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Versão portuguesa aqui.
GPS 38.702079106185735, -9.30261805352454
Life and work
Mário de Sá-Carneiro was born in Lisbon, on May 15, 1890. Since 1908, the date of publication of his first eight stories in the magazine Azulejos, which claims to be a fiction writer. He enrolled at the Faculty of Law of Coimbra in 1911, continuing his studies in Paris, at the Sorbonne, never completing them, as he preferred to immerse himself in the bohemian life of cafes and concert halls.
From 1913 onwards, he began writing poetry and in 1914 he published the novel A Confissão de Lúcio and his book of poems Dispersão. That same year, in collaboration with some friends, including Fernando Pessoa and Almada Negreiros, he began the magazine Orpheu, which was published the following year and caused great excitement in the Portuguese-Brazilian community. The new publication reveals trends from symbolism and decadence to brand new aesthetic-literary currents such as futurism. The poet committed suicide on April 26, 1916, in Paris, at the age of 26.
Sculptural Reading
Sculpture
Sculpture in which the head appears disjointed with the rest of the body, a clear reference to its inadaptation to the world. Existence of the table element that gives volume to the statue, part of the Pessoan hexagon but with engraved wings that signify longing. Representation of the young bourgeois with a strap on his chest pocket, collar, shoes and cuff of a “twenties” shirt. An allusion, in his own words, to the lack of a wing stroke. In the portrait of the poet, in gray Trigaches marble, she seems to intensify the idea of escape to the beyond, his non-encounter with the time he lived.
Poetic Reading
A representation that points to his narcissistic character, of constant search that leads to extravagance, efabulation and delirium, installing in him a permanent personality crisis, marked by inadaptation, loneliness and self-destruction.
Sculptor Francisco Simões
Patron CONSISTE, Consultancy, Services and Commerce of Computer Equipment, S.A.
Full list of Geochaching below:
https://mirror.xyz/madeinpt.eth/I5tjF3sn6ugnUw3nBnKOpOUr2DEh_g6cTN-0hivKCgc
*Released*✅ *Reviewed*✅ Approved✅
Curator Body0x2a965A4aE1798d5bbc654cc29a45e46fe791dc6D 0x5FE9800731bF29C08B23539E9BdC0F9453666572 0xfa056236FBC67e1F40B41b987558F48Ab78666e0 0x49478e011f68357F4Af38B92EADa8D7ddfE7e7Dc 0xD2a394b1e5690f6cb85220eA8AdD737B26F5db68
Versão portuguesa aqui.
GPS 38.702079106185735, -9.30261805352454
Life and work
Mário de Sá-Carneiro was born in Lisbon, on May 15, 1890. Since 1908, the date of publication of his first eight stories in the magazine Azulejos, which claims to be a fiction writer. He enrolled at the Faculty of Law of Coimbra in 1911, continuing his studies in Paris, at the Sorbonne, never completing them, as he preferred to immerse himself in the bohemian life of cafes and concert halls.
From 1913 onwards, he began writing poetry and in 1914 he published the novel A Confissão de Lúcio and his book of poems Dispersão. That same year, in collaboration with some friends, including Fernando Pessoa and Almada Negreiros, he began the magazine Orpheu, which was published the following year and caused great excitement in the Portuguese-Brazilian community. The new publication reveals trends from symbolism and decadence to brand new aesthetic-literary currents such as futurism. The poet committed suicide on April 26, 1916, in Paris, at the age of 26.
Sculptural Reading
Sculpture
Sculpture in which the head appears disjointed with the rest of the body, a clear reference to its inadaptation to the world. Existence of the table element that gives volume to the statue, part of the Pessoan hexagon but with engraved wings that signify longing. Representation of the young bourgeois with a strap on his chest pocket, collar, shoes and cuff of a “twenties” shirt. An allusion, in his own words, to the lack of a wing stroke. In the portrait of the poet, in gray Trigaches marble, she seems to intensify the idea of escape to the beyond, his non-encounter with the time he lived.
Poetic Reading
A representation that points to his narcissistic character, of constant search that leads to extravagance, efabulation and delirium, installing in him a permanent personality crisis, marked by inadaptation, loneliness and self-destruction.
Sculptor Francisco Simões
Patron CONSISTE, Consultancy, Services and Commerce of Computer Equipment, S.A.
Full list of Geochaching below:
https://mirror.xyz/madeinpt.eth/I5tjF3sn6ugnUw3nBnKOpOUr2DEh_g6cTN-0hivKCgc
*Released*✅ *Reviewed*✅ Approved✅
Curator Body0x2a965A4aE1798d5bbc654cc29a45e46fe791dc6D 0x5FE9800731bF29C08B23539E9BdC0F9453666572 0xfa056236FBC67e1F40B41b987558F48Ab78666e0 0x49478e011f68357F4Af38B92EADa8D7ddfE7e7Dc 0xD2a394b1e5690f6cb85220eA8AdD737B26F5db68
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