What, then, can help us to understand our destiny first? Because you don't have to be in your destiny to know your destiny. There are, in fact, quite a few people who are caught up in a destiny and are never aware of it. It is art that helps us realize our destiny. I have always believed that a person who wants to study philosophy should have artistic feelings and experience. He should have understood fate with the help of art, which constitutes the basic premise for him to enter philosophical wisdom. Otherwise, the works of philosophy before him would be nothing more than a set of abstract theories. The tradition of Chinese literati is to understand fate in art, but also to use art or philosophy to tell the fate. Literature, history and philosophy are connected, among which art is the most fundamental. As the Chinese say, "Texts carry the Tao", this article does not refer to the thesis. The concept of theory cannot carry the Tao. This text refers to "texture", texture is the form of sensibility. "Literature carries the Tao", not only refers to literature carries the Tao, all art carries the Tao. We usually think that the realization of truth is a logical process of concept, judgment and reasoning, but the truth is first realized by us in contemplation.

Observe the truth with the heart. Only by contemplation can we know the true existence of things. Contemplation is not logical thinking, deduction of categories or deduction of logic. Our mind must cultivate the capacity of contemplation. Where do you develop this ability? The answer is art. Chinese people always rely on art, Chinese art has always been closely linked with the understanding of truth. In the art works of ancient China, we can see how the Chinese people quietly observe the fate, how to show the understanding of fate and the understanding of life and the universe in the art. The most important thing we get from looking at a work of art is not the sensual enjoyment of a formal beauty. Art opens our hearts and leads what we have vaguely experienced in the real destiny to its truth, making the truth clear. This is one of the most fundamental needs of our heart, is the most fundamental motivation for us to yearn for art. If there is no such need, art is just a kind of cultural phenomenon, dispensable. Modern people's life is busy, especially in the modern city, we are in a fast pace of life. Under the coercive drive of progress brought about by capital, we have little leisure to wait and see. We even look at the blue sky and white clouds and roadside flowers of the leisurely mood has disappeared. However, if we experience a serious setback, withstood the blow of fate, we will suddenly find that our mind is as barren as a desert. So we want to run to the oasis of the mind, which is art. In this oasis it is possible to observe the truth. Works of art are expressions of emotion. But it is not enough to stay on such a judgment, not all of our daily emotions can be transferred to the works to express. If we experience destiny in our everyday emotions, such emotions are "survival emotions", and there is already truth in survival emotions. Please pay attention to this. We usually think that emotion and knowledge are two different things. When we are in the emotion, we don't have a clear mind and lose the ability to know. However, true human emotion is the key to truth.

At this point, Heidegger speaks a profound truth when he criticizes the Western philosophical tradition in which emotion is placed below cognition. The activity of the human mind is divided into three levels: the highest level is knowledge, the second level is will, and the third level is emotion. Emotion is the lowest level. Emotion is an unnecessary by-phenomenon of the cognitive process that accompanies our life, and we sometimes wish it were not. Therefore, we often talk about the triumph of reason over emotion. Heidegger thought this was wrong. In fact, deep emotions are the starting point for us to know the truth. We are in emotions, not in the biological or psychological sense of emotions. In the human emotion of survival there is the grasp of truth. Art expresses such emotion and gives it an image. When the emotion of survival is injected into the image, the image is not only formal beauty, it opens up an internal vision. Internal visual field and external visual field are different and treated.

What, then, can help us to understand our destiny first? Because you don't have to be in your destiny to know your destiny. There are, in fact, quite a few people who are caught up in a destiny and are never aware of it. It is art that helps us realize our destiny. I have always believed that a person who wants to study philosophy should have artistic feelings and experience. He should have understood fate with the help of art, which constitutes the basic premise for him to enter philosophical wisdom. Otherwise, the works of philosophy before him would be nothing more than a set of abstract theories. The tradition of Chinese literati is to understand fate in art, but also to use art or philosophy to tell the fate. Literature, history and philosophy are connected, among which art is the most fundamental. As the Chinese say, "Texts carry the Tao", this article does not refer to the thesis. The concept of theory cannot carry the Tao. This text refers to "texture", texture is the form of sensibility. "Literature carries the Tao", not only refers to literature carries the Tao, all art carries the Tao. We usually think that the realization of truth is a logical process of concept, judgment and reasoning, but the truth is first realized by us in contemplation.

Observe the truth with the heart. Only by contemplation can we know the true existence of things. Contemplation is not logical thinking, deduction of categories or deduction of logic. Our mind must cultivate the capacity of contemplation. Where do you develop this ability? The answer is art. Chinese people always rely on art, Chinese art has always been closely linked with the understanding of truth. In the art works of ancient China, we can see how the Chinese people quietly observe the fate, how to show the understanding of fate and the understanding of life and the universe in the art. The most important thing we get from looking at a work of art is not the sensual enjoyment of a formal beauty. Art opens our hearts and leads what we have vaguely experienced in the real destiny to its truth, making the truth clear. This is one of the most fundamental needs of our heart, is the most fundamental motivation for us to yearn for art. If there is no such need, art is just a kind of cultural phenomenon, dispensable. Modern people's life is busy, especially in the modern city, we are in a fast pace of life. Under the coercive drive of progress brought about by capital, we have little leisure to wait and see. We even look at the blue sky and white clouds and roadside flowers of the leisurely mood has disappeared. However, if we experience a serious setback, withstood the blow of fate, we will suddenly find that our mind is as barren as a desert. So we want to run to the oasis of the mind, which is art. In this oasis it is possible to observe the truth. Works of art are expressions of emotion. But it is not enough to stay on such a judgment, not all of our daily emotions can be transferred to the works to express. If we experience destiny in our everyday emotions, such emotions are "survival emotions", and there is already truth in survival emotions. Please pay attention to this. We usually think that emotion and knowledge are two different things. When we are in the emotion, we don't have a clear mind and lose the ability to know. However, true human emotion is the key to truth.

At this point, Heidegger speaks a profound truth when he criticizes the Western philosophical tradition in which emotion is placed below cognition. The activity of the human mind is divided into three levels: the highest level is knowledge, the second level is will, and the third level is emotion. Emotion is the lowest level. Emotion is an unnecessary by-phenomenon of the cognitive process that accompanies our life, and we sometimes wish it were not. Therefore, we often talk about the triumph of reason over emotion. Heidegger thought this was wrong. In fact, deep emotions are the starting point for us to know the truth. We are in emotions, not in the biological or psychological sense of emotions. In the human emotion of survival there is the grasp of truth. Art expresses such emotion and gives it an image. When the emotion of survival is injected into the image, the image is not only formal beauty, it opens up an internal vision. Internal visual field and external visual field are different and treated.