I just minted a petlet. My Warplet now carries a small and reassuring best friend. It contains a bit of my Farcaster best friend's DNA: @lewisosb
Mint yours now!
Lovable turns 1 this week! To celebrate, we're introducing the Lovable Yearbook.
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Your voice carries light.
Every breath shapes the field.
This isn’t a visualizer, it’s a mirror a digital skin that listens to your frequency.
The Signal begins the Truthskin cycle.
Speak. Hum. Breathe.
Watch vibration become pattern.
Each sound reveals how your presence alters the world’s geometry.
What does your signal look like when you let truth speak through the body?
What happens when you trust the air to translate you?
#Truthskin #TheSignal #Somatic #GenerativeRitual #Afrofuturism
🎉 I Just joined the x402 Rocks waitlist on Celo! 🪨
✨ Be among the first to mint exclusive rocks when we launch
Join the waitlist and secure your spot! 👇
Exploring visual transformations, ephemeral aesthetics, liberation philosophy, and onchain art.
I'm interested in collaborating with artists, technologists, and thinkers who work with generative, experimental, or philosophical digital art.
If you vibe with these themes or want to connect, drop your profile or recent work below!
A fevered hymn of neon and consequence. Don Johnson’s Crockett and Philip Michael Thomas’s Tubbs move through Miami’s mirage, where heat and guilt shimmer together. The city becomes a mirror, reflecting the seduction of power and the ache of lost innocence. Miami Vice wasn’t television it was prophecy wrapped in synth and silk, a vision of surfaces vibrating with moral undertow. Its style became scripture, its rhythm a cultural recursion where beauty camouflaged despair, and every pastel hue carried the scent of danger and desire intertwined
A homage to Equivalents: A series of photographs of clouds taken by alfredstieglitz from 1925 to 1934. They are generally recognized as the first photographs intended to free the subject matter.
