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Ahora seeee Creo que es un buen momento para onbordear más gente a Farcaster, que los nuevos tengan su primera experiencia con crypto y que los ya están conozca @base.base.eth

Estuvo bueno mientas duró: 288 USD en Creator Rewards Es evidente que los post-coin no generaban ningún tipo de impacto No tuve nada de creator coin earnings porque ya tenía el token $kismetcasa y no iba a lanzar otro más https://x.com/baseapp/status/2020949108849246249?s=46

Looking for Italian artists to join a Kismet Casa residency in Rome this year 🗣️ ❕ Know someone? Please reach out.

Japan’s elections just happened and things feel temporarily stable after the LDP win, kinda overshadowed by the Super Bowl, but markets are still watching closely. As an argentine who’s lived 20+ years through a pretty messy economy, seeing young japanese people head abroad on W&H visas and hearing PM Takaichi say during the campaign that a weak yen is a major opportunity for export industries makes it all feel weirdly familiar, like I’ve seen this movie before. https://www.asahi.com/ajw/articles/16341387

I think the most insane kismet casa lore is that our very first sponsor was @inversebrah

Next artist ➡️ @isvirtual-aura

this cast gives me the same energy I get when I listen to grindcore

Mis acciones siempre serán más fuertes que tus palabras.

Hermoso y desconocido

Kismet Casa Strategy is evolving. More artists, more physical art, soon.

The first time I saw a samurai armor in person was at the tokyo national museum. I was amazed by the level of detail and craftsmanship of the momoyama period. Just discovered the museum has videos explaining the pieces of their collection and this one shows how that armor is worn❕

All it took was a token called $fuck for this whole situation to start Culture is a battlefield

Floral arrangements made by my classmates for last year’s graduation ceremony, using course books as part of the decor（╹◡╹）♡

最近、今年の短期大学の研究で何をテーマにしようか考えていて、日本のWeb3アーティストのsceneが今どうなっているのかを取り上げたいと思っている 規制や税制の面では、日本に住んでいるアーティストにとって決してやりやすい環境ではないと理解しているけど、それでも日本のonchainアーティストがこの技術を選ぶ理由は何なのか、気になっている そして、急速に発展し、とてもアクティブなアルゼンチンのsceneと比べたら考えてみたい

As we see more opportunities and platforms for artists disappear or change direction, @kismet Casa is doubling down this year, focusing on better structure and wider distribution to improve access for individuals and creative projects around the world. At the same time, something positive is happening: there’s a return to IRL and physical spaces, and digital and onchain art institutions are becoming more connected to their communities and the broader art circuit.

muy cool 0xcart.io

financially irresponsible thoughts intensifying

Coincidence?

Desde Pico Truncado con orgullo y propósito 🌙