in white marble, embossed with sym- bolic dolphins and exquisite arabesques. The little boy and girl lie side by side on a slab of black marble, and a pair of small kneeling angels, both at their head and at their feet, watch over them. Nothing could be more perfect than this monument, which is the work of Michel Colomb, one of the earlier glories of the French Renaissance; it is really a lesson in good taste. Originally placed in the great abbey-church of Saint Martin, which was for so many ...