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Discover authentic technical spaces beyond mainstream platforms - from Gopher and Gemini protocols to invitation-only communities, amateur radio networks, and mathematical archives that prioritize substance over scale.
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When I was first involved with then-emergent DeFi scene in the summer of 2020 aka DeFi Summer, I was one of those kids in a Japanese grammar class who didn't know it was even better to learn Kana first. You had the Anki, cheap Steam games, free nerd material all over the place. However, the art of dashboard making, data analysis etc. were totally alien to me as a speculative archivist with a qualitative background in American and comparative literature. In the heat of the now, I kept graduati...

Reading "Sufficient Decentralization for Social Networks" by Srinivasan
Now that people are flocking to #Farcaster protocol, that is a sufficiently decentralized protocol upon which users have control over their own data w...
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I am a simple intellectual.
I have remixed Paragraph's "A Better Way for Ideas to Strengthen & Spread" into an experimental sound art piece in the Strudel REPL. I assigned sounds, silence; that is, noise and signal to each character, space, and punctuation mark.
I did it by picking an Oblique Strategy from an original box thereof, reading a few lines off Rubin's Tetragrammaton, perusing the pages of a few John Cage book, and digging Aphex Twin's Soundcloud account.
I have not borrowed anything than the contextualizing capabilities of Antropic's Claude Code in fine tuning the following piece.
You can listen to the track HERE on the Strudel website. You should click the PLAY button, and the piece will play in the loop.
The following is the code if you'd like to remix it. The entire piece lasts about 20 minutes. Yet if you don't like such long dronescapes, here we have a compressed noise-rhythmic version.
stack(
note("e3 e3 o3 e3 a2 i4 o3 a2 e3 o3 e3 a2 i4 e3 a2 o3 e3 i4 a2 o3 e3 i4 e3 o3 a2 u2 i4 e3 a2 i4 o3 e3 o3 a2 o3 e3 a2 i4 o3 e3 a2 e3 o3 e3 i4 i4 o3 e3 a2 i4 e3 a2 o3 o3 e3 i4 e3 o3 i4 e3 o3 a2 e3 e3 i4 a2 e3 o3 e3 i4 a2 i4 e3 o3 a2 e3 a2 i4 e3 o3").s("sine triangle square").slow(64).gain(0.3),
s("bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd").slow(32).gain(0.4),
s("hh ~ hh ~ ~ hh ~ ~ ~ hh ~ ~ hh ~ ~ hh ~ ~ ~ hh ~ ~ ~ hh ~ ~ hh ~ ~ ~").slow(16).gain(0.2),
s("~ ~ openhat ~ ~ ~ openhat ~ ~ ~ ~ openhat ~ ~ ~ openhat ~ ~ ~ ~ openhat ~ ~ ~ ~").slow(24).gain(0.15),
silence.slow(8)
),
stack(
note("o3 o3 u2 o3 e3 i4 e3 e3 o3 a2 e3 a2 e3 o3 o3 i4 e3 a2 e3 o3 o3 i4 e3 o3 e3 a2 o3 u2 i4 a2 e3 o3 e3 i4 o3 a2 e3").s("sine triangle square").slow(48).gain(0.3),
s("bd ~ cp ~ bd ~ ~ bd cp ~ bd ~ ~ cp bd ~ ~ bd ~ cp ~ bd ~ ~ cp").slow(20).gain(0.4),
s("hh ~ ~ hh ~ hh ~ ~ ~ hh ~ ~ hh ~ ~ ~ hh ~ ~ hh ~ ~").slow(12).gain(0.2)
),
stack(
note("a2 e3 i4 i4 e3 i4 e3 i4 i4 e3").s("sine triangle").slow(32).gain(0.4),
s("bd ~ bd ~ ~ bd ~ bd ~ bd").slow(16).gain(0.5),
s("crash").degradeBy(0.9).gain(0.6)
),
stack(
note("<a2 e3 i4 o3 u2>*32").s("sine triangle square sawtooth").slow(128).gain(0.3).room(0.6),
s("<bd cp bd cp>*64").slow(64).gain(0.4),
s("<hh ~ hh ~>*32").slow(32).gain(0.2).lpf(400),
s("<openhat ~ ~ ~>*24").slow(48).gain(0.15).hpf(1000),
s("~ ~ ~ ~ ~ ~ ~ ~").slow(8),
stack(
note("c2").s("sine").slow(64).gain(0.6).delay(4),
note("g4").s("triangle").slow(32).gain(0.2).delay(2),
s("crash").slow(128).gain(0.5).delay(8),
s("ride").slow(96).gain(0.3).delay(6)
)
)
.room(0.7)
.delay(0.2)
.lpf(sine.slow(256).range(400,1200))
.gain(perlin.slow(64).range(0.5,0.8))
.slow(6)
I am a simple intellectual.
I have remixed Paragraph's "A Better Way for Ideas to Strengthen & Spread" into an experimental sound art piece in the Strudel REPL. I assigned sounds, silence; that is, noise and signal to each character, space, and punctuation mark.
