
Talking to the Protocol
An exploration into a new communication layer. By Gaby Goldberg & Sophie FujiwaraHISTORY OF DIGITAL SOCIALIZINGTo date, every iteration of the Internet has been ushered in by a technology to help us better communicate. This began with Internet Relay Chat (IRC) in 1988, and later in the 1990s, we saw the first major instant messaging platforms (ICQ, AIM, MSN, and Yahoo) all battle for market share. The early 2000s became a “gold rush” of sorts for instant messaging, with SMS becoming a global ...

TCG Crypto Year in Review 2023
Below is a written and abridged version of the annual presentation we recently shared with TCG Crypto investors.A consumer-first approach to emerging technologyTwo years ago, we launched TCG Crypto with the belief that blockchains could catalyze new user behaviors for consumer businesses. While many investors in this category were focused on lower-level infrastructure alone, we turned our attention instead to what we believed the technology would unlock: net new consumer platforms, experience...

TCG Crypto Year in Review
One Year DownDear TCG Crypto investors, collaborators, and friends, With over a year of the fund underway, we are excited to share with you our first Year in Review letter surrounding our portfolio and key areas of focus. In this letter, we outline our thesis for how we’ve invested over the last year, the areas where we’ve worked to build stronger points of view, and where we’re excited to spend time in 2023. Read on:By the NumbersIn the first half of this year, we closed TCG Crypto Fund I at...
Scaling consumer crypto.

Talking to the Protocol
An exploration into a new communication layer. By Gaby Goldberg & Sophie FujiwaraHISTORY OF DIGITAL SOCIALIZINGTo date, every iteration of the Internet has been ushered in by a technology to help us better communicate. This began with Internet Relay Chat (IRC) in 1988, and later in the 1990s, we saw the first major instant messaging platforms (ICQ, AIM, MSN, and Yahoo) all battle for market share. The early 2000s became a “gold rush” of sorts for instant messaging, with SMS becoming a global ...

TCG Crypto Year in Review 2023
Below is a written and abridged version of the annual presentation we recently shared with TCG Crypto investors.A consumer-first approach to emerging technologyTwo years ago, we launched TCG Crypto with the belief that blockchains could catalyze new user behaviors for consumer businesses. While many investors in this category were focused on lower-level infrastructure alone, we turned our attention instead to what we believed the technology would unlock: net new consumer platforms, experience...

TCG Crypto Year in Review
One Year DownDear TCG Crypto investors, collaborators, and friends, With over a year of the fund underway, we are excited to share with you our first Year in Review letter surrounding our portfolio and key areas of focus. In this letter, we outline our thesis for how we’ve invested over the last year, the areas where we’ve worked to build stronger points of view, and where we’re excited to spend time in 2023. Read on:By the NumbersIn the first half of this year, we closed TCG Crypto Fund I at...
Scaling consumer crypto.

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Museums, arguably, are one of the most exclusive asset classes ever created. Curated collections have outpaced the overall art market, which has in turn outpaced the S&P 500 (2000-2020). In times of rising inflation, museums have performed well, with collectors often looking to purchase art as a hedge. And when it comes to wealth management, 73% of managers confirmed their clients wanted to include art and other collectable assets in their portfolios (2016).
And yet museums are run entirely backwards, consolidating power, controlling access, and failing to take advantage of (or distribute) the economic value they create. What does this look like in practice? Per a 2017 report, nearly 90% of museum board members are White, and 75% are 50+ years old. As of this year, less than 0.1% of the global population has been to the Smithsonian (and far fewer to the Met) — and even if everyone showed up, 95% of museum items sit in storage at any given time. Most people will never see the most valuable objects in history. Owning them is out of the question.
People want to curate, own, and preserve culture, but culturally significant items are locked into private collections and controlled by established institutions. Perhaps one of the most poignant examples within web3 is when ConstitutionDAO aimed to buy a copy of the U.S. Constitution, but was outbid at the eleventh hour by Ken Griffin, head of Citadel.
Enter Arkive, the world’s first decentralized physical museum. What if the Smithsonian was not just curated, but owned, by the Internet? Founded by serial entrepreneur Tom McLeod, Arkive aims to curate a “museum-worthy” collection, from Picassos to Pateks, all physically owned and showcased globally. Each item is wrapped in a smart contract, and museum membership & curation is governed by NFTs. Arkive’s first collection is focusing on the theme When Technology Was a Game Changer, working to create conversations around technological items that have shaped the way we view the world.

