There is something so captivating about the gigantic dark building on the hill, especially when a story is lurking behind it. Is it a mansion of a grand financier, resort for the elite, or something way more mysterious? In film, such buildings and their representations are not very common, since, I figure, it can be difficult to create plotlines for them. Plotlines, because buildings are characters as much as any living organism in the pictures. A few years back, I remember listening to Joe R...