I thought I'd make a list of some stuff I wrote about digital art.

• Jonathan Chomko: Show Your Work
  "The comedy arises from how unfunny it is: a man come down to the desert to do what, exactly?"

• Matt Kane: The Story Teller
  "The flaws of Etch matter less than the fact that it’s pushing the space a little further than before. It means that the story is to be continued."

• Eric De Giuli: A Map of Everything
  "That might make Atlas a less obvious method of considering our place in the cosmos, but perhaps it’s also for the better."

• DIS: Life Before Death
  "What if, in the markets or elsewhere, the apocalypse never really comes?"

• No Shortage of Brilliance: Tyler Hobbs and Herbert W. Franke
  "Given the human brain’s limited capacity for processing information, how might varying levels of complexity impact a viewer’s experience of a piece?"

• Kits Wants Artists to Own Their Sonic Identity
  "Calling it a music NFT might be a stretch, but BEEP was the first digital asset 'backed by sound,'"

• Everything You Need to Know About NFTs
  "Total triumph or total disaster. How terrifying! How fun!"

• Coffee Run
  "Real life, then, might start to feel like one big Starbucks game."

• Lost in Time
  "To say NFT time moves fast hardly captures how it feels to take part in it."

P.S.: Here's some other stuff I wrote: early TikTok for Pitchfork, Yung Lean for The FADER, cheerleading music for VICE, and a lot about saints

I thought I'd make a list of some stuff I wrote about digital art.

• Jonathan Chomko: Show Your Work
  "The comedy arises from how unfunny it is: a man come down to the desert to do what, exactly?"

• Matt Kane: The Story Teller
  "The flaws of Etch matter less than the fact that it’s pushing the space a little further than before. It means that the story is to be continued."

• Eric De Giuli: A Map of Everything
  "That might make Atlas a less obvious method of considering our place in the cosmos, but perhaps it’s also for the better."

• DIS: Life Before Death
  "What if, in the markets or elsewhere, the apocalypse never really comes?"

• No Shortage of Brilliance: Tyler Hobbs and Herbert W. Franke
  "Given the human brain’s limited capacity for processing information, how might varying levels of complexity impact a viewer’s experience of a piece?"

• Kits Wants Artists to Own Their Sonic Identity
  "Calling it a music NFT might be a stretch, but BEEP was the first digital asset 'backed by sound,'"

• Everything You Need to Know About NFTs
  "Total triumph or total disaster. How terrifying! How fun!"

• Coffee Run
  "Real life, then, might start to feel like one big Starbucks game."

• Lost in Time
  "To say NFT time moves fast hardly captures how it feels to take part in it."

P.S.: Here's some other stuff I wrote: early TikTok for Pitchfork, Yung Lean for The FADER, cheerleading music for VICE, and a lot about saints