大林下令隔离的？
Pakaln: Why should he?
帕卡恩：为什么是他？
Krupskaya: Visitors?
克鲁普斯卡娅：那些访客？
Pakaln: A delegation from Simbirsk. The railway workers want to give Ilyich a wheelchair as a gift. Lunacharsky, Comrade Stalin, and Trotsky.
帕卡恩：辛比尔斯克的一个代表团。铁路工人想送伊里奇一把轮椅作为礼物。卢那察尔斯基，斯大林同志，还有托洛茨基。
【屋外响起了雷声。】
Krupskaya: What is that?
克鲁普斯卡娅：那是什么声音？
Sapogov: Thunder.
萨波戈夫：雷声，
【盖蒂埃躺在列宁床上，用手扶着他的额头，测着温度。】
Lenin: I had a strange dream…
列宁：我做个了奇怪的梦。
Guetier: Normal temperature..
盖蒂埃：温度正常。
Lenin: My arm…
列尼：我的膀子…
Guetier: Undress him.
盖蒂埃：脱掉他的衣服。
【沙巴特和萨波戈夫开始脱掉列宁身上的衣服。】
Lenin: I can do it myself!
Guetier: Careful.
【列宁赤身裸体坐在床上，盖蒂埃坐在他的身边。】
Lenin：What is your name again?
列宁：再说遍你的名字？
Guetier: Fyodor Alexandrovich.
盖蒂埃：费奥多 亚历山德罗维奇。
Lenin: How long do I have left to live?
列宁：我还能活多久？
Guetier: You have had a small stroke. By winter you will be back in the Kremlin.
盖蒂埃：你有一点中风。等到冬天你就可以回克里姆林宫了。
Lenin: Sometimes I do not know if I am awake or dreaming. I am forgetting faces…
列宁：有时候我不知道我是醒着，还是在梦中。。我正在忘记很多面孔…
Guetier: Pavlov had a patient- an aristocrat – who got a bullet in his head during a duel. He experienced a change in personality: A friendly and even-tempered man turned into an impulsive, cruel person… It is all here inside.
盖蒂埃：巴甫洛夫有一个病人-一个贵族-在一次决斗中头部中了一枪。他的性格大变。一个友好的、脾气温和的人 变成了一个冲动的、残忍的人... ...这一切都在里面。
Lenin: How long did he live?
列宁：他活了多久？
Guetier: Who?
盖蒂埃：谁？
Lenin: Pavlov’s patient?
列宁：巴甫洛夫的病人？
Guetier: He died during the operation.
盖蒂埃：他死在手术中。
Lenin: I will die soon as well.
列宁：我也将很快死去。
Guetier: I do not think so.
盖蒂埃：我不这么认为。
Lenin: I have not been able to feel my arm.
列宁：我感受不到我的手臂。
Guetier: You will get better, as soon as you can write properly again.
盖蒂埃：你会变好的。只要你能再好好写字。
Lenin: Yes, reading, writing… Where is my pen, my books?
列宁：是的，阅读，写作…我的笔和书在哪里？
Feiga: Today a shipment of books has arrived.
沙巴特：今天有一批书到了。
【 沙巴特将一摞书籍递到列宁眼前。】
Lenin: The History of the Russian Revolution, by Trotsky.
列宁：托洛茨基的《俄国革命史》
Guetier: As Pavlov put it, ’Collect facts, compare, study.’ ’Everything else is metaphysics.’
Lenin: February Revolution… the Kerensky Putsch… April Theses, good… the Art of Rebellion… October… the New Man… come.
盖蒂埃：正如巴甫洛夫所说："收集事实，比较，研究。'其他都是形而上学。
列宁：二月革命... 克伦斯基政变... 四月纲领，好... 叛乱的艺术... 十月...这新人类…到来了。
【镜头拉远到正在窗外注视着列宁状态的托洛茨基，托洛茨基转过身来。】
Trotsky: Throughout the years, Lenin would long to feel his wife’s hand on his skin, how she would stroke him as if he were a doll, the softness if her voice, There was no reason to ask her forgiveness for everything that had happened. What had succeeded and failed, violence and generosity. She understood everything.