I did it by picking an Oblique Strategy from an original box thereof, reading a few lines off Rubin's Tetragrammaton, perusing the pages of a few John Cage book, and digging Aphex Twin's Soundcloud account.
I have not borrowed anything than the contextualizing capabilities of Antropic's Claude Code in fine tuning the following piece.
You can listen to the track HERE on the Strudel website. You should click the PLAY button, and the piece will play in the loop.
The following is the code if you'd like to remix it. The entire piece lasts about 20 minutes. Yet if you don't like such long dronescapes, here we have a compressed noise-rhythmic version.
stack(
note("e3 e3 o3 e3 a2 i4 o3 a2 e3 o3 e3 a2 i4 e3 a2 o3 e3 i4 a2 o3 e3 i4 e3 o3 a2 u2 i4 e3 a2 i4 o3 e3 o3 a2 o3 e3 a2 i4 o3 e3 a2 e3 o3 e3 i4 i4 o3 e3 a2 i4 e3 a2 o3 o3 e3 i4 e3 o3 i4 e3 o3 a2 e3 e3 i4 a2 e3 o3 e3 i4 a2 i4 e3 o3 a2 e3 a2 i4 e3 o3").s("sine triangle square").slow(64).gain(0.3),
s("bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd bd").slow(32).gain(0.4),
s("hh ~ hh ~ ~ hh ~ ~ ~ hh ~ ~ hh ~ ~ hh ~ ~ ~ hh ~ ~ ~ hh ~ ~ hh ~ ~ ~").slow(16).gain(0.2),
s("~ ~ openhat ~ ~ ~ openhat ~ ~ ~ ~ openhat ~ ~ ~ openhat ~ ~ ~ ~ openhat ~ ~ ~ ~").slow(24).gain(0.15),
silence.slow(8)
),
stack(
note("o3 o3 u2 o3 e3 i4 e3 e3 o3 a2 e3 a2 e3 o3 o3 i4 e3 a2 e3 o3 o3 i4 e3 o3 e3 a2 o3 u2 i4 a2 e3 o3 e3 i4 o3 a2 e3").s("sine triangle square").slow(48).gain(0.3),
s("bd ~ cp ~ bd ~ ~ bd cp ~ bd ~ ~ cp bd ~ ~ bd ~ cp ~ bd ~ ~ cp").slow(20).gain(0.4),
s("hh ~ ~ hh ~ hh ~ ~ ~ hh ~ ~ hh ~ ~ ~ hh ~ ~ hh ~ ~").slow(12).gain(0.2)
),
stack(
note("a2 e3 i4 i4 e3 i4 e3 i4 i4 e3").s("sine triangle").slow(32).gain(0.4),
s("bd ~ bd ~ ~ bd ~ bd ~ bd").slow(16).gain(0.5),
s("crash").degradeBy(0.9).gain(0.6)
),
stack(
note("<a2 e3 i4 o3 u2>*32").s("sine triangle square sawtooth").slow(128).gain(0.3).room(0.6),
s("<bd cp bd cp>*64").slow(64).gain(0.4),
s("<hh ~ hh ~>*32").slow(32).gain(0.2).lpf(400),
s("<openhat ~ ~ ~>*24").slow(48).gain(0.15).hpf(1000),
s("~ ~ ~ ~ ~ ~ ~ ~").slow(8),
stack(
note("c2").s("sine").slow(64).gain(0.6).delay(4),
note("g4").s("triangle").slow(32).gain(0.2).delay(2),
s("crash").slow(128).gain(0.5).delay(8),
s("ride").slow(96).gain(0.3).delay(6)
)
)
.room(0.7)
.delay(0.2)
.lpf(sine.slow(256).range(400,1200))
.gain(perlin.slow(64).range(0.5,0.8))
.slow(6)Obscure Digital Corners: A Complete Guide to Underground Technical Communities and Alternative Inter…
Discover authentic technical spaces beyond mainstream platforms - from Gopher and Gemini protocols to invitation-only communities, amateur radio networks, and mathematical archives that prioritize substance over scale.
SP100 CapEx Dashboard
When I was first involved with then-emergent DeFi scene in the summer of 2020 aka DeFi Summer, I was one of those kids in a Japanese grammar class who didn't know it was even better to learn Kana first. You had the Anki, cheap Steam games, free nerd material all over the place. However, the art of dashboard making, data analysis etc. were totally alien to me as a speculative archivist with a qualitative background in American and comparative literature. In the heat of the now, I kept graduati...

Reading "Sufficient Decentralization for Social Networks" by Srinivasan
Now that people are flocking to #Farcaster protocol, that is a sufficiently decentralized protocol upon which users have control over their own data w...
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Dive into the world of experimental sound art with insights from @gokhan, who remixedExcerpt of a profound concept into a compelling sound piece. By assigning unique sounds to the elements of a text, inspiration was drawn from crucial works and figures in the sound landscape. A performance emerges where noise and the silence transform into an evocative audio loop. Perfect for those looking to explore sound construction in innovative ways. Check out the track and the open remixable code for your creative interpretation!