We believe that Arkive is launching at an inflection point between two of the most high-growth forces: crypto and alternative assets. AUM in global alternatives is expected to nearly double over the next five years, from $13 trillion in 2021 to ~$23 trillion by 2027. Arkive’s genesis members have already made two acquisitions (including the ENIAC patent) and they’re just getting started. If you’re interested in applying for membership, you can learn more here.
We are thrilled to be on board for the Arkive journey alongside our close friends at Offline Ventures. We’re honored to work more closely with (and learn from) Tom and the entire Arkive team, as well as friends around the table at NFX, Freestyle Capital, Not Boring Capital, and others. Want to get involved? Arkive is hiring! More from Tom here.
TCG Crypto is an investor in Arkive. None of the information discussed herein is intended to be, or should be construed as financial advice, or an offer to sell or a solicitation of an offer to buy an interest in any security. The information set forth herein has been obtained or derived from sources believed by the author to be reliable and has been provided solely for informational purposes. Nevertheless, the author does not make any representation or warranty, express or implied, as to the information’s accuracy or completeness.
Museums, arguably, are one of the most exclusive asset classes ever created. Curated collections have outpaced the overall art market, which has in turn outpaced the S&P 500 (2000-2020). In times of rising inflation, museums have performed well, with collectors often looking to purchase art as a hedge. And when it comes to wealth management, 73% of managers confirmed their clients wanted to include art and other collectable assets in their portfolios (2016).
And yet museums are run entirely backwards, consolidating power, controlling access, and failing to take advantage of (or distribute) the economic value they create. What does this look like in practice? Per a 2017 report, nearly 90% of museum board members are White, and 75% are 50+ years old. As of this year, less than 0.1% of the global population has been to the Smithsonian (and far fewer to the Met) — and even if everyone showed up, 95% of museum items sit in storage at any given time. Most people will never see the most valuable objects in history. Owning them is out of the question.
People want to curate, own, and preserve culture, but culturally significant items are locked into private collections and controlled by established institutions. Perhaps one of the most poignant examples within web3 is when ConstitutionDAO aimed to buy a copy of the U.S. Constitution, but was outbid at the eleventh hour by Ken Griffin, head of Citadel.
Enter Arkive, the world’s first decentralized physical museum. What if the Smithsonian was not just curated, but owned, by the Internet? Founded by serial entrepreneur Tom McLeod, Arkive aims to curate a “museum-worthy” collection, from Picassos to Pateks, all physically owned and showcased globally. Each item is wrapped in a smart contract, and museum membership & curation is governed by NFTs. Arkive’s first collection is focusing on the theme When Technology Was a Game Changer, working to create conversations around technological items that have shaped the way we view the world.

We believe that Arkive is launching at an inflection point between two of the most high-growth forces: crypto and alternative assets. AUM in global alternatives is expected to nearly double over the next five years, from $13 trillion in 2021 to ~$23 trillion by 2027. Arkive’s genesis members have already made two acquisitions (including the ENIAC patent) and they’re just getting started. If you’re interested in applying for membership, you can learn more here.
We are thrilled to be on board for the Arkive journey alongside our close friends at Offline Ventures. We’re honored to work more closely with (and learn from) Tom and the entire Arkive team, as well as friends around the table at NFX, Freestyle Capital, Not Boring Capital, and others. Want to get involved? Arkive is hiring! More from Tom here.
TCG Crypto is an investor in Arkive. None of the information discussed herein is intended to be, or should be construed as financial advice, or an offer to sell or a solicitation of an offer to buy an interest in any security. The information set forth herein has been obtained or derived from sources believed by the author to be reliable and has been provided solely for informational purposes. Nevertheless, the author does not make any representation or warranty, express or implied, as to the information’s accuracy or completeness.
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