托洛茨基：多年来，列宁一直渴望感受妻子的手抚摸他的皮肤 她就像抚摸一个洋娃娃一样抚摸她，她的声音很温柔，没有理由要求她原谅所发生的一切。什么成功和失败，暴力和慷慨。她明白了一切。
【 镜头再次转入室内，沙巴特和克鲁普斯卡娅正在给列宁洗澡。】
Lenin: Not so rough… Who is coming today?
列宁：别那么粗暴..谁今天会来？
Krupskaya: Stalin.
克鲁普斯卡娅：斯大林。
Lenin: Little Soso… What did he write?
列宁：这小子…他之前写了什么？
Krupskaya: About the National Question.
克鲁普斯卡娅：关于国家问题。
Lenin: Poor idiot.
列宁：可怜的白痴。
Krupskaya: For a Georgian, Russia could be the entire world.
克鲁普斯卡娅：对于一个格鲁吉亚人来说，俄国就是一整个世界。
Lenin: It is so gloomy here! Look how my flesh hangs…
列宁：这里太暗了！看看我身上的肉是怎么挂起来的…
Feiga: I once saw a mother refuse to bury her dead child, because she wanted to eat him. ‘That is my flesh, my child,’ she cried.
沙巴特：我曾经看到一位母亲拒绝埋葬她死去的孩子，因为她想吃掉他。'那是我的肉，我的孩子，'她哭着说。
Krupskaya: She did not want to let him go.
克鲁普斯卡娅：她不想让他走。
Feiga: True motherly love. It was during the Civil War… True love is only possible in communism.
沙巴特：真正的母爱。在内战的时候…真正的爱只有可能在共产主义之中。
Krupskaya: Have you heard what Comrade Kollantai says? ‘In communist society, sexual gratification is as simple as drinking a glass of water.’
克鲁普斯卡娅：你听过柯兰泰同志说的话吗？'在共产主义社会里，性的满足就像喝水一样简单。
Lenin: The first State of the proletarian dictatorship is fighting global counterrevolutionaries, yet our female comrades debate the sexual questions!
列宁：无产阶级专政的第一个国家正在与全球反革命分子作斗争，然而我们的女同志却就性的问题在进行辩论!
【沙巴特的面部特写镜头。】
Feiga: There was something endearing and odd about Lenin’s demeanour. Simply a child in this damned world. While in exile, he read Hegel’s The Science of Logic. The transition from quantitative to qualitative changes impressed him. He underlined ‘ The breaking off of gradualness.’ and wrote: ‘ Gradualness explains nothing without leaps.’ ‘ Gradualness explains nothing without leaps.’ He wrote in the margin:’leaps, leaps. leaps!’
沙巴特：列宁的神态有些可爱和奇怪。在这个该死的世界上，简直就是一个孩子。在流亡期间，他读了黑格尔的《逻辑学》。从量变到质变的转变给他留下了深刻的印象。他在 "渐进性的断裂 "下划线，并写道："没有跳跃，渐进性什么也解释不了 '渐进性解释了没有飞跃的一切。他在空白处写道：'跳跃！跳跃！跳跃！
Lenin: I know of nothing better than Bach. Extraordinary music that is no longer human. I often think with naive pride, what miracles mankind is capable of. But I must not listen to this music too often. We want to caress the heads of the those who lives in such hell and yet can create such beauty. But we may not, our hands will be bitten off. These heads must be smashed in- without pity.
列宁：我知道没有比巴赫更好的了。非凡的音乐，不再是人类的。我常常天真地骄傲地想，人类能创造什么奇迹。但我不能经常听这种音乐。我们想抚摸那些生活在那样的地狱里，却能创造出这样的美丽的人的脑袋。但我们不可以，我们的手会被咬掉。这些头颅一定要砸进去--毫不留情。
【沙巴特和克鲁普斯卡娅给列宁穿好浴袍，一同走出了浴室。列宁坐到了在外面椅子上正吃着苹果的莉迪亚身边。】
Lenin: Tell me about the state of Communist work.
列宁：说说共产党的工作状况。
Lydia: There is much talk – about sport, culture – gossip is talking over. Who loves whom, who has which post in the Party, who likes which artwork. Some even pray to their old icons. They used to be ashamed, not only before you, but before themselves as well.
莉迪亚：有很多的议论--关于体育、文化--八卦都在谈论。谁爱谁，谁在党内有哪个职位，谁喜欢哪个艺术品。有的人甚至向他们的老偶像祈祷。他们曾经很惭愧，不仅在你面前，而且在自己面前也很惭愧。
【克鲁普斯卡娅将一个库尔比斯克的孩子抱在怀中，坐在了列宁身边。】
Lydia: Why do not you have any children?
