Places of religious activities in Laoshan Scenic Area will be closed to the outside world
Qilu Evening News · Qilu Yidian reporter Tai Xuechao On January 16, the administration of Laoshan Scenic Spot issued a notice that the places of religious activities in the scenic spot were temporarily closed to the outside world. Except for the places of religious activities, all tourist areas in Laoshan Scenic Spot were normally open. The notice shows that according to the notice requirements of religious management departments and religious groups, the “double suspension” will be implement...
That man! Middleton scored 44 points and led the team to win with 16 points in the last quarter
On March 7, the NBA regular season continued, and the Bucks narrowly beat the Suns 132-122. Bucks star Chris Middleton played well and scored a season high 44 points. In the whole game, Middleton played 35 minutes and 52 seconds, made 16 of 27 shots, made 9 of 5 three points, made 7 of 7 free throws, scored 44 points, 8 rebounds, 5 assists and 1 steals. In the fourth quarter of the key game, Middleton scored 6 out of 10, 3 out of 2, 2 free throws, got 16 points, 1 assists and 1 backboard, and...
Pre-trial session of the High-level Panel on the Death of Senior sister, 2 February
Sakamoto On 28 March, the Congregation and the authorities of the mother of the child who was killed in the crash of the sister were informed that a pre-court meeting on the case was held on 27 March in the High Council of the City. At the pre-trial session, the second sitting in the case is tentatively scheduled for 3 April. On 2 November 2020, at 3.30 p.m., the snow (named, 2 years old) and oceanic (named, 1 year old) crashed in the 15th floor of the Chinese Palace, in the south-east of Kyu...
<100 subscribers
Places of religious activities in Laoshan Scenic Area will be closed to the outside world
Qilu Evening News · Qilu Yidian reporter Tai Xuechao On January 16, the administration of Laoshan Scenic Spot issued a notice that the places of religious activities in the scenic spot were temporarily closed to the outside world. Except for the places of religious activities, all tourist areas in Laoshan Scenic Spot were normally open. The notice shows that according to the notice requirements of religious management departments and religious groups, the “double suspension” will be implement...
That man! Middleton scored 44 points and led the team to win with 16 points in the last quarter
On March 7, the NBA regular season continued, and the Bucks narrowly beat the Suns 132-122. Bucks star Chris Middleton played well and scored a season high 44 points. In the whole game, Middleton played 35 minutes and 52 seconds, made 16 of 27 shots, made 9 of 5 three points, made 7 of 7 free throws, scored 44 points, 8 rebounds, 5 assists and 1 steals. In the fourth quarter of the key game, Middleton scored 6 out of 10, 3 out of 2, 2 free throws, got 16 points, 1 assists and 1 backboard, and...
Pre-trial session of the High-level Panel on the Death of Senior sister, 2 February
Sakamoto On 28 March, the Congregation and the authorities of the mother of the child who was killed in the crash of the sister were informed that a pre-court meeting on the case was held on 27 March in the High Council of the City. At the pre-trial session, the second sitting in the case is tentatively scheduled for 3 April. On 2 November 2020, at 3.30 p.m., the snow (named, 2 years old) and oceanic (named, 1 year old) crashed in the 15th floor of the Chinese Palace, in the south-east of Kyu...
Share Dialog
Share Dialog
On 21 April, the Beijing Contemporary Arts Fair was joined by the Waie International Group, which was successful in the public arts season and the inauguration of a street ceremony on the “Conges” of the public arts project in allu, Jubilee and Beijing. On 22 April, the Museum of Emergenism, as the host of the project, launched an art forum on the theme “Breaking the Wall of the Museum of Fine Arts”, which was successfully held at the Multifunctional Office of the Museum of Emergen.
Forum site
The Moderator, the Executive Vice-President of the Museum of Emergencies, Liuwe, invited the practitioners of the “Agritory commons”, Lee Lee, the artist, Liu Asia, and all local artists, to exchange in depth. To explore, at this stage of social development, how public-owned artistic creations, such as public sculptures, devices and so forth, are constantly challenging the conventional definition of the space of the fine arts; the interaction of public works of art with their environment and space and powerful blogs; and topics related to the status and trends of the creation of public art in all regions, and interaction with the on-site audience.
Field audience
Traditionally, works of art are often displayed in specific space scenes such as fine arts, exhibitions and grooms. At present, with the development of societies and changes in social patterns, coupled with a deeper and broader public demand for culture and art, the arts also need to be more closely connected to the “public”, which in part accelerates the landscape and application of art. At the same time, the arts also need to go into public life and become part of public life.
