ππ’ π―π¬π¦ π’π°π± πͺπ¬π―π±, π³π¦π³π’ π©π’ π―π¬π¦!
In partnership with NFTuesday
Mint opens on Wednesday, January 24 at 10:00am PST
β
Dialog Box at Highlight on Optimism
1/1 Open for Offers
β
Dialog Box at fx(hash) on Ethereum
Edition of 256 for 0.008ETH
β
Dialog Box at fx(hash) on Tezos
Edition of 256 for 8XTZ
β
Dialog BoxΒ at fx(hash) on TezosEdition of 256 for 8XTZβDialog Box is a playful generative art project that invites viewers to engage with the concept of choice in the digital age. Inspired by the early Mac OS,ΒΉ the artwork presents an interface of two buttons, each symbolizing a choice steeped in 80s and 90s pop culture, from the serious to the lighthearted.
The dialog box is a graphical control element in the form of a small window that communicates information to the user, prompting them for a response. Dialog boxes were introduced in the Apple Lisa in 1983, followed in 1984 by Macintosh computers running classic Mac OS. The format is ubiquitous and all too familiar. Super normal.Β²
βThe [Lisa] user will be able to carry out many functions simply by pointing to a picture of what he wants done rather than typing instructions.ββTime Magazine, 1983
This interactive experience unfolds across various decentralized digital artworks. As participants engage with these binary choices, they navigate through a web of interconnected decisions, symbolized through non-fungible tokens (NFTs) on blockchains like Optimism, Ethereum, and Tezos across platforms like Highlight and fx(hash). Dialog Box exists both as a cohesive whole and as fragmented parts, distributed across digital realms.
At its core, Dialog Box is a reflection of a lifelong relationship with technology. From an early fascination with computers and 80s pop culture, this project embodies the evolution of digital interaction and its impact on our perception of choices. It challenges viewers to contemplate the weight and consequences of their decisions in a world increasingly mediated by technology.
βThe future lies with a graphical windowing interface, mouse cursor control, pull-down menus, dialog boxes, and the like [and computers based on such interfaces] are destined to take over the IBM PC and compatible world as well.β βW.F. Zachmann, 1987
Dialog Box is both made of parts and is a whole. Like a holonΒ³, each word pair is simultaneously a whole in and of itself, as well as a part of a larger whole. Upon deployment, a single zip archive of code adapts and responds to the platform and chain of choice. Code, like water, can take on the shape of the vessel in which it is contained. Flexible, yet powerful. Upon mint, buyers become permanently associated with a word pair. But generative art can be about so much more than just JPGs. Generative art is an app. When you mint Dialog Box, you own not only a word pair, your artwork also contains all of the other word pairs. You own a part, yet can experience the whole.
The potential of the blockchain is enormous. The internet is made from parts that have been contributed by many people. The blockchain affords an opportunity to recognize and reward these individual contributions both in terms of recognizing provenance as well as distributing financial reward for their fractionalized contributions. The blockchain, together with co-creation and co-ownership are unlocking a new era of collective creativity that honors and rewards individuals while elevating our collective potential. The future is messy and complicated. We must foster safe spaces for co-creation in our global village.
Dialog Box pays homage to pioneers that inspired my career, thus the binary 1-bit pixel language of the Mac OS and pixel-perfect recreation of Chicago, the sans-serif typeface designed by Susan Kareβ΄ for Apple Computer. It was the primary design element of the Mac OS user interface between 1984 and 1997 and was used for menus, dialogs, window titles, and text labels. It was later revived for the user interface of the iPod, when 1-bit screens were necessary once again. The typeface was also adapted by Squaresoft for use in the English releases of their Super NES titles, such as Final Fantasy VI and Chrono Trigger.
Through Dialog Box, I aim to inspire a deeper exploration of the seemingly simple binary choices we face, encouraging viewers to look beyond the surface and consider the nuanced complexities of decision-making in the digital era.