莉迪亚：为什么你没有孩子？
Krupskaya: What should I have done with them in exile. I do not even want to imagine…
克鲁普斯卡娅：在流亡中我该怎么处理他们呢？我甚至不愿意想象... ...
Lenin: Are you in the Pioneers?
列宁：你是少先队的吗？
Children: Yes, Our Leader.
孩童：是的，我们的领袖。
Lenin: How do you like it here?
列宁：你觉得这里怎么样？
Children: It is nice here.
孩童：这里很好。
Lenin: I could wring the necks of this child – such blathering makes me furious. Like we did with the Cazr’s children – first shoot them in the head, then the heart, then the bayonet in the throat, again and again. They just wont die. Then acid in the face and into the mass grave.
Would you like that?
列宁：我可以拧这孩子的脖子--这样的胡言乱语让我很生气。就像我们对待卡兹尔的孩子一样--先射他们的头，再射心脏，然后用刺刀刺入喉咙，一次又一次。他们就是不死。然后往脸上泼酸液，再把他们扔进乱葬岗。
Children: Yes, Our Leader.
孩童：是的，我们的领袖。
【莉迪亚将孩子带走。】
Krupskaya: Look.
克鲁普斯卡娅：瞧瞧。（手上拿着一只捏死的苍蝇。）
Lenin: One life less. What do you think? What do you think? What will happen when I am no longer here? The wind, the flies – will it all go on?
列宁：少了一条命 你觉得呢？你觉得呢？当我不在这里的时候，会发生什么？风，苍蝇------一切都会继续吗？
Krupskaya: Yes.
克鲁普斯卡娅：是的。
Lenin: What will you do when I am dead?
列宁：当我死了你会怎么做？
Krupskaya: I cannot imagine.
克鲁普斯卡娅：我不能想象。
Lenin: Have not you thought about it?
列宁：你没有想过吗？
Krupskaya: To what end? We are human, we will die. Perhaps I will die before you.
克鲁普斯卡娅：为了什么呢？我们是人，我们会死。也许我会比你先死。
Lenin: We are human. The Revolution will go on, and someone will come… I have asked the Party for poison.
列宁：我们都是人。革命会继续，有其他人会来…我在向党求毒。
Krupskaya: Why?
克鲁普斯卡娅：为什么？
Lenin: If you kill others, you must be able to kill yourself. I hardly remember the names of the people around me. I can not even read properly anymore. This is only the beginning. In 1 mouth I wont know my own name. The members of the CC: Lenin, Stalin… In 2 months, I will have forgotten who I am.
列尼：如果你杀了别人，你也要能杀了自己。我几乎不记得周围人的名字了 我甚至都不认识字了 这只是个开始 一张嘴我就不知道自己的名字了。党的成员们：列宁，斯大林… 两个月后，我就会忘记自己是谁。
【镜头移向正在窗外窥视的托洛茨基。】
Trotsky: The task of our era is to examine humans, just as things and animals were examined in the past. Conscious thought is only one small part of our sinister psychic powers. Divers will descend to the bottom of the ocean and photograph the fish- our fears, our instincts, our greed. Then man will take himself as an object of labuor. Humanity will see itself as a raw material. We are products of the old world that cannot comprehend the new one. Future generations will look back at us with both amusement and disdain.
托洛茨基：我们这个时代的任务是研究人类，就像过去研究事物和动物一样。有意识的思想只是我们邪恶的精神力量的一小部分。潜水员会下潜到海底，拍摄鱼群--我们的恐惧，我们的本能，我们的贪婪。然后，人类会把自己当成一个劳作的对象。人类会把自己看成原材料 我们是旧世界的产物，无法理解新的世界。子孙后代回过头来看我们的时候，既会觉得好笑，又会觉得不屑。
【位于舞台中央的屏幕上打出「中午/midday」的字样】
【众人在客厅内，列宁、卢那察尔斯基、克鲁普斯卡娅、萨波戈夫以及那两个从库尔比斯克来的孩子一起坐在桌上翻看着什么。】
Lunacharsky: I am certain you slept well.
卢那察尔斯基：我确定你睡得很好。
Lenin: How?
列宁：怎么着？
Lunacharsky: Was there anything in there that you liked?
