Examining the possibilities of algorithmic thinking and generative methods in artistic systems through epistemological perspectives. In addition to visual elements, dynamic simulations and the nature of computation, emphasis is placed on temporality, through introducing various auditory, psychoacoustic, and sonification examples.

Examining the possibilities of algorithmic thinking and generative methods in artistic systems through epistemological perspectives. In addition to visual elements, dynamic simulations and the nature of computation, emphasis is placed on temporality, through introducing various auditory, psychoacoustic, and sonification examples.

To produce randomness, most computer systems — including modern cryptographic protocols and generative art — make use of pseudo-random number generators. These are designed to generate sequences of numbers that appear random over large periods, but in reality they are driven by deterministic and predictable arithmetic. In contrast, quantum randomness arises from the inherent uncertainty in quantum mechanics, particularly from phenomena like superposition and measurement collapse.

To produce randomness, most computer systems — including modern cryptographic protocols and generative art — make use of pseudo-random number generators. These are designed to generate sequences of numbers that appear random over large periods, but in reality they are driven by deterministic and predictable arithmetic. In contrast, quantum randomness arises from the inherent uncertainty in quantum mechanics, particularly from phenomena like superposition and measurement collapse.

Introducing re-frame: a generative artwork that turns computational space into a metaphysical environment by recombining metadata of a digital archive database

Introducing re-frame: a generative artwork that turns computational space into a metaphysical environment by recombining metadata of a digital archive database