
SCENES
Rising UK-based electronic artist and producer, Jamie Reddington, better known as Sound of Fractures, announces the launch of his groundbreaking project, "Scenes". "SCENES" re-imagines the music album; it’s an experience where fans contribute their memories and photos in response to each song, creating a unique gallery of moments.It invites the audience to put themselves in the process of releasing each song in an albumForms visual and emotional bonds between the songs and the audienceCapture...

Creating Alongside Expectation
Previous articles in the series:Open LetterSound of Fractures TokenBuilding Worlds: Introducing Sound of Fractures TokenPart 1 : Life In The GreyI wanted to share this post to give insight into what it’s like to be creating ideas that don’t fit into a tidy box. To be creating and thinking outside of current models and expectations comes with the endless challenge of explaining yourself to an audience saddled with preconceptions. It is without a doubt hard to break free of what we know, that g...

6 ways to involve and engage your fanbase
In the dynamic world of music, connecting with fans is as vital as the music itself. Here is 6 ways I have experimented with involving my audience and building connections through my project SCENESSCENESListen to SCENES on Spotify · album · Sound of Fractures · 2024 · 11 songshttps://spotify.comThis guide delves into creating deeper connections with listeners through co-creation, community building, and world-building.Co-createCo-create: this is really about making people feel a part of what ...
Driven by building a listening experience that people can turn to when they want to feel something.

SCENES
Rising UK-based electronic artist and producer, Jamie Reddington, better known as Sound of Fractures, announces the launch of his groundbreaking project, "Scenes". "SCENES" re-imagines the music album; it’s an experience where fans contribute their memories and photos in response to each song, creating a unique gallery of moments.It invites the audience to put themselves in the process of releasing each song in an albumForms visual and emotional bonds between the songs and the audienceCapture...

Creating Alongside Expectation
Previous articles in the series:Open LetterSound of Fractures TokenBuilding Worlds: Introducing Sound of Fractures TokenPart 1 : Life In The GreyI wanted to share this post to give insight into what it’s like to be creating ideas that don’t fit into a tidy box. To be creating and thinking outside of current models and expectations comes with the endless challenge of explaining yourself to an audience saddled with preconceptions. It is without a doubt hard to break free of what we know, that g...

6 ways to involve and engage your fanbase
In the dynamic world of music, connecting with fans is as vital as the music itself. Here is 6 ways I have experimented with involving my audience and building connections through my project SCENESSCENESListen to SCENES on Spotify · album · Sound of Fractures · 2024 · 11 songshttps://spotify.comThis guide delves into creating deeper connections with listeners through co-creation, community building, and world-building.Co-createCo-create: this is really about making people feel a part of what ...
Driven by building a listening experience that people can turn to when they want to feel something.

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TDLR:
Concept development
Whats next?
Ultraviolet: 10 editions that are affordable
My first 1/1’s
All Sound of Fractures NFT holders get
The concept of the second ep is focussed on people, its inspired by the idea that even something or someone who is seen as ordinary can be deeply complex and beautiful if you look deeper. The idea came from watching people as I travelled and wondering what they were really like, I’ve found people who are quiet are often the most interesting, and then this started to feed into the idea of online identities too as I explored web3. The artwork and visuals are focused on individual people, and the idea of when you dive deeper how complex they may be, and what they have experienced beyond what you see.... or perhaps as you get to really know them and they let you in.

The ultraviolet editions are a way to mark the start of the next phase for me, and continue in with my belief that having affordable options for new people to support is really important. I chose 10 editions as along with the artwork by Jackson Ducasse, I still wanted these to feel valuable to collectors and be something collectors are proud to own.

