What Wilson HeardProgress report on the decentralized School
What Wilson HeardA possible setup for a community-governed decentralized school
The Wyoming DUNA may be a way to issue access tokens in the US without offending Gary Gensler
What Wilson HeardIntroducing "What Wilson Heard"
My new blog of sorts to hear myself think as recidivist founder.
A blog by recidivist founder Han Verstraete with ideas and thoughts how to author your life in Web3 and beyond.
What Wilson HeardProgress report on the decentralized School
What Wilson HeardA possible setup for a community-governed decentralized school
The Wyoming DUNA may be a way to issue access tokens in the US without offending Gary Gensler
What Wilson HeardIntroducing "What Wilson Heard"
My new blog of sorts to hear myself think as recidivist founder.
A blog by recidivist founder Han Verstraete with ideas and thoughts how to author your life in Web3 and beyond.
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Poland-born US emigrée Wanda Landowska (1879 - 1959) was the first to record Bach’s Goldberg Variations on harpsichord and was a lifelong scholar and performer of Bach’s keyboard works.
England-born Dame Myra Hess’s (1890 - 1965) performances remain peerless for their lucidity and sheer musicality. As a Jewish musician, she played Bach and other German composers in blacked-out venues during the Nazi’s bombardments on London.
US-born Rosalyn Tureck (1913 - 2003), who Glenn Gould called his “only influence”, helps listeners rediscovering Bach in every piece.
Martha Argerich (born 1941) brings Argentine temperament to her forceful but extremely articulated playing, using the piano for what it is: a percussion instrument.
Maria João Pires (born 1944), perhaps better known for her Mozart, Schubert and Chopin, brings a peerless sensibility and depth of sound to her Bach and continues to give masterclasses in her retirement.
Canadian pianist Angela Hewitt (born 1958) creates a unique sound in her Bach world, playing with extreme integrity.
Are yesterday’s musicians and composers today’s coders?
Poland-born US emigrée Wanda Landowska (1879 - 1959) was the first to record Bach’s Goldberg Variations on harpsichord and was a lifelong scholar and performer of Bach’s keyboard works.
England-born Dame Myra Hess’s (1890 - 1965) performances remain peerless for their lucidity and sheer musicality. As a Jewish musician, she played Bach and other German composers in blacked-out venues during the Nazi’s bombardments on London.
US-born Rosalyn Tureck (1913 - 2003), who Glenn Gould called his “only influence”, helps listeners rediscovering Bach in every piece.
Martha Argerich (born 1941) brings Argentine temperament to her forceful but extremely articulated playing, using the piano for what it is: a percussion instrument.
Maria João Pires (born 1944), perhaps better known for her Mozart, Schubert and Chopin, brings a peerless sensibility and depth of sound to her Bach and continues to give masterclasses in her retirement.
Canadian pianist Angela Hewitt (born 1958) creates a unique sound in her Bach world, playing with extreme integrity.
Are yesterday’s musicians and composers today’s coders?
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