Examining the possibilities of algorithmic thinking and generative methods in artistic systems through epistemological perspectives. In addition to visual elements, dynamic simulations and the nature of computation, emphasis is placed on temporality, through introducing various auditory, psychoacoustic, and sonification examples.

Examining the possibilities of algorithmic thinking and generative methods in artistic systems through epistemological perspectives. In addition to visual elements, dynamic simulations and the nature of computation, emphasis is placed on temporality, through introducing various auditory, psychoacoustic, and sonification examples.