The next step in my journey will be to do my first purely music 1/1’s, as I’ve got closer to this I’ve been thinking a lot about what else I can offer around my music.. not because I want to increase its price, or initial value, but for me it’s because I want to build more personal and stronger relationships with collectors, while also offering a point of difference between my NFT’s… and I’m still working out how to do this. Patronage is important as already those who have collected my work can see their contribution in action during this coming campaign. However, for the long term deeper connections and people who want to stick it out are who I’m hoping to find!
The title of the next ep is IRL, and because of this I wanted to add in my first experience to go with an NFT
A choice of:
Back to back desert island discs music chat and listening session
Behind the scenes production workshop
Accompany me on virtual exhibition-tour https://museumofportablesound.com/education/groups/
An simple way to look at this was articulated by MDCL:

The main theme across all responses has really been about irl experiences or as close to that as I can get, so i tried to choose 3 ideas that i hope will reflect the different type of collectors i have met so far.
Photos/artwork are by Max Gabbay and Jackson Ducasse and these NFTS will be the only place they will features on the block chain.
The last piece of the puzzle will be the collector will get edition #1 of the corresponding visualiser NFT from the visualiser drop
Visualisers: 3 sets x ?
Ultraviolet Dream Sunflowers
Your Touch Video!
Behind the scenes content: The concept of bringing collectors behind the scenes is one I’m very keep on. The reality is that not all will be interested, but I plan to keep experimenting with this, as I believe that as my career develops collectors will feel a stronger connection with the process, and creators can learn from me sharing a long the way.
RealFrensDao: The future for my artist dao is something I’m going to explore as I progress and I hope for fans and collectors to join me on this exploration. As they say the road map is: there is no road map! The initial goal will be to build the treasury, in the hope that between me and the community around me we can find engaging and interesting ways for us all to build, create, and connect in a way where contributions are validated.
TDLR:
Concept development
Whats next?
Ultraviolet: 10 editions that are affordable
My first 1/1’s
All Sound of Fractures NFT holders get
The concept of the second ep is focussed on people, its inspired by the idea that even something or someone who is seen as ordinary can be deeply complex and beautiful if you look deeper. The idea came from watching people as I travelled and wondering what they were really like, I’ve found people who are quiet are often the most interesting, and then this started to feed into the idea of online identities too as I explored web3. The artwork and visuals are focused on individual people, and the idea of when you dive deeper how complex they may be, and what they have experienced beyond what you see.... or perhaps as you get to really know them and they let you in.

The ultraviolet editions are a way to mark the start of the next phase for me, and continue in with my belief that having affordable options for new people to support is really important. I chose 10 editions as along with the artwork by Jackson Ducasse, I still wanted these to feel valuable to collectors and be something collectors are proud to own.

The next step in my journey will be to do my first purely music 1/1’s, as I’ve got closer to this I’ve been thinking a lot about what else I can offer around my music.. not because I want to increase its price, or initial value, but for me it’s because I want to build more personal and stronger relationships with collectors, while also offering a point of difference between my NFT’s… and I’m still working out how to do this. Patronage is important as already those who have collected my work can see their contribution in action during this coming campaign. However, for the long term deeper connections and people who want to stick it out are who I’m hoping to find!
The title of the next ep is IRL, and because of this I wanted to add in my first experience to go with an NFT
A choice of:
Back to back desert island discs music chat and listening session
Behind the scenes production workshop
Accompany me on virtual exhibition-tour https://museumofportablesound.com/education/groups/
An simple way to look at this was articulated by MDCL:

The main theme across all responses has really been about irl experiences or as close to that as I can get, so i tried to choose 3 ideas that i hope will reflect the different type of collectors i have met so far.
Photos/artwork are by Max Gabbay and Jackson Ducasse and these NFTS will be the only place they will features on the block chain.
The last piece of the puzzle will be the collector will get edition #1 of the corresponding visualiser NFT from the visualiser drop
Visualisers: 3 sets x ?
Ultraviolet Dream Sunflowers
Your Touch Video!
Behind the scenes content: The concept of bringing collectors behind the scenes is one I’m very keep on. The reality is that not all will be interested, but I plan to keep experimenting with this, as I believe that as my career develops collectors will feel a stronger connection with the process, and creators can learn from me sharing a long the way.
RealFrensDao: The future for my artist dao is something I’m going to explore as I progress and I hope for fans and collectors to join me on this exploration. As they say the road map is: there is no road map! The initial goal will be to build the treasury, in the hope that between me and the community around me we can find engaging and interesting ways for us all to build, create, and connect in a way where contributions are validated.
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