卢那察尔斯基：里面有你喜欢的东西吗？
Krupskaya: Mayakovsky was in your book shipment.
克鲁普斯卡娅：马雅可夫斯基在你的书里。
Lunacharsky: We want to print his new collection of poetry. 10000 copies.
卢那察尔斯基：我们想出版他的新诗集。一万册。
Lenin: No one needs lyricism… 1500 copies. For libraries and the petty bourgeoisie. You deserve a flogging for this Futurism shit.
列宁：没有人需要抒情诗... 1500册。给图书馆和小资产阶级的。你这套未来主义的狗屁东西应该受到鞭打。
Krupskaya: Memories of Lenin: A Factual Novel.
克鲁普斯卡娅：《列宁的回忆》 一部实录小说。
Lunacharsky: huh, A Factual Novel. These days only the factual counts. Not the fictitious.
卢那察尔斯基：哼，实事求是的小说。这年头，只有事实才是最重要的。而不是虚构的。
Lenin: Why ’memories’? What should anyone remember? Everything Lenin did has become history. Lenin himself is nothing more than a plant.
列宁：为什么是 "回忆"？有什么好回忆的？列宁所做的一切都已成为历史。列宁本人不过是个植物人。
Lunacharsky: There are even some plays and films about Lenin.
卢那察尔斯基：甚至有一些关于列宁的戏剧和电影。
Lenin: How would you portray him?
列宁：你会怎样描写他？
Lunacharsky: To portray Lenin as human is already wrong.
卢那察尔斯基：把列宁描绘成人，已经是错误的了。
Krupskaya: Why wouldn’t he be human? Shchukin from Gorki’s Summer Folk portrays Lenin rather well. Manly, clever, slightly sentimentalised.
克鲁普斯卡娅：他为什么不会是人呢？高尔基的《夏日民谣》中的什丘金把列宁刻画得相当好。男子汉，聪明，略带感情色彩。
Lunacharsky: Have you heard about biomechanics? It purports: When the body takes on a certain posture, emotions will follow automatically.
卢那察尔斯基：你听说过生物力学吗？它是这样说的： 当身体呈现出某种姿势时，情绪就会自动跟上。
Krupskaya: Amazing.
克鲁普斯卡娅：有意思。
Lunacharsky: Simply being is not an actor’s challenge. The would only mean a descent into the material world out of which we must lift ourselves. Does Lenin look like this? Would he be more accurate with a bald head and a beard? Yes and no. But since nothing is identical in the world things and of bodies, does it matter?
卢那察尔斯基：简单的存在不是演员的挑战。这将只意味着一个下降到物质世界中，我们必须提升自己。列宁是这样的吗？他有了胡子和秃顶会不会更准确？是，也不是。但是，既然世界上没有什么东西是完全一样的，包括身体，这有什么关系吗？
Lenin: What do you have there?
列宁：你们那儿有什么？
Children: The Workers’ Committee from Simbirsk sent us. We read in the Pravda that Comrade Lenin is often tired. So we are bringing you this wheelchair.
孩子：辛比尔斯克工人委员会给我们发来的。我们在《真理报》上看到列宁同志经常疲惫不堪。所以我们给你送来了这个轮椅。
Lenin: Thank you, children. Tell the Committee that I accept their gift. But I am not that tired yet.
列宁：谢谢你们，孩子们 告诉委员会，我接受他们的礼物。但我还没那么累。
【列宁呼喊帕卡恩的名字，帕卡恩从厕所走出。】
Lenin: Give the chair to one of your soldiers… The man who lost his legs in the Civil War.
列宁：把这把椅子送给你们的一个士兵，那个在内战中失去双腿的人。
Pakaln: You mean Ossipov.
帕卡恩：你是说奥西波夫。
【列宁瞪了一眼帕卡恩，帕卡恩悻悻离开。】
Lenin: Do you like the theatre?
列宁：你喜欢剧院吗？
Children: I prefer the cinema.
孩子：我更喜欢看电影。
【镜头转换为全景，从室外拍摄屋内。】
Lenin: Our theatres use film as well, so that the actors on the stage alternate with the action on the screen.
列宁：我们的剧院也使用电影，这样舞台上的演员就会和银幕上的动作交替出现。
Children: I prefer only to have the screen.
