Akeloo is the reflection of our animality, wild men and wild women as mirrors of the primal instincts that lie just beneath the surface of our existences, waiting to be unleashed.

In the shadows of the Wild man The Akeloo’s Tribe comes alive again New wild men and wild women, they do arise With primal urges and animality in their eyes

The tales of Achelous fuel the flame Of transformation and multiplicity, never the same Shape-shifting in a primal dance The Akeloo’s Tribe, living out their chance

Through the digital realm, they roam A new breed of Wild Men, their new home A fusion of ancient legends and tech so new A dystopian imagination, born anew

Untethered from society’s grip Akeloo’s tribe, complex and rich Reflect the breadth of human story Nature’s call, their endless glory

Men and Women, in convoluted horns Pagan beliefs and masquerades, their norm But the Akeloo’s Tribe, they embody it all The untamed aspect of our nature is their call

Here is the link to the secondary market:

https://opensea.io/assets/ethereum/0x5d14b27724acd99be7e0025aca7bd7d590eceddf/2

Notes

By exploring transformation and multiplicity, and pondering the transformative power of AI, I felt very much inspired by the literary landscape of Ovid’s Metamorphoses and the ancient myth of Achelous loomed large in my mind. Achelous, a river god who was able to change his form to win the heart of a mortal woman, his shape-shifting embodying the fundamental themes of transformation and multiplicity, has fueled my imagination to fashion a tribe of new wild men and wild women, who embody the primal urges and animality that lurk beneath our veneer of civilization: the Akeloo’s Tribe, they call themselves, a proud offspring of Achelous.

The Achelous myth is also cited in my early work, an experimental text refined with artificial intelligence, that can be found here:

https://opensea.io/assets/0xFa87Bd2becAa4BF2deCE464b063Ff3D3aDfb953C/4

The physical world does not bind the Akeloo’s Tribe, this new breed of Wild Men, they exist in the digital realm where they can be infinitely transformed and reimagined, reflecting the complexity and contradictions of the human experience. They are both dystopian and imaginative, embodying the primal urges that exist within us all, even as they grapple with the disorienting effects of the technological age. In my mind’s eye, I see the Akeloo’s Tribe roaming the earth in search of their true selves, unencumbered by the constraints of everyday life. They represent the untamed aspect of the human psyche, often repressed but still lurks in our subconscious, waiting to be unleashed.

**WildmanIn the Western tradition, Wild Men and Wild Women as Akeloo, have roots in the ancient Greek and Roman myths where they were portrayed as satyrs, with the upper body of a man and the lower body of a goat. In medieval Europe, Wild Men took on a more rugged form, with hairy, sinewy bodies, wielding clubs or branches. They were often associated with pagan beliefs and seen as fierce and uncivilized. Nevertheless, in many cultures, Wild Men are also tied to the custom of carnival and masquerade, where people wear animal skins and masks to partake in parades and festivals. This tradition is especially prevalent in countries like Germany and Switzerland, where annual carnivals feature revelers dressed as Wild Men, reveling in their primal and uncontrolled nature.

**Imperfections and artifactsAs Brian Eno famously said, “Whatever you now find weird, ugly, uncomfortable, and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit — all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of the grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”

Through Akeloo’s Tribe #1, we hope to capture this sense of excitement and create a unique and meaningful artwork that reflects AI's and human creativity's imperfections and limitations.

Akeloo is the reflection of our animality, wild men and wild women as mirrors of the primal instincts that lie just beneath the surface of our existences, waiting to be unleashed.

In the shadows of the Wild man The Akeloo’s Tribe comes alive again New wild men and wild women, they do arise With primal urges and animality in their eyes

The tales of Achelous fuel the flame Of transformation and multiplicity, never the same Shape-shifting in a primal dance The Akeloo’s Tribe, living out their chance

Through the digital realm, they roam A new breed of Wild Men, their new home A fusion of ancient legends and tech so new A dystopian imagination, born anew

Untethered from society’s grip Akeloo’s tribe, complex and rich Reflect the breadth of human story Nature’s call, their endless glory

Men and Women, in convoluted horns Pagan beliefs and masquerades, their norm But the Akeloo’s Tribe, they embody it all The untamed aspect of our nature is their call

Here is the link to the secondary market:

https://opensea.io/assets/ethereum/0x5d14b27724acd99be7e0025aca7bd7d590eceddf/2

Notes

By exploring transformation and multiplicity, and pondering the transformative power of AI, I felt very much inspired by the literary landscape of Ovid’s Metamorphoses and the ancient myth of Achelous loomed large in my mind. Achelous, a river god who was able to change his form to win the heart of a mortal woman, his shape-shifting embodying the fundamental themes of transformation and multiplicity, has fueled my imagination to fashion a tribe of new wild men and wild women, who embody the primal urges and animality that lurk beneath our veneer of civilization: the Akeloo’s Tribe, they call themselves, a proud offspring of Achelous.

The Achelous myth is also cited in my early work, an experimental text refined with artificial intelligence, that can be found here:

https://opensea.io/assets/0xFa87Bd2becAa4BF2deCE464b063Ff3D3aDfb953C/4

The physical world does not bind the Akeloo’s Tribe, this new breed of Wild Men, they exist in the digital realm where they can be infinitely transformed and reimagined, reflecting the complexity and contradictions of the human experience. They are both dystopian and imaginative, embodying the primal urges that exist within us all, even as they grapple with the disorienting effects of the technological age. In my mind’s eye, I see the Akeloo’s Tribe roaming the earth in search of their true selves, unencumbered by the constraints of everyday life. They represent the untamed aspect of the human psyche, often repressed but still lurks in our subconscious, waiting to be unleashed.

**WildmanIn the Western tradition, Wild Men and Wild Women as Akeloo, have roots in the ancient Greek and Roman myths where they were portrayed as satyrs, with the upper body of a man and the lower body of a goat. In medieval Europe, Wild Men took on a more rugged form, with hairy, sinewy bodies, wielding clubs or branches. They were often associated with pagan beliefs and seen as fierce and uncivilized. Nevertheless, in many cultures, Wild Men are also tied to the custom of carnival and masquerade, where people wear animal skins and masks to partake in parades and festivals. This tradition is especially prevalent in countries like Germany and Switzerland, where annual carnivals feature revelers dressed as Wild Men, reveling in their primal and uncontrolled nature.

**Imperfections and artifactsAs Brian Eno famously said, “Whatever you now find weird, ugly, uncomfortable, and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit — all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of the grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”

Through Akeloo’s Tribe #1, we hope to capture this sense of excitement and create a unique and meaningful artwork that reflects AI's and human creativity's imperfections and limitations.