The arts are not merely placed in the aesthetic galleries, bedrocks, bedrocks, beauty and bedrooms, and require close interaction and connection with the public. “Public art is often isolated from building and in-house space and interacts in a more complex and diverse context.”
Executive policy exhibit
The so-called “public art” is public, open and accessible to all. The artist Xalong stated: “It is good for public art to have a zero-distance reading and an open-minded reading, which gives us more possibilities for life.” Contemporary works of art exist in public space and, in addition to the art that they are carrying, to allow the public to be present, to become more aware, to understand contemporary art, to balance or even widen their public expression, to integrate into public space with their own unique ability to account and to connect to the environment around the city.
The works on both art and culture each explore different topics. The birth of the birth of the birth of the birth of the birth of a great number of genocidal animals, whose face has been changed to the form of a lens, and whose faces can be seen when they come to the fore. The work of Liu Asia, Microstow, discusses the dialectical relationship between a small and wide range. He believed that good public works of art were to be developed and to generate public discussion, as was the “skewed arc” on Manhattan Square.
From the left to the right, the artist next to the right will be: Lee win, Liu, Liu, nineron, and what works for peace.
On the controversial issue of public works of art, Lee stated that domestic progress had been made in that regard, and that social inclusion, the participation of viewers in the arts, and acceptance had been much higher than before. The environment is now more free for creators than for early domestic public art projects, which are subject to hierarchical clearance, interactive voting by viewers.
Urban cultural differences have led to the production of public works of art that are diverse. They are the most representative and front-line art positions in the cheon and, indeed, the entire South-West arts community, and arts grow relatively freely “in situ”. The contemporary artist, what is said to be: “Preventing is a very inclusive city, with a large number of artisans and a deep depression of street culture, city wells, which provide the soil for art production and development.”
Moderator and panellists
The “Knowledge Area” urban public arts project has invited Lee, Liu Asia, Song, Tribes, Lee, Yang Shi, Zhou, and six contemporary pioneer artists to create “for locality” and to plant 11 very rich large works of art into the Huaung LIVE Beijing, Pedago and Juche project, seven works of art on all grounds. Art works with the field “shun down” routines of daily life and are closely connected to the cities of the winds, creating a completely new “multi-dimensional emotional field” that leads the general public to unfamiliar, nascent and inspire a sense of commonality.
Yoweri, Executive Vice-President of the Museum of Emergencies, said that “when the arts are truly integrated into life, it becomes a way of life, and public art is the art that is most accessible. Good public works of art can capture and connect to public sentiments, which give rise to common senses, as if a small stone was dropped on the lake of calm.”
Liuwe, Executive Vice-President of the Museum of Emergencies
The Museum of Emergenism has been focused on contemporary arts, and should be backed by the age of reaction, the expression of art and the dialogue of the times, the power of art to connect individuals, as well as individual and social relations, with cross-border exhibitions and public dialogue.
Visit by the guest to the works of the stone forest on the art of the road, Your Excellencies
At this forum, guests have fully explored the many forms of public art that have grown in the new era. Public art enriches the cultural and leisure life of the urban public, making cities more humane and more temperature in urban space. The development of public art is not only based on the creation of artists, but also requires greater social awareness. As a space for art, the Museum of Era has the responsibility to promote the development of public art by linking public art with the sentiments of the people in the city and conveying the values of art and art to meet the growing spiritual and cultural needs of the public.
Liu Asian Works Microdust
The site of public works of art has added a strong artistic strength to the Chinese business community of LIVE 528, attracting young people in distress to come to gallery, where people have come together to exchange, emotions and smoke among those who have experienced the truth. At the same time, the public nature of the works of art has been demonstrated, and in the flash of mobile phones and camera screens, it has once again broken down time and space constraints and has become a new cultural landmark for all.
It is known that on 30 April, the President of the Waitangi International Investment Group and the Dean of the Museum of Emergeny were among the leaders.
On 21 April, the Beijing Contemporary Arts Fair was joined by the Waie International Group, which was successful in the public arts season and the inauguration of a street ceremony on the “Conges” of the public arts project in allu, Jubilee and Beijing. On 22 April, the Museum of Emergenism, as the host of the project, launched an art forum on the theme “Breaking the Wall of the Museum of Fine Arts”, which was successfully held at the Multifunctional Office of the Museum of Emergen.
