Many scenes in this set of documentaries are touching. For example, the school song of the kindergarten teacher read by Yi Zhongtian's mother: "The simple child, the simple child, the main body of the future world is good or bad. I don't know the benefits, I don't know the benefits; I'm happy to play, I don't care about the wrong. The social value is without me, Without me, benefit the people, first benefit the children.” For example, Professor Zhang Changshao, the founder of Chinese pharmacology and Chen Chong’s grandfather, why did he commit suicide during the “Cultural Revolution”? His last words were: "I would rather die lighter than a feather, than live lighter than a feather." The so-called "scholars can be killed but not humiliated", the so-called "better break than bend", the so-called "time is poor and the season is seen", isn't it? Is that so? Also, why did Ah Qiu's aunt not go back to China with his mother and uncle and stayed in Malaysia alone? It turned out that after Aqiu's grandfather and grandmother who worked as rubber tapping laborers were killed, his mother and siblings were helpless, and the eldest sister had to sell herself to raise money to send her younger brother and sister back to their hometown. The eldest sister stayed and suffered a lot, and still has the sequelae of melancholy, but when she mentioned the past, she said, "This is the fate that I should bear as my sister!" There are warmth and sadness in these scenes, which moved us and made us think deeply. They are more real and convincing than novels and plays.

Why does Mr. Yi Zhongtian know nothing about his mother's contribution to raising orphans during the Anti-Japanese War? Because she works under the leadership of the Nationalist government, although she is to protect the vitality of the Chinese nation's protracted war of resistance, but like the veterans of the national army's war of resistance, their experience in the past is not only a glorious history, but the fewer people who know the better. "Political Stain". The mother never mentioned it, and the children did not ask. At that time, we also talked about "family history", which was only qualified for the children of poor and lower-middle peasants and workers. Recalling the bitterness of the "three mountains" oppression in the old society of all evils, and the sweetness of liberation after the revolution led by the Communist Party.

Watching the episode of Ma Weidu, I couldn't help but secretly blame their father and son for their lack of human touch. His father was the eldest son of the family. Grandpa and the whole family placed infinite hopes on him. They spent ten years of money to buy four acres of land for him to read books. They hoped that he would change the fate of the whole family begging for food in the waves for generations. He ran away from his grandfather to join the army, died of illness in the 1980s, and never returned to his hometown. The family's elders and brothers have so far reserved the house he "should" inherit for him, and it has been vacant for his family members to live in. Because of this film, Ma Weidu came from Beijing to the island where he still has his uncle.

On second thought, this also makes sense. During the "Cultural Revolution", we criticized "feudalist patriarchal ideology", destroyed ancestral halls, burned genealogies, and talked about "class feelings", such as family and family relationships, all of which are "bourgeois human nature theory" and "petty bourgeois warmth" ”, must be transformed, must be abandoned.

Fortunately, all this has passed, China is returning to a normal society, and the excellent traditional culture has been rectified. Personal narratives and family narratives such as "Where did the guest come from" not only made the parties cry in front of the ancestral tablet (tombstone), but also moved many kind audiences, triggering thinking and self-examination.

The title of the program "Where Do Guests Come From" is derived from the famous line of the Tang Dynasty poet He Zhizhang: "Young and Xiao leave home and the boss returns, but the local accent has not changed. The name is a translation of "Where did I come from", more directly in line with the theme of "seeking my roots". CCTV made a special film about the roots of these people, and did a lot of research work. The people who participated in the search for clues and identification included university professors, experts from archives and research institutes, etc. This is just to stimulate people's curiosity. They also know that this is not something ordinary recorders can do.

In fact, there are rich historical memories in the lives of ordinary people. As long as you are a caring person, you can learn a lot about our parents and ancestors. Their experiences may not have many legends, but they are real and vivid, and they can also enrich and even correct our historical cognition.

Many scenes in this set of documentaries are touching. For example, the school song of the kindergarten teacher read by Yi Zhongtian's mother: "The simple child, the simple child, the main body of the future world is good or bad. I don't know the benefits, I don't know the benefits; I'm happy to play, I don't care about the wrong. The social value is without me, Without me, benefit the people, first benefit the children.” For example, Professor Zhang Changshao, the founder of Chinese pharmacology and Chen Chong’s grandfather, why did he commit suicide during the “Cultural Revolution”? His last words were: "I would rather die lighter than a feather, than live lighter than a feather." The so-called "scholars can be killed but not humiliated", the so-called "better break than bend", the so-called "time is poor and the season is seen", isn't it? Is that so? Also, why did Ah Qiu's aunt not go back to China with his mother and uncle and stayed in Malaysia alone? It turned out that after Aqiu's grandfather and grandmother who worked as rubber tapping laborers were killed, his mother and siblings were helpless, and the eldest sister had to sell herself to raise money to send her younger brother and sister back to their hometown. The eldest sister stayed and suffered a lot, and still has the sequelae of melancholy, but when she mentioned the past, she said, "This is the fate that I should bear as my sister!" There are warmth and sadness in these scenes, which moved us and made us think deeply. They are more real and convincing than novels and plays.

Why does Mr. Yi Zhongtian know nothing about his mother's contribution to raising orphans during the Anti-Japanese War? Because she works under the leadership of the Nationalist government, although she is to protect the vitality of the Chinese nation's protracted war of resistance, but like the veterans of the national army's war of resistance, their experience in the past is not only a glorious history, but the fewer people who know the better. "Political Stain". The mother never mentioned it, and the children did not ask. At that time, we also talked about "family history", which was only qualified for the children of poor and lower-middle peasants and workers. Recalling the bitterness of the "three mountains" oppression in the old society of all evils, and the sweetness of liberation after the revolution led by the Communist Party.

Watching the episode of Ma Weidu, I couldn't help but secretly blame their father and son for their lack of human touch. His father was the eldest son of the family. Grandpa and the whole family placed infinite hopes on him. They spent ten years of money to buy four acres of land for him to read books. They hoped that he would change the fate of the whole family begging for food in the waves for generations. He ran away from his grandfather to join the army, died of illness in the 1980s, and never returned to his hometown. The family's elders and brothers have so far reserved the house he "should" inherit for him, and it has been vacant for his family members to live in. Because of this film, Ma Weidu came from Beijing to the island where he still has his uncle.

On second thought, this also makes sense. During the "Cultural Revolution", we criticized "feudalist patriarchal ideology", destroyed ancestral halls, burned genealogies, and talked about "class feelings", such as family and family relationships, all of which are "bourgeois human nature theory" and "petty bourgeois warmth" ”, must be transformed, must be abandoned.

Fortunately, all this has passed, China is returning to a normal society, and the excellent traditional culture has been rectified. Personal narratives and family narratives such as "Where did the guest come from" not only made the parties cry in front of the ancestral tablet (tombstone), but also moved many kind audiences, triggering thinking and self-examination.

The title of the program "Where Do Guests Come From" is derived from the famous line of the Tang Dynasty poet He Zhizhang: "Young and Xiao leave home and the boss returns, but the local accent has not changed. The name is a translation of "Where did I come from", more directly in line with the theme of "seeking my roots". CCTV made a special film about the roots of these people, and did a lot of research work. The people who participated in the search for clues and identification included university professors, experts from archives and research institutes, etc. This is just to stimulate people's curiosity. They also know that this is not something ordinary recorders can do.

In fact, there are rich historical memories in the lives of ordinary people. As long as you are a caring person, you can learn a lot about our parents and ancestors. Their experiences may not have many legends, but they are real and vivid, and they can also enrich and even correct our historical cognition.