孩子：我宁愿只拥有屏幕。
【镜头转化为对列宁脸部的特写。】
Lenin: They will shoot you all, including the children. And your workers, your facts will be as torn to shreds as the tapestries in the Winter Palace. What is that?
列宁：他们会把你们全部枪毙，包括孩子。而你们的工人，你们的事实会像冬宫里的挂毯一样被撕成碎片。那是什么？
Children: Thunder.
孩子：雷声。
【莉迪亚将男孩子带入保安们的房间，沙巴特正在切一条鱼。她将鱼的内脏取出来。音乐响起，蚊子嗡鸣。萨波戈夫（他穿着军服坐在桌边）将蚊子拍死，音乐随之结束。】
Pakaln: you are called sapogov.
帕卡恩：你叫萨波戈夫？
Sapogov: Yes.
萨波戈夫：是的。
Pakaln: That means ‘boot’.
帕卡恩：那名字的意思是‘靴子’。
Sapogov: Yes.
萨波戈夫：是的
Pakaln: No real name?
帕卡恩：没有真名？
Sapogov: Do not know. I am called ‘ boot’.
萨波戈夫：不知道。我就被叫做靴子。
Feiga: Where are you from?
沙巴特：你从哪里来？
Sapogov: Mariupol, East Ukraine.
萨波戈夫：东乌克兰的马里乌波尔
Feiga: Were you a soldier in the Civil War?
沙巴特：在内战中你是士兵嘛？
Sapogov:I have a bad leg. I was a watchmaker in my father’s factory. 5 employees, all from Mariupol.
萨波戈夫：我有条坏腿。 我在我父亲的工厂里做钟表匠。5个员工，都是来自马里波尔。
Feiga: And your family?
沙巴特：你的家人呢？
Sapogov: Both my brothers were killed in action. One in 1914, in East Prussia. The other in the summer before the Revolution, in the Kerensky Offensive. The Whites came in 1919. My father was a socialist. So they nailed him to the barn door. My sisters were raped. After that, my mother killed herself. Late 1920, the Red Army came. Did not make things any better. My father was not only a socialist, but a ‘factory owner’ as well. Then I became a soldier. What else could I have done?
萨波戈夫：我的两个哥哥都在战场上牺牲了。一个在1914年，在东普鲁士。另一个是在革命前的夏天，在克伦斯基攻势中牺牲的。白军是1919年来的 我父亲是个社会主义者 所以他们把他钉在了谷仓的门上。我的妹妹们被强奸了. 之后,我母亲就自杀了. 1920年底，红军来了。没有让事情变得更好。我父亲不仅是个社会主义者，还是个工厂主。然后我就当了兵 我还能做什么？
Feiga: And then?
沙巴特：之后呢？
Sapogov: Nothing. Then came the winter of 21-22.
萨波戈夫：啥也没有。接下来就到了21到22年的冬天。
Feiga: Whoever was still alive starved to death. How did you get here?
沙巴特：谁还活着，谁就会饿死。你是怎么到这里来的？
Sapogov: I have killed enough bourgeoisie arseholes. I was the doorman at the CC, and when Lenin fell ill, Stalin sent me here. What is more- I repaired Lenin’s watch.
萨波戈夫：我杀了足够多的资产阶级混蛋。我是中央委员会的看门人，列宁病了，斯大林就派我来了。更重要的是--我修过列宁的表。
【萨波戈夫掏出一支制作精美的怀表，并将其放在耳边，秒针滴答。】
Sapogov: I am doing well, I eat twice a day. But I need a new belt… What bothers me are the fruit thieves. They will even steal your boots. They even made off with a palm tree. Can you imagine? We’d transported here from Georgia. There are no palm trees here! I say to the buggers, ’I see you!’ They can not even hide… The Revolution has brought us nothing. The people have only become more filthy and cruel. Most are dead anyway. The animals are also dying out. At some point there will be nothing left alive.
萨波戈夫：我很好，每天吃两次饭。但我需要一条新腰带......让我烦恼的是那些偷水果的人。他们甚至会偷你的靴子 他们甚至偷了一棵棕榈树。你能想象吗？我们从乔治亚州运到这里。这里没有棕榈树！我对他们说，"我看到你了！他们连躲都躲不开 革命没有给我们带来任何东西。人们只是变得更加肮脏和残忍。反正大多数人都死了。动物们也在死亡。到了某个时候，就会没有任何活着的东西了。
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