
Fire tamers and a Kilogirl: our past and future
it is 1 Million BCE. primordial humans eat a carcass. then, within a glimpse, comes 780000 BCE humans tame the fire and begin cooking. with that, humans cultivate tools of harm. more harm, by the time language happens, even the words are weaponized. it is now 20000 BCE and humans make butcher shops. they abstract away the violence, the harm, weaponization of mundane. one by one, all violence gets abstracted away from the average human. with the new sterilization, comes a newer issue: finding ...

Fire tamers and a Kilogirl: our past and future
it is 1 Million BCE. primordial humans eat a carcass. then, within a glimpse, comes 780000 BCE humans tame the fire and begin cooking. with that, humans cultivate tools of harm. more harm, by the time language happens, even the words are weaponized. it is now 20000 BCE and humans make butcher shops. they abstract away the violence, the harm, weaponization of mundane. one by one, all violence gets abstracted away from the average human. with the new sterilization, comes a newer issue: finding ...

fear and loathing in cryptoart: critique, opacity and what happens when participants self-sybil attack themselves
a wild end to 2023. the year saw great heights, from Lorna Mills on verse works, Unit London collaborating with many artists and curators alike, sabato and many contemporary digital artists were filled with joy after the course correction on sotheby's the year saw great lows, day by day we saw a self imposed autocensorship, powered by threatening tweets of narcissistic sad people. harrasment tweets, miami parties, a willingly made sybil attack on cryptoart's core values. anonymity h...

fear and loathing in cryptoart: critique, opacity and what happens when participants self-sybil attack themselves
a wild end to 2023. the year saw great heights, from Lorna Mills on verse works, Unit London collaborating with many artists and curators alike, sabato and many contemporary digital artists were filled with joy after the course correction on sotheby's the year saw great lows, day by day we saw a self imposed autocensorship, powered by threatening tweets of narcissistic sad people. harrasment tweets, miami parties, a willingly made sybil attack on cryptoart's core values. anonymity h...

Pleroma, or how i found a visual system for SRodan
Hello Reader, This is the second article to explain. My artistic process is simple, find readymades, and destroy them until i can capture their essence. this is why i shyed away from the title of “glitch artist”, “ai artist“ or “collage artist”, or “story artist”… labels mean nothing to me. i don’t want to be labeled as an xyz artist, because art is in itself a constant change, and giving a label to change is a dogmatic form of thought what i do is above all of those things, because it is fed...

Pleroma, or how i found a visual system for SRodan
Hello Reader, This is the second article to explain. My artistic process is simple, find readymades, and destroy them until i can capture their essence. this is why i shyed away from the title of “glitch artist”, “ai artist“ or “collage artist”, or “story artist”… labels mean nothing to me. i don’t want to be labeled as an xyz artist, because art is in itself a constant change, and giving a label to change is a dogmatic form of thought what i do is above all of those things, because it is fed...
Who Am I? or the Story So Far and A Case for S.Rodan Art.
Hello Reader. I am S.Rodan. I am Anonimleşmek. I write stories and use AI, Deconstruction and experimental techniques. I concoct new worlds because ours suck. I studied Engineering and dropped out. I studied Arts x Design and graduated.How and Why?During my time in europe, i have found that i was infatuated with the ideas and aesthetics of Bauhaus, De Stijl and learned a new way of living. This moved me to change my major, and become an Artist/Designer. I have seen people live empty lives, en...
Who Am I? or the Story So Far and A Case for S.Rodan Art.
Hello Reader. I am S.Rodan. I am Anonimleşmek. I write stories and use AI, Deconstruction and experimental techniques. I concoct new worlds because ours suck. I studied Engineering and dropped out. I studied Arts x Design and graduated.How and Why?During my time in europe, i have found that i was infatuated with the ideas and aesthetics of Bauhaus, De Stijl and learned a new way of living. This moved me to change my major, and become an Artist/Designer. I have seen people live empty lives, en...