βThe principle of Simplicity states that redundant methods should not exist. Having multiple ways to achieve one result increases the complexity of a system.β βDavid T. Craigβ΅
Why are we uncomfortable with ambiguity? Why must we choose a side? It is important to consider the implications of choosing sides. While it is sometimes necessary, it can have significant consequences. Although we seek simplicity, we must encourage diversity of thought. The lack of gray area in our lives can foster narrow-mindedness which slows societyβs progress.
For example, the debate about the superiority of art on the blockchain is often over-simplified into a choice between Tezos versus Ethereum. But this belies the true complexity of the options that are available to us, from Bitcoin to Solana to Optimism to Zora to Base and beyond.
βThis is a field where one does oneβs work and in ten years itβs obsolete, and really will not be usable within ten or twenty years. [β¦]
βItβs sort of like sediment of rocks. Youβre building up a mountain and you get to contribute your little layer of sedimentary rock to make the mountain that much higher.
βBut no one on the surface, unless they have X-ray vision, will see your sediment. Theyβll stand on it. Itβll be appreciated by that rare geologist.β βSteve Jobs
The blockchain is made of the internet, which explains the thinking behind our fractionalized website. The potential of the blockchain is that in the future, the decentralized βsediment of rocksβ that comprise digital things can have provenance and ownership, and therefore generate revenue for their contributors. Technology challenges how we think about copyright and IP and can allow for us all to become βrare geologists.β Let us build creative playgrounds and make beautiful things together!
Thanks to Scott Brewer and Adam Moliski, without whom this would not have been possible. And special thanks to Dina Chang for her undying support. Respect.
β
ΒΉ Apple Computer,Β Macintosh System 1,Β 1984
https://guidebookgallery.org/screenshots/macos11
Β² Jasper Morrison,Β Super Normal,Β 2006
https://jaspermorrison.com/exhibitions/2000-2009/super-normal
Β³ Arthur Koestler,Β The Ghost in the Machine,Β 1967
https://en.wikipedia.org/wiki/Holon_(philosophy)
β΄ Susan Kare, βChicago,β 1984
https://en.wikipedia.org/wiki/Susan_Kare
β΅ David T. Craig,Β Apple Lisa Graphical Object-Oriented User Interface,Β 1987
https://guidebookgallery.org/articles/applelisagraphicalobjectorienteduserinterface
In partnership with NFTuesday
Mint opens on Wednesday, January 24 at 10:00am PST
β
Dialog Box at Highlight on Optimism
1/1 Open for Offers
β
Dialog Box at fx(hash) on Ethereum
Edition of 256 for 0.008ETH
β
Dialog Box at fx(hash) on Tezos
Edition of 256 for 8XTZ
β
Dialog BoxΒ at fx(hash) on TezosEdition of 256 for 8XTZβDialog Box is a playful generative art project that invites viewers to engage with the concept of choice in the digital age. Inspired by the early Mac OS,ΒΉ the artwork presents an interface of two buttons, each symbolizing a choice steeped in 80s and 90s pop culture, from the serious to the lighthearted.
The dialog box is a graphical control element in the form of a small window that communicates information to the user, prompting them for a response. Dialog boxes were introduced in the Apple Lisa in 1983, followed in 1984 by Macintosh computers running classic Mac OS. The format is ubiquitous and all too familiar. Super normal.Β²
βThe [Lisa] user will be able to carry out many functions simply by pointing to a picture of what he wants done rather than typing instructions.ββTime Magazine, 1983
This interactive experience unfolds across various decentralized digital artworks. As participants engage with these binary choices, they navigate through a web of interconnected decisions, symbolized through non-fungible tokens (NFTs) on blockchains like Optimism, Ethereum, and Tezos across platforms like Highlight and fx(hash). Dialog Box exists both as a cohesive whole and as fragmented parts, distributed across digital realms.
At its core, Dialog Box is a reflection of a lifelong relationship with technology. From an early fascination with computers and 80s pop culture, this project embodies the evolution of digital interaction and its impact on our perception of choices. It challenges viewers to contemplate the weight and consequences of their decisions in a world increasingly mediated by technology.
