
Runtime Art on an Always On Computer

We Donβt Need More Collectors. We Need Better Patrons.
One of the quiet downsides of blockchains (especially in the context of art) is how good they are at making transactions easy. This sounds like praise, and often it is framed that way. Frictionless markets. Global access. Instant liquidity. No gatekeepers. All true... And also deeply consequential in ways the NFT space hasnβt fully reckoned with. Historically, art didnβt become valuable because it was easy to buy. π°π ππππππ ππππππππ πππππππ πππππππ πππππππ...

Essay... βCulture You Can Wearβ: Why PFPs Compress Tokenisation, Personification and Representation
Thesis. PFPs donβt just depict culture; they instantiate it. They compress three roles (tokenising a cultural motif into property, personifying it as a usable self, representing it in the stream of images) into a single, network-native object. Traditional art can do any one (and sometimes two) of these; PFPs make all three the default.From βart about cultureβ to βculture in operationβAll art encodes culture. Benjaminβs classic point about mechanical reproduction was that new media transform a...
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π°π πππ πππππππππ πππππ πππ ππππ πππππ.
A Dratini (a faithful companion, a symbol of gentleness) lies dead. The world it leaves behind is grey and empty. In that hollow moment a figure steps forward from the shadows: a Shinigami, a gatekeeper of the underworld. The bargain it offers is simple, brutal... irresistible. Your friend can return, but only if you bind it to another soul.
π»πππ ππ πππ ππππ ππ πππ πππππ ππ π«πππππππ.
The soul chosen is not that of some saint or hero but of MiFella... A local legend, feral and half-myth, whose own life had burned out in scandal and excess. MiFellaβs essence is poured into the little dragonβs body, warping it as it returns to life. The creature that rises is neither Dratini nor MiFella but something new: DriFella, a strange fusion of innocence and ruin, awkward and ugly yet charged with raw power.

π»πππ πππβπ ππππ π ππππ ππ ππππππππππππ.
From the start DriFellaβs power lay in the tension between forms: the base-cocoon-maturity of the Dratini line, the chaotic punkish distortion of MiFellaβs soul, the Godhead-pilled mythology of an underground internet subculture. The art carries that sense of becoming... jagged, sometimes grotesque, always in motion.
The lore places DriFella in a world of post-apocalyptic struggle, where life and death, creation and destruction, chase one another in endless loops. Itβs part ShΕnen anime, part folk horror, part internet fever dream. An avatar of the will to persist in a broken world.
And yet, beyond the spectacle, there is a human chord.
DriFella is a fable of that stubborn urge to overcome death, to bring the lost back, to re-animate what we cannot let go of.
It is also a parable about what happens to culture itself on-chain... How fragments of one projectβs ruin can be stitched into something new and alive.
This is the soil from which the later history will grow:
1οΈβ£ The Beginnings: the playful but eerie resurrection story, its imagery and early reception.
2οΈβ£ The Schism: the clash with Milady and the rise of the Fellaverse.
3οΈβ£ The Aftermath: how DriFella changed the conversation about what a PFP could be.
To tell that larger story we have to step back into the milieu that gave it meaning. But it starts here, with a dead dragon, a dark bargain and a creature that should not exist... yet does.
β’
β’
β’
Notis on. More to follow...

π°π πππ πππππππππ πππππ πππ ππππ πππππ.
A Dratini (a faithful companion, a symbol of gentleness) lies dead. The world it leaves behind is grey and empty. In that hollow moment a figure steps forward from the shadows: a Shinigami, a gatekeeper of the underworld. The bargain it offers is simple, brutal... irresistible. Your friend can return, but only if you bind it to another soul.
π»πππ ππ πππ ππππ ππ πππ πππππ ππ π«πππππππ.
The soul chosen is not that of some saint or hero but of MiFella... A local legend, feral and half-myth, whose own life had burned out in scandal and excess. MiFellaβs essence is poured into the little dragonβs body, warping it as it returns to life. The creature that rises is neither Dratini nor MiFella but something new: DriFella, a strange fusion of innocence and ruin, awkward and ugly yet charged with raw power.

π»πππ πππβπ ππππ π ππππ ππ ππππππππππππ.
From the start DriFellaβs power lay in the tension between forms: the base-cocoon-maturity of the Dratini line, the chaotic punkish distortion of MiFellaβs soul, the Godhead-pilled mythology of an underground internet subculture. The art carries that sense of becoming... jagged, sometimes grotesque, always in motion.
The lore places DriFella in a world of post-apocalyptic struggle, where life and death, creation and destruction, chase one another in endless loops. Itβs part ShΕnen anime, part folk horror, part internet fever dream. An avatar of the will to persist in a broken world.
And yet, beyond the spectacle, there is a human chord.
DriFella is a fable of that stubborn urge to overcome death, to bring the lost back, to re-animate what we cannot let go of.
It is also a parable about what happens to culture itself on-chain... How fragments of one projectβs ruin can be stitched into something new and alive.
This is the soil from which the later history will grow:
1οΈβ£ The Beginnings: the playful but eerie resurrection story, its imagery and early reception.
2οΈβ£ The Schism: the clash with Milady and the rise of the Fellaverse.
3οΈβ£ The Aftermath: how DriFella changed the conversation about what a PFP could be.
To tell that larger story we have to step back into the milieu that gave it meaning. But it starts here, with a dead dragon, a dark bargain and a creature that should not exist... yet does.
β’
β’
β’
Notis on. More to follow...

Runtime Art on an Always On Computer

We Donβt Need More Collectors. We Need Better Patrons.
One of the quiet downsides of blockchains (especially in the context of art) is how good they are at making transactions easy. This sounds like praise, and often it is framed that way. Frictionless markets. Global access. Instant liquidity. No gatekeepers. All true... And also deeply consequential in ways the NFT space hasnβt fully reckoned with. Historically, art didnβt become valuable because it was easy to buy. π°π ππππππ ππππππππ πππππππ πππππππ πππππππ...

Essay... βCulture You Can Wearβ: Why PFPs Compress Tokenisation, Personification and Representation
Thesis. PFPs donβt just depict culture; they instantiate it. They compress three roles (tokenising a cultural motif into property, personifying it as a usable self, representing it in the stream of images) into a single, network-native object. Traditional art can do any one (and sometimes two) of these; PFPs make all three the default.From βart about cultureβ to βculture in operationβAll art encodes culture. Benjaminβs classic point about mechanical reproduction was that new media transform a...
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