Forum site
The Moderator, the Executive Vice-President of the Museum of Emergencies, Liuwe, invited the practitioners of the “Agritory commons”, Lee Lee, the artist, Liu Asia, and all local artists, to exchange in depth. To explore, at this stage of social development, how public-owned artistic creations, such as public sculptures, devices and so forth, are constantly challenging the conventional definition of the space of the fine arts; the interaction of public works of art with their environment and space and powerful blogs; and topics related to the status and trends of the creation of public art in all regions, and interaction with the on-site audience.
Field audience
Traditionally, works of art are often displayed in specific space scenes such as fine arts, exhibitions and grooms. At present, with the development of societies and changes in social patterns, coupled with a deeper and broader public demand for culture and art, the arts also need to be more closely connected to the “public”, which in part accelerates the landscape and application of art. At the same time, the arts also need to go into public life and become part of public life.
The arts are not merely placed in the aesthetic galleries, bedrocks, bedrocks, beauty and bedrooms, and require close interaction and connection with the public. “Public art is often isolated from building and in-house space and interacts in a more complex and diverse context.”
Executive policy exhibit
The so-called “public art” is public, open and accessible to all. The artist Xalong stated: “It is good for public art to have a zero-distance reading and an open-minded reading, which gives us more possibilities for life.” Contemporary works of art exist in public space and, in addition to the art that they are carrying, to allow the public to be present, to become more aware, to understand contemporary art, to balance or even widen their public expression, to integrate into public space with their own unique ability to account and to connect to the environment around the city.
The works on both art and culture each explore different topics. The birth of the birth of the birth of the birth of the birth of a great number of genocidal animals, whose face has been changed to the form of a lens, and whose faces can be seen when they come to the fore. The work of Liu Asia, Microstow, discusses the dialectical relationship between a small and wide range. He believed that good public works of art were to be developed and to generate public discussion, as was the “skewed arc” on Manhattan Square.
From the left to the right, the artist next to the right will be: Lee win, Liu, Liu, nineron, and what works for peace.
On the controversial issue of public works of art, Lee stated that domestic progress had been made in that regard, and that social inclusion, the participation of viewers in the arts, and acceptance had been much higher than before. The environment is now more free for creators than for early domestic public art projects, which are subject to hierarchical clearance, interactive voting by viewers.
Urban cultural differences have led to the production of public works of art that are diverse. They are the most representative and front-line art positions in the cheon and, indeed, the entire South-West arts community, and arts grow relatively freely “in situ”. The contemporary artist, what is said to be: “Preventing is a very inclusive city, with a large number of artisans and a deep depression of street culture, city wells, which provide the soil for art production and development.”
Moderator and panellists
The “Knowledge Area” urban public arts project has invited Lee, Liu Asia, Song, Tribes, Lee, Yang Shi, Zhou, and six contemporary pioneer artists to create “for locality” and to plant 11 very rich large works of art into the Huaung LIVE Beijing, Pedago and Juche project, seven works of art on all grounds. Art works with the field “shun down” routines of daily life and are closely connected to the cities of the winds, creating a completely new “multi-dimensional emotional field” that leads the general public to unfamiliar, nascent and inspire a sense of commonality.
Yoweri, Executive Vice-President of the Museum of Emergencies, said that “when the arts are truly integrated into life, it becomes a way of life, and public art is the art that is most accessible. Good public works of art can capture and connect to public sentiments, which give rise to common senses, as if a small stone was dropped on the lake of calm.”
Liuwe, Executive Vice-President of the Museum of Emergencies
The Museum of Emergenism has been focused on contemporary arts, and should be backed by the age of reaction, the expression of art and the dialogue of the times, the power of art to connect individuals, as well as individual and social relations, with cross-border exhibitions and public dialogue.
Visit by the guest to the works of the stone forest on the art of the road, Your Excellencies
At this forum, guests have fully explored the many forms of public art that have grown in the new era. Public art enriches the cultural and leisure life of the urban public, making cities more humane and more temperature in urban space. The development of public art is not only based on the creation of artists, but also requires greater social awareness. As a space for art, the Museum of Era has the responsibility to promote the development of public art by linking public art with the sentiments of the people in the city and conveying the values of art and art to meet the growing spiritual and cultural needs of the public.
Liu Asian Works Microdust
The site of public works of art has added a strong artistic strength to the Chinese business community of LIVE 528, attracting young people in distress to come to gallery, where people have come together to exchange, emotions and smoke among those who have experienced the truth. At the same time, the public nature of the works of art has been demonstrated, and in the flash of mobile phones and camera screens, it has once again broken down time and space constraints and has become a new cultural landmark for all.
It is known that on 30 April, the President of the Waitangi International Investment Group and the Dean of the Museum of Emergeny were among the leaders.
No comments yet