βThe future lies with a graphical windowing interface, mouse cursor control, pull-down menus, dialog boxes, and the like [and computers based on such interfaces] are destined to take over the IBM PC and compatible world as well.β βW.F. Zachmann, 1987
Dialog Box is both made of parts and is a whole. Like a holonΒ³, each word pair is simultaneously a whole in and of itself, as well as a part of a larger whole. Upon deployment, a single zip archive of code adapts and responds to the platform and chain of choice. Code, like water, can take on the shape of the vessel in which it is contained. Flexible, yet powerful. Upon mint, buyers become permanently associated with a word pair. But generative art can be about so much more than just JPGs. Generative art is an app. When you mint Dialog Box, you own not only a word pair, your artwork also contains all of the other word pairs. You own a part, yet can experience the whole.
The potential of the blockchain is enormous. The internet is made from parts that have been contributed by many people. The blockchain affords an opportunity to recognize and reward these individual contributions both in terms of recognizing provenance as well as distributing financial reward for their fractionalized contributions. The blockchain, together with co-creation and co-ownership are unlocking a new era of collective creativity that honors and rewards individuals while elevating our collective potential. The future is messy and complicated. We must foster safe spaces for co-creation in our global village.
Dialog Box pays homage to pioneers that inspired my career, thus the binary 1-bit pixel language of the Mac OS and pixel-perfect recreation of Chicago, the sans-serif typeface designed by Susan Kareβ΄ for Apple Computer. It was the primary design element of the Mac OS user interface between 1984 and 1997 and was used for menus, dialogs, window titles, and text labels. It was later revived for the user interface of the iPod, when 1-bit screens were necessary once again. The typeface was also adapted by Squaresoft for use in the English releases of their Super NES titles, such as Final Fantasy VI and Chrono Trigger.
Through Dialog Box, I aim to inspire a deeper exploration of the seemingly simple binary choices we face, encouraging viewers to look beyond the surface and consider the nuanced complexities of decision-making in the digital era.
βThe principle of Simplicity states that redundant methods should not exist. Having multiple ways to achieve one result increases the complexity of a system.β βDavid T. Craigβ΅
Why are we uncomfortable with ambiguity? Why must we choose a side? It is important to consider the implications of choosing sides. While it is sometimes necessary, it can have significant consequences. Although we seek simplicity, we must encourage diversity of thought. The lack of gray area in our lives can foster narrow-mindedness which slows societyβs progress.
For example, the debate about the superiority of art on the blockchain is often over-simplified into a choice between Tezos versus Ethereum. But this belies the true complexity of the options that are available to us, from Bitcoin to Solana to Optimism to Zora to Base and beyond.
βThis is a field where one does oneβs work and in ten years itβs obsolete, and really will not be usable within ten or twenty years. [β¦]
βItβs sort of like sediment of rocks. Youβre building up a mountain and you get to contribute your little layer of sedimentary rock to make the mountain that much higher.
βBut no one on the surface, unless they have X-ray vision, will see your sediment. Theyβll stand on it. Itβll be appreciated by that rare geologist.β βSteve Jobs
The blockchain is made of the internet, which explains the thinking behind our fractionalized website. The potential of the blockchain is that in the future, the decentralized βsediment of rocksβ that comprise digital things can have provenance and ownership, and therefore generate revenue for their contributors. Technology challenges how we think about copyright and IP and can allow for us all to become βrare geologists.β Let us build creative playgrounds and make beautiful things together!
Thanks to Scott Brewer and Adam Moliski, without whom this would not have been possible. And special thanks to Dina Chang for her undying support. Respect.
β
ΒΉ Apple Computer,Β Macintosh System 1,Β 1984
https://guidebookgallery.org/screenshots/macos11
Β² Jasper Morrison,Β Super Normal,Β 2006
https://jaspermorrison.com/exhibitions/2000-2009/super-normal
Β³ Arthur Koestler,Β The Ghost in the Machine,Β 1967
https://en.wikipedia.org/wiki/Holon_(philosophy)
β΄ Susan Kare, βChicago,β 1984
https://en.wikipedia.org/wiki/Susan_Kare
β΅ David T. Craig,Β Apple Lisa Graphical Object-Oriented User Interface,Β 1987
https://guidebookgallery.org/articles/applelisagraphicalobjectorienteduserinterface
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