We often speak of memory as if it were a filing cabinet, perfectly organised and unchanging. But the reality is far more fluid. Our recollections ebb and flow, sometimes crystal clear, sometimes obscured by the fog of time. They're shaped by emotion, colored by experience, and gradually worn smooth by the constant motion of our minds — much like stones tumbled by the endless rhythm of waves.
The ocean became my metaphor for this work. With its rhythmic crash of waves and endless horizon, it mirrors how our memories rise and fall in layers — sometimes overwhelming, sometimes barely there.
"Fading Memories" presents two interconnected yet distinct visions, each exploring different facets of recollection and loss. The upper frame dissolves into an abstract dreamscape of foam and motion, where churning waters create a symphony of white against deep shadows. Here, the ocean becomes pure emotion— turbulent, overwhelming, almost chaotic in its intensity. The image feels like the moment when a memory floods back unbidden, all sensation and feeling before the mind can organize it into coherent thought.
The bottom image brings us back to a world we recognize, but it's just as moving. Lone figures walk into the calm waves, their dark and blurred shapes standing out against the wide ocean view. Perhaps they represent memories of people we once knew — those with whom we've lost touch and whose faces now blur in our recollection. There's a peaceful silence here, a feeling of deep thought and maybe sadness. The figures seem small against the vastness, reminding us of our own place in the continuum of time and tide.
Both images share a monochromatic palette that strips away the distractions of color, leaving only form, texture, and emotion. The grain and contrast work together to create an almost nostalgic quality, as if these photographs themselves are memories half-faded, half-preserved.
Photography has always been about capturing time, freezing moments that would otherwise be lost forever. But "Fading Memories" attempts something more ambitious — it tries to capture the feeling of losing time, of watching moments slip away even as we try to hold onto them.
OBJKT (tezos)
