The scene at the Reparations Club, a concept bookstore and creative space in West Adams, LA, was profound. MoRuf’s latest Tiny Mic Raps piece, "Kerry James Marshall," took center stage in an intimate screening and Q&A hosted by Def Sound, blending art, narrative, and identity.

MoRuf, a seasoned storyteller and proud rapper, delved into the genesis of his latest work. The song, inspired by a childhood encounter with a bully who stole his prized Pokémon cards, unraveled into a broader narrative on identity and self-acceptance. His recounting of hurtful anecdotes, including the traumatic memory of being called "blacky" by a young crush, shed light on his revelation–his skin tone is his regal emblem of pride and heritage. I was so touched by this. It highlighted a universal truth that the journey to self-acceptance often emerges from adversity. 

The director for “Kerry James Marshal,” Joshua Kissi, was also in attendance. He explained that his intentional choice of casting blue tones across the visual narrative, not only accentuated MoRuf's beautiful complexion, but also lent an ethereal quality to the nocturnal backdrop. The symbiotic dance between melancholy and majesty, sadness and jazz, as embodied by the color blue— evoked for me both sorrow and sovereignty, it was hypnotic.

Def Sound, steering the conversation as moderator, sprinkled in poetic insights that made the evening about more than just watching a music video—it was about diving deep into introspection and celebrating creativity.

Big congratulations to MoRuf, Joshua Kissi, and everyone involved in the making of “Kerry James Marshall.” It is original, moving, and a timeless piece of art that is and will continue to be celebrated. If interested in watching the visual of "Kerry James Marshal," you can view it HERE.  

Concluding with my favorite quote from the night– “give flowers to the people that are still here.” ~MoRuf

I'm here sharing these thoughts to give MoRuf his flowers.

Thank you for reading!

With love,

~From Val

The scene at the Reparations Club, a concept bookstore and creative space in West Adams, LA, was profound. MoRuf’s latest Tiny Mic Raps piece, "Kerry James Marshall," took center stage in an intimate screening and Q&A hosted by Def Sound, blending art, narrative, and identity.

MoRuf, a seasoned storyteller and proud rapper, delved into the genesis of his latest work. The song, inspired by a childhood encounter with a bully who stole his prized Pokémon cards, unraveled into a broader narrative on identity and self-acceptance. His recounting of hurtful anecdotes, including the traumatic memory of being called "blacky" by a young crush, shed light on his revelation–his skin tone is his regal emblem of pride and heritage. I was so touched by this. It highlighted a universal truth that the journey to self-acceptance often emerges from adversity. 

The director for “Kerry James Marshal,” Joshua Kissi, was also in attendance. He explained that his intentional choice of casting blue tones across the visual narrative, not only accentuated MoRuf's beautiful complexion, but also lent an ethereal quality to the nocturnal backdrop. The symbiotic dance between melancholy and majesty, sadness and jazz, as embodied by the color blue— evoked for me both sorrow and sovereignty, it was hypnotic.

Def Sound, steering the conversation as moderator, sprinkled in poetic insights that made the evening about more than just watching a music video—it was about diving deep into introspection and celebrating creativity.

Big congratulations to MoRuf, Joshua Kissi, and everyone involved in the making of “Kerry James Marshall.” It is original, moving, and a timeless piece of art that is and will continue to be celebrated. If interested in watching the visual of "Kerry James Marshal," you can view it HERE.  

Concluding with my favorite quote from the night– “give flowers to the people that are still here.” ~MoRuf

I'm here sharing these thoughts to give MoRuf his flowers.

Thank you for reading!

With love,

~From Val